Director Jacques Rivette presents VA SAVOIR, a masterful piece of filmmaking that combines classic cinematic techniques with elements of the stage, resulting in a majestic and formidable film. A French theater actress, Camille (Jeanne Balibar), has been living in Italy for three years. She enjoys much success as working abroad .. Read more
| Starring | Jeanne Balibar, Sergio Castellitto, Marianne Basler, Jacques Bonnaffe |
|---|---|
| Director | Jacques Rivette |
| Genres | Drama, World Cinema |
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Jacques Rivette — pioneer of the French New Wave — again demonstrates his skills as a director of nuance and pace in this gratifyingly literate charade. Set in present-day Paris, the old French master here explores the complicated love affairs that emerge between three men and three women during a theatrical troupe's production of Pirandello's As You Desire Me. No one puts a foot wrong in an exemplary ensemble cast that is headed by Jeanne Balibar and Sergio Castellitto. She plays an actress returning to Paris for the first time since leaving her longtime lover three years previously; he's the enamoured co-star and director who becomes less interested in the play as he tries to locate an obscure 18th-century manuscript that could make his fortune and reputation. As with his most renowned film, Céline and Julie Go Boating, Rivette's exploration of the relationship between art and life is so precisely staged and performed, it seems almost effortless.
Rivette revisits familiar ground with this leisurely tale of romantic intrigue and possibly dark deeds among members of... read more on Time Out
"...VA SAVOIR abounds in pleasures....Balibar is a magician of moods and, as such, the ideal actress for Rivette..."
A laboured attempt at a portraying the ennui and affected mild eccentricity so beloved of the French intelligensia. Poorly acted, without conviction or indeed much interest, the pace of this film was such that I considered turning it off within the first half hour and wished that the end would come throughout. It is not engaging, it is not thought provoking, it is not cool. This film failed on so many levels.
I knew next to nothing about 'Va Savoir' aside from the fact that critics were very divided about it - very few are of them are impartial and they either love it or hate. So it was - armed with this knowledge - that I approached 'Va Savoir' with a little trepidation. Admittedly, the film does take an awfully long time to get going and it wasn't until at least 30-45 minutes in that it hit its stride. Bear with it for this first bit and you will be richly rewarded. At times reminiscent of a Shakespearian drama, at others, perhaps Robert Altman's 'Short Cuts', 'Va Savoir' is a witty, dense, intelligent and convoluted film that should beguile. I loved the little asides and expressions of the characters and what is great is that the director gives the cast time to really explore their characters in depth. There is a naturalistic tone here and I also felt that Paris was as much a character in this film as the six leads. The plot is richly detailed, once you understand what is going on, and the writer should be applauded for constructing such a fascinating web. It could be argued that 'Va Savoir' is overlong but I believe there is also a three hour cut of the film available on DVD, significantly longer than this version. I believe that 'Va Savoir' is a perfect piece of French artistry, demonstrates that the French cinema is in rude good health, and surely deserves better praise than it's got. It is also one that you could easily return to again and again, and get something different from each time. I gave 4 stars merely for the fact that the editing could have been a little tighter, bringing down the length of the film and improving it somewhat. Either way, 'Va Savoir' is worthy of a 5.
Fascinating. A film that explores opposites: intellectual study versus acting in the theatre, attraction and repulsion, moral and immoral action, reality and theatrical role, success and failure, action within and without the law. Most characters have a past where they thought and acted differently, and for two of them, that past comes back to bother them.
This is the sort of intellectual French film, with a lightness of touch that I really like. You feel that nothing can go really wrong. There is a beautiful, thoughtful woman who slowly reveals herself to us over the course of the film; even bits she didn't know existed.
I knew next to nothing about 'Va Savoir' aside from the fact that critics were very divided about it - very few are of them are impartial and they either love it or hate. So it was - armed with this knowledge - that I approached 'Va Savoir' with a little trepidation. Admittedly, the film does take an awfully long time to get going and it wasn't until at least 30-45 minutes in that it hit its stride. