Director Roman Polanski casts himself in the lead of the psychological thriller The Tenant. Trelkovsky (Polanski) rents an apartment in a spooky old residential building, where his neighbors -- mostly old recluses -- eye him with suspicious contempt. Upon discovering that the apartment's previous tenant, a beautiful young woman,.. Read more
| Starring | Roman Polanski, Isabelle Adjani, Melvyn Douglas, Shelley Winters |
|---|---|
| Director | Roman Polanski |
| Genres | Comedy, Horror |
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Roman Polanski directs a male take on the themes of paranoia and delusion that he explored from a female perspective in Repulsion ten years earlier. Polanski also stars, playing an expatriate Pole in Paris who comes to believe that the tenants of his apartment block are devilishly conspiring to drive him to suicide. Melvyn Douglas and Shelley Winters co-star in a puzzling and absorbing thriller that, on occasions, recalls not just Repulsion but also has vague echoes of Rosemary's Baby.
Rather like a male version of the same director's Repulsion, this wearisome case history shows the total dissipation of whatever talent he once had.
With Polanski becoming a naturalised Frenchman, it was logical that he should start tackling specifically French... read more on Time Out
Lost the thread of this film the first time I watched it and had to go back and watch it again. I'm glad I did because it's a tremendous piece of work. I'm still not exactly sure what exactly happens and it'd be interesting to hear what other people thought of this because it was flipping fantastic. Completely thought and discussion provoking.
As others have observed, this film has a strong affinity with Repulsion, and also some nods in the direction of Rosemary's Baby (without the demonic element). Sadly it is vastly inferior to either. One of the biggest weaknesses his Polanski's decision to cast himself in the lead role. As a director he has produced some fine work (and the occasional dire trash - the vampire hunters springs to mind), but as an actor he is too light-weight to carry the lead role in a film - he is acted off the screen by most of the supporting players, even those in minor roles. The direction and the quirky plot are sufficient to earn it a third star - but only just. Worth watching as part of the Polanski directorial cannon, but he has done far better.
Yet another terrific horror film from Roman Polanski. (Director of Rosemary?s Baby)
The pace starts out slow but the tension builds more and more
as the movie progresses.
Polanski must have been influenced from
Rear Window on this one.
You rarely see a thriller that works so well these days.
Lost the thread of this film the first time I watched it and had to go back and watch it again. I'm glad I did because it's a tremendous piece of work. I'm still not exactly sure what exactly happens and it'd be interesting to hear what other people thought of this because it was flipping fantastic. Completely thought and discussion provoking.
As others have observed, this film has a strong affinity with Repulsion, and also some nods in the direction of Rosemary's Baby (without the demonic element). Sadly it is vastly inferior to either. One of the biggest weaknesses his Polanski's decision to cast himself in the lead role. As a director he has produced some fine work (and the occasional dire trash - the vampire hunters springs to mind), but as an actor he is too light-weight to carry the lead role in a film - he is acted off the screen by most of the supporting players, even those in minor roles. The direction and the quirky plot are sufficient to earn it a third star - but only just. Worth watching as part of the Polanski directorial cannon, but he has done far better.
Lost the thread of this film the first time I watched it and had to go back and watch it again. I'm glad I did because it's a tremendous piece of work. I'm still not exactly sure what exactly happens and it'd be interesting to hear what other people thought of this because it was flipping fantastic. Completely thought and discussion provoking.
As others have observed, this film has a strong affinity with Repulsion, and also some nods in the direction of Rosemary's Baby (without the demonic element). Sadly it is vastly inferior to either. One of the biggest weaknesses his Polanski's decision to cast himself in the lead role. As a director he has produced some fine work (and the occasional dire trash - the vampire hunters springs to mind), but as an actor he is too light-weight to carry the lead role in a film - he is acted off the screen by most of the supporting players, even those in minor roles. The direction and the quirky plot are sufficient to earn it a third star - but only just. Worth watching as part of the Polanski directorial cannon, but he has done far better.
Yet another terrific horror film from Roman Polanski. (Director of Rosemary?s Baby)
The pace starts out slow but the tension builds more and more
as the movie progresses.
Polanski must have been influenced from
Rear Window on this one.
You rarely see a thriller that works so well these days.
'The Tenant' was the first horror movie I saw as a young person, when it first came out many years ago. It gave me nightmares and put me off the genre for life. There is something deeply creepy and personal in there that just made me afraid. Maybe it's just a personal thing. But I would never watch that film ever again. Not that it's bad - far from it, when judged on artistic merits - but please be careful if you are unused to the 'Horror Movie' genre. It's a real pity because one of my favourite female French actresses, Isabelle Adjani, played in there, when she was still young. But still, be careful.
***WARNING - CONTAINS SPOILERS!***
Starts off rather slowly and a bit ponderous, but draws you in. Having every person speaking in an American accent, despite clearly being in Paris, gives the film an off-kilter accent from the start, and as the main character spirals into madness there are some truly inspired moments - my favourite being the moment where he walks up to a whiny child while the mother's back is turned, snarls 'Stupid spoilt brat' or words to that effect and slaps the kid round the chops before running off. One to check out, definitely!
REPULSION meets ROSEMARY'S BABY (meets TOOTSIE)
i LOVED THIS FILM WHICH HAS TO BE AN ALL TIME GREAT WITH ROMAN POLONSKI PLAYING THE LEAD ROLE- LOTS OF TWISTS AND THE END WAS GREAT- A TRUE CULT FILM - YU SHOULDNT MISS.
The film is rather slow but an excellent study of mental illness or a horror film if you see it that way.
Rent it.
Dire!
I wasted over 2 hours of my life watching this amateur, illogical, poorly acted rubbish.
If you're looking for something to do for 2 hours, drink a bottle of whisky and saw off your fingers because it would be less agonising that sitting through this dross!
This film has intensity, intrigue and perversion. I enjoyed seeing 1970s Paris and a young Isabelle Adjani. The other older 'tenants' in the building exhibit very well a kind of French mentality which I think is rare these days. This is despite that all dialogue is in English!
Roman Polanski directs a male take on the themes of paranoia and delusion that he explored from a female perspective in Repulsion ten years earlier. Polanski also stars, playing an expatriate Pole in Paris who comes to believe that the tenants of his apartment block are devilishly conspiring to drive him to suicide. Melvyn Douglas and Shelley Winters co-star in a puzzling and absorbing thriller that, on occasions, recalls not just Repulsion but also has vague echoes of Rosemary's Baby.
Rather like a male version of the same director's Repulsion, this wearisome case history shows the total dissipation of whatever talent he once had.
With Polanski becoming a naturalised Frenchman, it was logical that he should start tackling specifically French... read more on Time Out