Georg and his wife Anna realize how monotonous and isolated their life is when their daughter Eva, in a desperate attempt to get attention, suddenly pretends to be blind. Read more
| Starring | Birgit Doll, Dieter Berner, Leni Tanzer, Udo Samel |
|---|---|
| Director | Michael Haneke |
| Genres | Drama, World Cinema |
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Georg and his wife Anna realize how monotonous and isolated their life is when their daughter Eva, in a desperate attempt to get attention, suddenly pretends to be blind.
| Starring | Birgit Doll, Dieter Berner, Leni Tanzer, Udo Samel |
|---|---|
| Director | Michael Haneke |
| Studio | Artificial Eye |
| Run time | DVD: 1 hr 44 mins |
| Certificate | |
| Genres | Drama, World Cinema |
| Released | DVD: 30 Apr 2007 Production year: 1989 |
| Format | DVD |
For fans of the more recent 'Cache' or 'The Piano Teacher', it is worth going back to look at the start of Michael Haneke's feature career (now released in this 3-disc set), when he was still working in Austria. 'The Seventh Continent' (1989) is as curious a film as anything he has since produced, deliberately refusing to offer the viewer any consoling reasons for its perplexing outcome.
I won't go into too much detail, but it concerns the mundane life of an isolated bourgeois Austrian family, who go through their daily tasks (the carwash, the school, the job promotion) with an occasional degree of unease, but nothing out of the ordinary. Haneke creates an atmosphere of awkwardness with his camera-work, which cuts off heads, focussing more often on limbs or still objects. The final act is suitably depressing. And watch out for the bravura scene involving a fish tank.
If you're not going to go to Australia (the sixth continent, counting north and south America as two), then where is there left? That's the question facing Haneke's regular representatives of the bourgeoisie, Anna and George (here Georg), as, over three years, they grow bored with their very existence. The film is elegantly structured in a series of short scenes, each concentrating on a specific detail, and returning, like a refrain, to the car wash, which can clean their car but not cleanse themselves. In the end, it's an empty, rather sterile film - because Haneke refuses to specify what the causes are, showing us only the effect, it's all rather like a nihilistic student, showing off a good deal of talent. But it is haunting and gripping for all that.