Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming fall guy who has invented a mysterious process worth an unnamed, but presumably enormous, figure. Joe's share in the reward is .. Read more
| Starring | Ben Gazzara, Felicity Huffman, Ricky Jay, Steve Martin |
|---|---|
| Director | David Mamet |
| Genres | Thriller |
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Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming fall guy who has invented a mysterious process worth an unnamed, but presumably enormous, figure. Joe's share in the reward is uncertain, however, and his growing nervousness is subtly stoked by Jimmy Dell (Steve Martin), a charming and apparently wealthy new friend. Suddenly Joe finds himself wondering who he can trust: his boss, his friends, Jimmy, the FBI, or even the girl at work who has a crush on him (Rebecca Pidgeon, speaking her husband's lines as only she can). The big con is always fun to watch from the inside, but Mamet knows it's even more fun when the audience is on the outside, left to imagine the con as all-encompassing so that everyone and everything is suspect. The fine ensemble acting and terse, loaded dialogue add to the atmosphere of total suspense while the muted but rich production design produces a too-believable longing in Joe, whose tiniest greedy qualm is still enough to spell disaster.
| Starring | Ben Gazzara, Felicity Huffman, Ricky Jay, Steve Martin, Rebecca Pidgeon, Campbell Scott |
|---|---|
| Director | David Mamet |
| Studio | PATHE DISTRIBUTION |
| Run time | DVD: 1 hr 45 mins |
| Certificate | |
| Genres | Thriller |
| Language | DVD: English |
| Released | DVD: 30 Jun 2003 Production year: 1998 |
| Format | DVD |
Writer/director David Mamet returns to the themes of his first film, House of Games, in this adroit fable about the simple-mindedness of complex-minded executives. Campbell Scott is the corporation inventor who's concerned about his employer's integrity — cue smoothly plausible Steve Martin and an elaborate and totally convincing con played on the audience as well as the hapless Scott. Rebecca Pidgeon (Mamet's real-life wife) plays the femme fatale in a tale told with all the cunning of a three-card trick: now you see it, now you don't.
A clever, intriguing game of double-cross and treble bluff that keeps the audience, as well as its characters, guessing throughout.
The Spanish Prisoner takes its name from one of the oldest confidence trick known. A rich man promises the hand of his sister for the aid of a noble man. This update of the idea takes place in modern day America where a mathematician is near completion of a formula that will make his company billions. However, things begin to get darker when he befriends a rich businessman and begins to fall for the new secretary.
The Spanish Prisoner is a slow burning film that takes a while to get going but when it does you really feel for the character being taken for a ride. He does not know who to trust and is only vice is being too nice.
The film shows its low budget and the pace could have been faster but as an intelligent adult film it holds its own. If you liked ?Matchstick Men? and ?Confidence? but prefer your films a little more highbrow then this could be for me.
I was really looking forward to watching this, but it turned out to be a bit of a disappointment.
The trademark Mamet dialogue and elaborate plotting is there, so are the excellent performances, but somehow it doesn?t really work. Maybe this is because the film is trying too hard to be a commercial success with material that isn?t mainstream stuff.
The leading actress was very nice to look at, but apart from that it was just an average movie.
'You are not where you belong,' the fortune teller informs him. Edmond (William H Macy) knows this is the truth. He goes home and tells his wife it's over. 'You don't interest me spiritually or sexually,' he says. She shows him the door and he walks through it, out into the night. His first stop is a bar. 'A man has to get away from himself,' he says - or maybe it's the guy he's talking to. At any rate, on this they agree. The guy (Joe Mantegna) gives him a card for a sex club. 'I don't want... Read more