A secret government center for high-ranking officials who have had mental breakdowns is the location of this unsettling drama about a brilliant, unorthodox psychiatrist who turns out to be crazier than his patients. William Peter Blatty won the Golden Globe in 1980 for Best Motion Picture Screenplay. Read more
| Starring | Stacy Keach, Scott Wilson, Jason Miller, Ed Flanders |
|---|---|
| Director | William Peter Blatty |
| Genres | Drama |
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A secret government center for high-ranking officials who have had mental breakdowns is the location of this unsettling drama about a brilliant, unorthodox psychiatrist who turns out to be crazier than his patients. William Peter Blatty won the Golden Globe in 1980 for Best Motion Picture Screenplay.
| Starring | Stacy Keach, Scott Wilson, Jason Miller, Ed Flanders |
|---|---|
| Director | William Peter Blatty |
| Studio | BLUE DOLPHIN FILM AND VIDEO |
| Run time | DVD: 1 hr 55 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 18 Aug 2003 Production year: 1981 |
| Format | DVD |
Produced, directed and scripted (from his own 1960s novel Twinkle, Twinkle, Killer Kane) by Exorcist creator William Peter Blatty, this surreal exercise in Freudian vaudeville stars Stacy Keach as a psychiatrist who provides radical therapy to possibly insane military veterans in a remote gothic mansion. Of course, Keach has a gruesome secret and is going through his own apocalyptic catharsis. At times absolutely bewildering (the title refers to a speech about God and molecular structure), at others completely gripping and harrowing, this overly literate and obtuse thriller (which won Blatty a Golden Globe award for his screenplay) has become the thinking man's cult classic. You'll either love it and praise its meaningful symbolism, or hate it for being a pretentious and shallow endurance test.
"...This final cut includes much comic dialogue variously absent from other versions....And notably adds a haunting pre-credits overture..."
This was another recommendation via Mark Kermode, which makes me think I should consider getting a life. Though it is good, it is hardly as great as Kermode makes out. It's uneven lurching from farce and frivolity to supernatural melodrama is somewhat discomfiting. Also, make sure you watch the extras after the film, as they will spoil the anticipation of most of the best bits.
Very bizarre but generally a good watch.