Writer-director Jamie Thraves's feature-film debut follows the day-to-day life of Frank (Aidan Gillen of QUEER AS FOLK), a single London artist in his late twenties who works as a prop maker along with his quirky friends, Mike (Dean Lennox Kelly) and John (Tobias Menzies). Aware that he needs to jump-start his easygoing life, .. Read more
| Starring | Aidan Gillen, Kate Ashfield, Dean Lennox Kelly, Tobias Menzies |
|---|---|
| Director | Jamie Thraves |
| Genres | Drama |
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Writer-director Jamie Thraves's feature-film debut follows the day-to-day life of Frank (Aidan Gillen of QUEER AS FOLK), a single London artist in his late twenties who works as a prop maker along with his quirky friends, Mike (Dean Lennox Kelly) and John (Tobias Menzies). Aware that he needs to jump-start his easygoing life, Frank considers moving out of the flat he shares with his depressed roommate, Terry (Rupert Proctor). While looking for a new place, he meets Ruby (Kate Ashfield), a spritely young real estate agent. As Frank's relationship with Ruby develops, his life, work, and friendships all begin to change. Focusing more on atmosphere than plot, Thraves's excellent first feature is almost documentary-like in its realism but still allows for strikingly artistic flourishes, evoking the work of filmmakers such as John Cassavetes, Francois Truffaut, and Jean-Luc Godard. Intentionally ambiguous at times, the film remarkably captures the confusion of postgraduate life. Perfectly cast and well acted, THE LOW DOWN is carried by Gillen's quietly engaging performance. Songs by PJ Harvey and the Human League accompany the subtle cinematic score by Nick Currie (aka Momus) and Fred Thomas.
| Starring | Aidan Gillen, Kate Ashfield, Dean Lennox Kelly, Tobias Menzies, Dena Smiles, Samantha Power, Rupert Proctor |
|---|---|
| Director | Jamie Thraves |
| Studio | CINEMA CLUB |
| Run time | DVD: 1 hr 36 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 12 Jun 2002 Production year: 2000 |
| Format | DVD |
This feature debut from writer/director Jamie Thraves has film-school experimentation written all over it, some of which works, some of which doesn't. Focusing on the excellent Aidan Gillen, one of a group of lost twentysomething bohemian Londoners, the movie follows his burgeoning romance with Kate Ashfield, which parallels his journey out of a Peter Pan complex into adulthood. The Low Down is honest, true and cinematographically original, yet it suffers from an all-too-familiar rite-of-passage plot with an overkill feel that's reminiscent of a Nick Hornby or Helen Fielding novel. Thraves is obviously one to watch, but this film isn't his American Beauty.
Frank (Gillen) is dimly aware he'll have to grow out of this life. He's stuck in a slummy flat-share in Dalston, N... read more on Time Out
In this, we eavesdrop on a group of twenty-something Londoners, but, unfortunately, they haven't got anything very interesting for us to hear. Of the central couple, we learn that she's read a lot of good books lately and is paranoid about her legs, while he doesn't want to live anywhere too posh, gets his terrible quick temper from his dad and always wanted to 'get into' Socialism, and the dialogue dribbles on like this through a series of set pieces - the party scene, the violent drunk in the pub scene, the squash court scene, etc.
Whenever he hears the sound of a plane, he thinks it's going to crash, but she thinks of going on holiday - guess what portends the end of their relationship? The group scenes, at times, give off the uncomfortable sense of a group of hungry actors trying to upstage each other. The production values are high, and seem at odds with the loose, improvisational structure. There is clearly talent at work here, behind as well as in front of the camera, but I'm afraid it looked to me like a student film which had some money thrown at it. I'll look forward to this director's next, hopefully less self-indulgent, work.
This is for me a film that is honest, genuine in that it has been created rather that just put together, and interesting in the development of the story. Frank is, for me, quite a sympathetic guy, and likeable, but he does suffer from one fatal flaw in his character, a flaw which is hinted at earlier in the film but which only shows itself fully in the final stages.
It is a poingnant film, and all the characters are likeable, which helps the film a lot. And, yes, I think it is like real life. A very good piece of work all round.
I think the Amazon review is spot on.