In their youth, the Tenenbaums--an eccentric New York family--were extraordinary. They were all geniuses. Royal Tenenbaum (Gene Hackman) was a successful litigator. His wife Etheline (Angelica Huston) raised their children to be ambitious, entrepreneurial, and creative--then published an acclaimed book about her child-rearing .. Read more
| Starring | Anjelica Huston, Gene Hackman, Ben Stiller, Gwyneth Paltrow |
|---|---|
| Director | Wes Anderson |
| Genres | Comedy |
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Produced and directed by the hugely talented Wes Anderson and co-written with actor and regular collaborator Owen Wilson, this is the much-anticipated follow-up to Rushmore, one of the quirkier American films of the late 1990s. The Royal Tenenbaums is no less quirky. It's a story about a gifted, but dysfunctional, New York family that is reunited when estranged patriarch Gene Hackman feigns terminal illness. An ambitiously original ensemble comedy, it is related in an episodic, storybook format with off-screen narration from Alec Baldwin. This stylised presentation suggests that the interlocking subplots involving the various Tenenbaums — Gwyneth Paltrow's foundering marriage to Bill Murray; Ben Stiller's paranoia; Luke Wilson's deepening depression — will be resolved in a detached fashion, without warmth or the audience's empathy. That is not so. As the narrative builds, the atmosphere thaws and something like poetry unfolds. Immaculately written and brilliantly performed (with Hackman, especially, in magnificent form), this extraordinary fable restores one's faith in American cinema.
"...The rivalry between the three siblings is particularly well caught....The split-second connections, meanwhile, are intensely moving....The tracks here knead the emotion into your brain and become inseparable from it..."
The fun here lies in the details Ð dalmatian-spotted mice, battered taxicabs, the elegant pages of an imaginary book Ð rather than in the disjointed narrative, which sets the scene deftly and then collapses.
I rarely abandon films half way through and to my credit I stuck this one out. Time seemed to slow down. I began to despair ... 109 minutes have never passed so slowly. Please kill me, I thought. Wasn't funny. Really wasn't.
Don't be put off by the bad reviews, as this is one of my favourite films ever.
Intelligent, hilariously witty and subtle, and so full of black humour you're not sure whether you should laugh or be offended (I recommend the former).
An offbeat tale of a dysfunctional family with a father who can't seem to do anything right. Each scene is so meticulously constructed, it looks as though director Wes Anderson has slaved away for hours getting every set, every prop and every little detail perfected.
Brilliantly cast as well. A particularly deadpan Bill Murray as Raleigh St Clair is a stroke of genius.
Would have given the film 3.5 if half marks were available but instead it's got 4. Great performances from Gene Hackman and Luke Wilson. Don't expect your typical Ben Stiller or Owen Wilson characters though.
This is a relationship film about what is essentially a disfunctional, if very bright family that has fallen on hard times. The father Royal Tenenbaum decides to get back in touch with his family with the help of his son Richie after he learns his wife (who he's still technically married to) has had a marriage proposal. You are fed the background to the family, the relationships and characters are displayed initially and then cleverly stripped down as the film progresses to reveal their true identities.
This is not a laugh a minute roller coaster but a dark chuckle of a comedy that is very clever. I didn't think too much about the film after I saw it but I keep finding myself remembering bits of it and it has somehow crept under my skin.
There's some great scenes, often with apparently little going on but that say a lot. The first scene between Royal and Etheline is great, you really live all the emotions that both characters are going through.
The soundtrack is enjoyable too and really adds to the film.
If there's one criticism then it would be perhaps that the strong cast just slightly under delivers but I think the film is too subtle for everyone to shine. Most of the cast are playing very different characters from their normal roles. This threw me a little but you just have to lock away your preconceptions.
On the back of this film I'm going to check out Wes Anderson's other movies - Rushmore and Bottle Rocket.
I guess this would go under the heading of black comedy? But the comedy was very sparce, it just came across as too damn weird! Jerry Springer would have had a field day with this dysfunctional family!!
Brilliant, Wes Anderson has created a comic family saga which surpasses even his own previous films, Bottlerocket and Rushmore. Gene Hackman is the standout in a fantastic cast playing the pater of the family Tenenbaum. The scene where Luke Wilson' former tennis pro attempts suicide accompanied by the Stones 'Ruby Tuesday' is profoundly moving. The music and atmosphere is fantastic, something which a lot of us growing up in the remnants of the hippy era will appreciate. Highly recommended.
I rarely abandon films half way through and to my credit I stuck this one out. Time seemed to slow down. I began to despair ... 109 minutes have never passed so slowly. Please kill me, I thought. Wasn't funny. Really wasn't.
Don't be put off by the bad reviews, as this is one of my favourite films ever.
Intelligent, hilariously witty and subtle, and so full of black humour you're not sure whether you should laugh or be offended (I recommend the former).
An offbeat tale of a dysfunctional family with a father who can't seem to do anything right. Each scene is so meticulously constructed, it looks as though director Wes Anderson has slaved away for hours getting every set, every prop and every little detail perfected.
Brilliantly cast as well. A particularly deadpan Bill Murray as Raleigh St Clair is a stroke of genius.
