David Lynch's first foray into the land of Disney and G-ratings is a surprisingly gentle, hopeful, and irony-free crowd pleaser. The film tells the true story of Alvin Straight (Richard Farnsworth), a 73-year-old man who journeys from Laurens, Iowa, to Mt. Zion, Wisconsin, on a John Deere lawn mower in order to visit his dying .. Read more
| Starring | Richard Farnsworth, Sissy Spacek, Harry Dean Stanton, Everett McGill |
|---|---|
| Director | David Lynch |
| Genres | Drama |
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David Lynch's first foray into the land of Disney and G-ratings is a surprisingly gentle, hopeful, and irony-free crowd pleaser. The film tells the true story of Alvin Straight (Richard Farnsworth), a 73-year-old man who journeys from Laurens, Iowa, to Mt. Zion, Wisconsin, on a John Deere lawn mower in order to visit his dying older brother, Lyle (Harry Dean Stanton). The estranged brothers haven't spoken in years because of their stubborn pride, but Lyle's recent stroke convinces Alvin that now is the time to make amends. Along the way he meets a host of interesting characters--including a pregnant runaway teenager, a sad World War II veteran, and a sympathetic priest--affecting them deeply with his unflinching spirit and belief in the power of familial love. As Straight, Farnsworth slips into the role he was born to play with an effortless grace. Sissy Spacek gives a heartbreaking turn as his afflicted daughter, Rose, who looks after her father and mourns for her children, who were cruelly taken away from her after a freak fire threatened their well-being. Angelo Badalamenti's acoustic, string-heavy score, coupled with 81-year-old Freddie Francis's golden cinematography, adds an even deeper grace to Lynch's touching family drama.
| Starring | Richard Farnsworth, Sissy Spacek, Harry Dean Stanton, Everett McGill, John Lordan, John Farley, Jennifer Edwards-Hughes, Jane Heitz, Barbara E. Robertson |
|---|---|
| Director | David Lynch |
| Studio | FILM 4 |
| Run time | DVD: 1 hr 47 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 12 May 2008 Production year: 1999 |
| Format | DVD |
Following the excesses of Lost Highway, David Lynch is in mellower mood with this whimsical road movie that, nevertheless, slyly dissects middle-American mores with disarming precision. Exhibiting dignified self-assurance, Richard Farnsworth gives an Oscar-nominated performance as the Iowa farmer travelling by lawnmower to visit his dying brother in Wisconsin. There's selfless support from Sissy Spacek, as his traumatised daughter, and fine perfomances from the various eccentrics he meets en route. It's hard to imagine a gentler film, yet Lynch fully exploits the stately pace to gaze fondly upon life's rich pageant. He also slips in a crane shot of such monumental inconsequence that it borders on the brilliant.
A gentle, folksy road movie that takes its time but establishes a mood of quiet enjoyment for simple pleasures, mixed with a little regret for some past events; Farnsworth epitomises a man who knows his own worth and that of the others he meets on his jou
This is far from being as simple as many people assume. OK, the man is called Straight, this is his story, and it's told "straight" rather than in the Moebius strip style of "Lost Highway", but it's still a David Lynch film and that means the word "straight" is used in an deeply ironic sense also. Watch this film with the same eye as you would bring to "Eraserhead" or "Mulholland Drive" and a different story may emerge.
For a start, Alvin's journey is a metaphor for a man's whole life - the first person we see is a fat woman on a sunbed, there is a thump and we meet Alvin helpless on the floor. As his journey progresses the people he meets represent advancing stages of life, until near the end we find him in a cemetary.
Then there are the typically Lynchian motifs - a house on fire, a distressed woman by the road who has run over 14 deer (the same number as Alvin had kids), a mother separated from her children. If the film is being told to us from Alvin's point of view, just what is he keeping hidden from us (and perhaps from himself)?
Lynch has fun with the slow pace of the movie and with the quietness of midwestern life, but don't be fooled, there is surrealism and subtext at work here too, just much less overtly than in his other films.
This was a very gentle movie of one man's perseverance through all sorts of trials with lots of home truths thrown in.
I couldn't really believe that this was directed by David Lynch of Twin Peaks fame as it was so peaceful - tho it did have quite a few quirky moments.
Conveyed a great impression of the vastness of the prairie belt of mid-west America and often resembled the paintings of Andrew Wyeth and of 'American Gothic'
Wonderful. Could watch this sort of feel good, heart warming movie every night.
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