Paul Newman plays Harry Ross, a burned-out private eye who's plunged into a murder mystery tied to a long-unsolved case of Hollywood dreams, schemes and cover-ups. Susan Sarandon and Gene Hackman are among the locals who inhabit a Tinseltown world of privilege and sleaze, sexuality and desperation, trust and double-cross. Read more
| Starring | Paul Newman, Susan Sarandon, Gene Hackman, Stockard Channing |
|---|---|
| Director | Robert Benton |
| Genres | Gay/Lesbian, Thriller |
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Paul Newman plays Harry Ross, a burned-out private eye who's plunged into a murder mystery tied to a long-unsolved case of Hollywood dreams, schemes and cover-ups. Susan Sarandon and Gene Hackman are among the locals who inhabit a Tinseltown world of privilege and sleaze, sexuality and desperation, trust and double-cross.
| Starring | Paul Newman, Susan Sarandon, Gene Hackman, Stockard Channing, Reese Witherspoon, Giancarlo Esposito, James Garner, Cora Witherspoon |
|---|---|
| Director | Robert Benton |
| Studio | PARAMOUNT HOME ENTERTAINMENT |
| Run time | DVD: 1 hr 31 mins |
| Certificate | |
| Genres | Gay/Lesbian, Thriller |
| Language | DVD: English |
| Dubbed | French, German, Italian, Spanish |
| Hearing-impaired | English |
| Subtitles | DVD: Danish, Dutch, English, French, German, Italian, Norwegian, Spanish, Swedish, Turkish |
| Released | DVD: 10 Jun 2002 Production year: 1997 |
| Format | DVD |
It's always a pleasure to see Gene Hackman, Susan Sarandon and Paul Newman at work, and this low-key detective drama that harks back to the heyday of film noir is no exception. Newman stars as a private eye who lives with cancer-stricken actor Hackman and his wife Sarandon. Asked to deliver blackmail money, Newman finds himself resurrecting a 20-year-old murder case involving Sarandon's ex-husband. Newman as a seventysomething is still convincing in both action and love scenes, but the overall pace of the film tends towards the sluggish and its reflective mood probably explains why it didn't make it big at the box office.
"...Mr. Newman still has the wisecracking vigor and panache that have always shaped his screen roles. He inhabits his shrewd, world-weary character with the ease that only lifelong movie stardom can bring..."
A first-rate cast are lumbered with a third-rate script in Robert Benton's tedious thriller. Paul Newman plays Harry Ross, a retired ex-cop, who, like all ex-cops in the movies, has also been through private detective work and alcoholism. Harry is now living with, and working for Jack Ames (Gene Hackman), who is dying of cancer, and his seductive wife Catherine (Susan Sarandon). Jack and Catherine are both former movie stars who were also, once upon a time, involved in some dodgy, dangerous dealings. Harry, as a favour, agrees to sort out a situation for Jack, and this leads to some painful secrets from the past being uncovered.
From this starting point 'Twilight' gets horribly tangled up in a web of cliches and far too much plot. Benton's flat and predictable direction is abysmal, sucking any semblance of tension out of the film. The dismal dialogue(by Benton and Richard Russo) sinks like a stone as soon as it leaves the actor's mouths.
The talented cast is wasted here with a few scraps of character between them. Hackman spends his brief screen time grouching and wheezing. Paul Newman occupies himself by standing around stiff as a board and staring at everything in a curious matter. James Garner, Stockard Channing and Reese Witherspoon also appear somewhere under the rubble of this picture.
The actor who come off best from this mess is Susan Sarandon. Effortlessly sexy, she injects a much-needed shot of life into the veins of the film. But it's not enough, 'Twilight' is dead in the water and without it's star power it would surely be popping up as an average TV movie, nothing more.
Good `b' type movie for when you just want to watch something of good quality without it being a life changing experience. Lots of big names hence - good acting, story, plot, dialogue all ok.
Robert Pattinson was left questioning his acting talent early on in his career when producers cut scenes he filmed for Reese Witherspoon period drama Vanity Fair without telling him. The Twilight star landed a small role as Witherspoon's son in the 2004 movie alongside his best pal, actor Tom Sturridge. They attended a special screening for the film and were excited to see the finished product. He tells Vanity Fair magazine, "(Sturridge) and I... we had scenes right next to each other and it... Read more