Would have given the film 3.5 if half marks were available but instead it's got 4. Great performances from Gene Hackman and Luke Wilson. Don't expect your typical Ben Stiller or Owen Wilson characters though.
This is a relationship film about what is essentially a disfunctional, if very bright family that has fallen on hard times. The father Royal Tenenbaum decides to get back in touch with his family with the help of his son Richie after he learns his wife (who he's still technically married to) has had a marriage proposal. You are fed the background to the family, the relationships and characters are displayed initially and then cleverly stripped down as the film progresses to reveal their true identities.
This is not a laugh a minute roller coaster but a dark chuckle of a comedy that is very clever. I didn't think too much about the film after I saw it but I keep finding myself remembering bits of it and it has somehow crept under my skin.
There's some great scenes, often with apparently little going on but that say a lot. The first scene between Royal and Etheline is great, you really live all the emotions that both characters are going through.
The soundtrack is enjoyable too and really adds to the film.
If there's one criticism then it would be perhaps that the strong cast just slightly under delivers but I think the film is too subtle for everyone to shine. Most of the cast are playing very different characters from their normal roles. This threw me a little but you just have to lock away your preconceptions.
On the back of this film I'm going to check out Wes Anderson's other movies - Rushmore and Bottle Rocket.
Although very original and quirky, I wasn't overly impressed with this film. The cast was pretty good but let down by the awkward and uninspiring script which failed to endear any of the characters to the viewer.
I was left feeling slightly bored and wondering whether the the past two hours of my life had been a bit of a waste of time.
I think "The Royal Tenenbaums" certainly had a lot of potential but for some reason the magic was missing.
I usually try to be balanced and constructive in my reviews, however . . .WHAT AN ABSOLUTE CROCK! I grimly hung on for about twenty five minutes in the hope that it would take off. It didn't. Not a simgle laugh in it. How did they sell it to the (in some cases genuinely) stella cast?
Am afraid I found this so slow, if the story had gone along any slower the dvd would have come to a stop. When I saw this film in a movie trailer I was entranced by the stars that were in it. Unfortunately, the quantity and quality of stars in this film didn't save it. It simply didn't have enough of a story. The characters were not that likeable (I wanted to simply slap the Gwyneth Paltrow character). Also found the chapter headings interrupting the film very annoying.
Oops! I took this out thinking that this was the film plus extras. Look out for that error. Trailers were fun though.
Two things; one, gene hackman has been around for bloody ages and has made some duff movies. This one isn't one of them, it's up there with Get Shorty as one of my favourite Hackman roles.
The other thing is how I use the stars for rating films, I hadn't really given it much thought, I mean, i've only got five stars, it's pretty easy to work out what to give a film, but i tend not to think about it too much and get carried away. This one deserves 5 stars. It's about how it makes me feel. Sure, the film takes you all over the place emotionally, but I genuinely cared about the Tenenbaums, all of them, even Buckley. There was an awful lot going on, and some people might feel a lot is squeezed in to the final frames, but I didn't care, it wrapped it up enough for me.
This is simply the worst movie i have ever seen!!!!
A very engaging script yet not your typical Hollywood drama/comedy. It struck us as a little eccentric, yet this aspect of the film kept us captivated. The quality of the acting and the development of the characters is really the heart of the movie. The attention to visual detail is worth noticing and the subtle humour is a bonus. Well worth a viewing but not with your mates who love action flicks, more a movie for watching with your best friend who is an art house movie lover.
Produced and directed by the hugely talented Wes Anderson and co-written with actor and regular collaborator Owen Wilson, this is the much-anticipated follow-up to Rushmore, one of the quirkier American films of the late 1990s. The Royal Tenenbaums is no less quirky. It's a story about a gifted, but dysfunctional, New York family that is reunited when estranged patriarch Gene Hackman feigns terminal illness. An ambitiously original ensemble comedy, it is related in an episodic, storybook format with off-screen narration from Alec Baldwin. This stylised presentation suggests that the interlocking subplots involving the various Tenenbaums — Gwyneth Paltrow's foundering marriage to Bill Murray; Ben Stiller's paranoia; Luke Wilson's deepening depression — will be resolved in a detached fashion, without warmth or the audience's empathy. That is not so. As the narrative builds, the atmosphere thaws and something like poetry unfolds. Immaculately written and brilliantly performed (with Hackman, especially, in magnificent form), this extraordinary fable restores one's faith in American cinema.
"...The rivalry between the three siblings is particularly well caught....The split-second connections, meanwhile, are intensely moving....The tracks here knead the emotion into your brain and become inseparable from it..."
The fun here lies in the details Ð dalmatian-spotted mice, battered taxicabs, the elegant pages of an imaginary book Ð rather than in the disjointed narrative, which sets the scene deftly and then collapses.
"...Nuanced, multilayered and oftentimes most poignant when its humor is at is darkest, THE ROYAL TENENBAUMS is one of those rare Hollywood products that assumes a mature intelligence among its audience..."
"...The script is rich with subtle humour and the cast deliver it with deadpan, borderline camp elan....Anderson keeps things moving with a stylish simplicity that catches every glance, sigh and gesture..."
"...Endearing....Mr. Anderson presents each of these characters -- and several more -- with the fastidious care of a collector arranging prize specimens on a shelf..."