In this modern variation of CYRANO DE BERGERAC, Abby (Janeane Garofalo) is a savvy, witty veterinarian who hosts a radio show about pets. She and a caller named Brian (Ben Chaplin) are drawn to each other while talking during her show, but when Brian asks Abby to describe herself, the average-looking woman cannot resist .. Read more
| Starring | Uma Thurman, Janeane Garofalo, Ben Chaplin, Jamie Foxx |
|---|---|
| Director | Michael Lehmann |
| Genres | Comedy, Romance |
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In this modern variation of CYRANO DE BERGERAC, Abby (Janeane Garofalo) is a savvy, witty veterinarian who hosts a radio show about pets. She and a caller named Brian (Ben Chaplin) are drawn to each other while talking during her show, but when Brian asks Abby to describe herself, the average-looking woman cannot resist offering a description of her statuesque, gorgeous, and slightly dim-witted neighbor, Noelle (Uma Thurman), instead. Later, Brian makes a surprise visit to the radio station just when Noelle also happens to be there--and naturally thinks she's Abby. Scared of what might happen if Brian learned the truth, Abby asks Noelle to continue the masquerade. To complicate matters more, Brian is such a wonderful guy that both women fall for him. Will Abby--or Noelle--fess up to Brian
| Starring | Uma Thurman, Janeane Garofalo, Ben Chaplin, Jamie Foxx, David Cross, Bob Odenkirk |
|---|---|
| Director | Michael Lehmann |
| Studio | 20TH CENTURY FOX HOME ENTERTAINMENT |
| Run time | DVD: 1 hr 33 mins |
| Certificate | |
| Collections | 100 Rom-Coms |
| Genres | Comedy, Romance |
| Language | English |
| Hearing-impaired | English |
| Subtitles | Czech, Danish, English, Finnish, Hebrew, Hungarian, Icelandic, Norwegian, Polish, Portuguese, Swedish |
| Released | DVD: 04 Feb 2002 Production year: 1995 |
| Format | DVD |
An adorable and very funny romantic comedy with Janeane Garofalo stealing the film as the radio talk show veterinary surgeon whom listener Ben Chaplin falls for. Garofalo is convinced Chaplin will be disappointed when he actually meets her, so she sends lovely but dim Uma Thurman in her place. Numerous romantic complications ensue as both women fall for the lucky fellow. It all zips along merrily against a sunny Santa Monica background, with Garofalo once again proving her skill as a comedian, while Thurman shows a previously unseen talent for comedy herself. One phone sex scene may be a bit risqué for younger viewers, but otherwise this will appeal to all ages. It marked a return to form for director Michael Lehmann, whose highs have included Heathers, but whose lows unfortunately number the teeth-grindingly awful My Giant.
Charming comic variation on the theme of Cyrano de Bergerac which is witty about the value of good looks and the dangers of self-hatred while delivering a nicely paced romance.
I have a real issue with one of the basic tenets of this film, that is at best lazy and at worst insulting. Namely, that the film makes the basic assumption that us men, poor distracted creatures that we are, cannot help but turn into warm, jibbering puddles on the floor at the sight of a tall, blonde lady.
Maybe it's just me, but purely in terms of looks, speaking as an experienced letch, I'd take Garofolo over Thurman every time. And this is not just me being a contray, PC thug and saying I'd take the hairy dyke over the blonde. I read the Sun, I like lager and football, and I have an ill-informed and violent prejudice against immigrants and gays. To me, Ms Thurman looks like a praying mantis in a wig, and honks like a moomin. Garofolo, hairy dyke or no, is a very good looking woman. It's true that I do like short women, because height is literally the only thing I have to make me feel superior to them, but it can't just be that.
Perhaps I'm a one in a million, but I don't think so. I also appreciate that I am probably the only person in the world to get on his high horse about a film having the temerity to assume that I will be attracted to a leading actress.
A delightful film which, on an emotional level, is very similar to 'Sleepless in Seattle'.
The plot hinges on a somewhat improbable case of mistaken identity. However, if you can suspend disbelief and go with the flow, it is full of humour and heartwarming moments. The three human leading actors, are equally brilliant, and the dog is a real scene stealer. (The cat, I regret to say, was nothing special, unless you happen to be crazy about cats in which case it was OK.) Strongly recommended for viewers of both sexes, although women might just enjoy it a little more than the men.