This remake of Mel Brooks' 1968 film features Nathan Lane and Matthew Broderick in the roles that they originated in the smash Broadway adaptation of the original film. Broadway producer Max Bialystock (Lane) is famous for his spectacular opening night flops. Leopold Bloom (Broderick) is an uptight accountant who virtually .. Read more
| Starring | Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell |
|---|---|
| Director | Susan Stroman |
| Genres | Audio Descriptive, Comedy, Music/Musical |
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This remake of Mel Brooks' 1968 film features Nathan Lane and Matthew Broderick in the roles that they originated in the smash Broadway adaptation of the original film. Broadway producer Max Bialystock (Lane) is famous for his spectacular opening night flops. Leopold Bloom (Broderick) is an uptight accountant who virtually discovers gold while reviewing Max's books. When Leo realises that you can actually make more money with a flop than with a hit, the two team up and begin a search for both the worst script and the worst director they can find to ensure failure. The script selection seems easy when the duo stumble upon SPRINGTIME FOR HITLER, an homage to the Fuhrer penned by Franz Liebkind (Will Ferrell), a German sympathetic to the Nazi cause. Convinced that the script will incite outrage, the duo needs a bad director to seal the deal. Campy director Roger DeBris (Gary Beach) and his assistant (Roger Bart) fit the bill perfectly. But when their scheme fails, Max and Leo find themselves with the worst possible outcome: a hit. To make matters worse, Franz is just a little peeved that Hitler was depicted disrespectfully and he has a gun. Will Max and Leo survive the playwright's wrath? Will they go to jail for cooking the books? And will Leo ever submit to the advances of sexy Swedish receptionist/actress Ulla (Uma Thurman)? Directed by stage director Susan Stroman, making her feature film directorial debut, this riotous romp features lots of laughs from the major players, as well as brief appearances by Jon Lovitz, Michael McKean, and Richard Kind. Lane and Broderick make it easy to understand why the show was an unprecedented hit on Broadway, and Ferrell is a scene-stealer as Liebkind.
| Starring | Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell, Andrea Martin, Gary Beach, Roger Bart, Debra Monk, Robert Bartley |
|---|---|
| Director | Susan Stroman |
| Studio | SONY PICTURES HOME ENTERTAINMENT |
| Run time | DVD: 2 hrs 14 mins |
| Certificate | |
| Genres | Audio Descriptive, Comedy, Music/Musical |
| Language | DVD: English, English Audio Description |
| Hearing-impaired | English |
| Subtitles | DVD: English, Hindi |
| Released | DVD: 24 Apr 2006 Production year: 2005 |
| Format | DVD |
On its 1968 release, Mel Brookss original movie shocked by cocking a snook at the Nazis, as two theatrical schemers... read more on Time Out
Hilarious
Hi,
Having seen the stage version in london (with Nathan Lane and Lee Evans), I have to say this film is a poor relation. The musical number are there (tho strangly not all of them), but have lost the 'magic' of stage version and just feel flat.
The same goes for the performances which again seem to be phoned in(perhaps because both actors have played the characters so many times before).
Avoid this film and go and see the stage version instead!
The Producers is quite funny, but why was it made? The original movie, starring Gene Wilder is both recent (in cinematic terms) and funnier. Matthew Broderick does a poor impression of Gene Wilder in this modern remake, totally lacking the hilarity imparted by Wilder with his trademark manic shouting humour. The only good thing about this movie is Will Ferrell, who is at his usual excellent standard. My advice - see the originalm give this a miss.
Theatre star Matthew Broderick has turned down a string of big money offers to star in TV shows - because he refuses to swap his New York home for Los Angeles. The Producers star's wife, Sarah Jessica Parker, became a fashionable feminist icon in long-running hit TV series Sex and the City. But Broderick insists he's not eyeing a switch from the stage to the small screen, because he's convinced Parker and their six-year-old son, James Wilkie, would suffer if they moved to LA. He tells the New... Read more