An inventor needs cash to develop his big idea. His wife, who loves him, decides to raise it for him by divorcing him and marrying a millionaire. Read more
| Starring | Claudette Colbert, Joel McCrea |
|---|---|
| Director | Preston Sturges |
| Genres | Romance |
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Made by the brilliant writer/director of satirical comedy, Preston Sturges, The Palm Beach Story stars Claudette Colbert who, by the early 1940s, had become firmly established as Hollywood's queen of romantic comedy. Watching her antics and listening to her way with a witty line in the face of this film's ever-escalating absurdities, it's easy to see why. Teamed with Joel McCrea (star of Sturges's famed Sullivan's Travels), Colbert is the young wife who decides that her poverty-stricken husband would be better off without her. So she leaves for Florida to seek a divorce and a rich man. How she gets there, the consequences of her meeting with a prissy, eccentric bachelor billionaire (Rudy Vallee), and McCrea's response to the situation supply the action. It's worth sitting out some tedious early sequences to enjoy the delightful romp that follows.
Flighty comedy, inconsequential in itself, but decorated with scenes, characters and zany touches typical of its creator, here at his most brilliant if uncontrolled.
Sturges was riding high in the early '40s, writing and directing comedies of such density and wit that a moment's... read more on Time Out
Sturgess is the master of this genre and Palm Beach is one of the best. This film ranks alongside such greats as The Lady Eve & Bringing Up Baby. Anyway there are lots of classic one liners in the movie and quite a lot of visual gags - which usually I am not too keen on but work here.
Plot and characters unbelievable (of course!) - executed with panache and general wackiness!
The most modern, most zany, most satisfying comedy you are likely to see in many a year. Driven by writer-director Sturges' usual twin obsessions, money and sex, the wacky plot has Claudette Colbert leave her mad-inventor (and much-loved) husband, Joel McCrea, because she reckons if she can find a wealthy man to marry, he will give her the money to finance McCrea's daft schemes. And such a man appears in the person of Rudy Vallee (after Colbert has stepped on his face a couple of times) - whose sister (Mary Astor) is a crazed nympho who wants to get her teeth into McCrea.
All that, plus the Ale and Quail Club destroying a train, the Weenie King discoursing on sexuality, and an ending that wraps everything up far too neatly to be believed. The only reason you might not like this film is if you are dead.
This will appeal to you if you like Preston Sturges at his most over the top. For me it is cluttered by too much business that this director seemed to have problems pegging back. Perhaps in the 1940s the zany aspects of this film were a refreshing antidote to the war with Germany now they just look like dated slapstick. Perhaps I am being harsh because some of the performances are rather good, though Joel McCrae is a bit wooden for my taste. If you would like to see something from this director in slightly more restrained mood try The Lady Eve; for my money one of the very best of the Hollywood screwball comedies.
wonderful romantic movie,with brilliant actors, thoroughly enjoyed it.
Sturgess is the master of this genre and Palm Beach is one of the best. This film ranks alongside such greats as The Lady Eve & Bringing Up Baby. Anyway there are lots of classic one liners in the movie and quite a lot of visual gags - which usually I am not too keen on but work here.
Plot and characters unbelievable (of course!) - executed with panache and general wackiness!
The most modern, most zany, most satisfying comedy you are likely to see in many a year. Driven by writer-director Sturges' usual twin obsessions, money and sex, the wacky plot has Claudette Colbert leave her mad-inventor (and much-loved) husband, Joel McCrea, because she reckons if she can find a wealthy man to marry, he will give her the money to finance McCrea's daft schemes. And such a man appears in the person of Rudy Vallee (after Colbert has stepped on his face a couple of times) - whose sister (Mary Astor) is a crazed nympho who wants to get her teeth into McCrea.
All that, plus the Ale and Quail Club destroying a train, the Weenie King discoursing on sexuality, and an ending that wraps everything up far too neatly to be believed. The only reason you might not like this film is if you are dead.
Ok rather than nothing.
The storyline was very flighty, as was the chracter of Claudette Colbert, her performance was at times irrational. I prefer her performance in It Happened One Night with Clark Gable. Some good scenes with Joel McCrae, but overall an average at best no more than that. She is capable of much more.
If you enjoy movies from an earlier time, and in b/w you will enjoy the film. It's one of those zany American movies that were of another humour. Quite a bit of fun.
This will appeal to you if you like Preston Sturges at his most over the top. For me it is cluttered by too much business that this director seemed to have problems pegging back. Perhaps in the 1940s the zany aspects of this film were a refreshing antidote to the war with Germany now they just look like dated slapstick. Perhaps I am being harsh because some of the performances are rather good, though Joel McCrae is a bit wooden for my taste. If you would like to see something from this director in slightly more restrained mood try The Lady Eve; for my money one of the very best of the Hollywood screwball comedies.
wonderful romantic movie,with brilliant actors, thoroughly enjoyed it.
This is such a preposterous piece of fluff that it's barely worth reviewing. A squawking -at some points almost unbearably noisy- 'comedy' that attempts to convince 1940s gold-digging flibbertygibbets that they'd be better off sticking with their husbands. A great, camp scene where the lovely Claudette Colbert is 'reluctantly' being fitted for a 90 piece trousseau by a benevolent millionaire, but apart from that, a lot of boring nonsense.
This is such a preposterous piece of fluff that it's barely worth reviewing. A squawking -at some points almost unbearably noisy- 'comedy' that attempts to convince 1940s gold-digging flibbertygibbets that they'd be better off sticking with their husbands. A great, camp scene where the lovely Claudette Colbert is 'reluctantly' being fitted for a 90 piece trousseau by a benevolent millionaire, but apart from that, a lot of boring nonsense.
Made by the brilliant writer/director of satirical comedy, Preston Sturges, The Palm Beach Story stars Claudette Colbert who, by the early 1940s, had become firmly established as Hollywood's queen of romantic comedy. Watching her antics and listening to her way with a witty line in the face of this film's ever-escalating absurdities, it's easy to see why. Teamed with Joel McCrea (star of Sturges's famed Sullivan's Travels), Colbert is the young wife who decides that her poverty-stricken husband would be better off without her. So she leaves for Florida to seek a divorce and a rich man. How she gets there, the consequences of her meeting with a prissy, eccentric bachelor billionaire (Rudy Vallee), and McCrea's response to the situation supply the action. It's worth sitting out some tedious early sequences to enjoy the delightful romp that follows.
Flighty comedy, inconsequential in itself, but decorated with scenes, characters and zany touches typical of its creator, here at his most brilliant if uncontrolled.
Sturges was riding high in the early '40s, writing and directing comedies of such density and wit that a moment's... read more on Time Out