A small Canadian town is torn apart by the appearance of an ambulance-chasing lawyer after a tragic accident involving a school bus killed many of the town's children. One key witness, however, eludes the troubled attorney: a gifted young woman confined by the tragedy to a wheelchair for the rest of her life. A morality play .. Read more
| Starring | Ian Holm, Sarah Polley, Maury Chaykin, Peter Donaldson |
|---|---|
| Director | Atom Egoyan |
| Genres | Drama |
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A small Canadian town is torn apart by the appearance of an ambulance-chasing lawyer after a tragic accident involving a school bus killed many of the town's children. One key witness, however, eludes the troubled attorney: a gifted young woman confined by the tragedy to a wheelchair for the rest of her life. A morality play without the sermon from EXOTICA auteur Egoyan, based on the acclaimed novel by Russell Banks. Winner of the Grand Jury award at the 1997 Cannes Film Festival. Academy Award nominations: Best Director, Best Adapted Screenplay.
| Starring | Ian Holm, Sarah Polley, Maury Chaykin, Peter Donaldson, Bruce Greenwood, David Hemblen, Brooke Johnson, Tom McCamus, Alberta Watson, Arsinee Khanjian, Simon Baker, Caerthan Banks, Russell Banks, Allegra Denton, Marc Donato, Devon Finn, Sar |
|---|---|
| Director | Atom Egoyan |
| Studio | MOMENTUM PICTURES |
| Run time | DVD: 2 hrs 40 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Subtitles | DVD: English |
| Released | DVD: 26 Mar 2001 Production year: 1997 |
| Format | DVD |
Atom Egoyan won the Grand Jury prize at Cannes and was also Oscar nominated for his direction and adaptation of Russell Banks's novel about the impact of a schoolbus crash (which kills 14 children) on a small Canadian community. Although the Pied Piper analogy is overemphasised, this is still an intricate and involving drama, in which the town's guilty secrets are slowly revealed as ambulance-chasing lawyer Ian Holm tries to persuade the bereaved to sue for damages. With Sarah Polley outstanding as a survivor paralysed by the accident, this is an intense, atmospheric and deeply moving experience.
"...[The] most wrenching film by the brilliantly analytical Atom Egoyan....This eloquent film also carries the exhilaration of crystal-clear artistic vision..."
I'd heard some good things about 'The Sweet Hereafter', but to be honest from the title and synopsis I wasn't expecting much. I was just expecting it to be some shameless, manipulative Hollywood melodrama that relied on it's sensitive subject matter to attract critical acclaim. But as it turns out, it is in fact an interesting, original and surprisingly honest film.
The film tells several stories, with the common thread of 'The Pied Piper of Hamlin' as an analogy for parents who have lost their children in one way or another. At the end of the film, you're left to decide just who the 'Pied Piper' really was. It is superbly directed and well-acted throughout. You may find it a little confusing the first time round, as the story isn't told in any kind of chronological order, but rather in an emotional order.
This is a movie I'd recommend mostly to arthouse fans, but most other film-lovers as well. Odds are it'll stay with you.
Poor weighting of scenes in relation to one another and the film as a whole. Script abysmal. Still trying to figure out why anyone would want to make a film in this way. Zzzzzzzzz.
After 40 years of marriage, Fiona (Julie Christie) decides it is time to move on. This is no reflection on her husband, Grant (Gordon Pinsent), but an acknowledgment that her mind is already drifting out the door. As the Alzheimer's worsens she will require round-the-clock attention. Grant agrees in principle, but he's distraught when the nursing home bars him for the first 30 days, and then bereft to find that his wife has transferred her affections to another patient, Aubrey (Michael Murphy). Read more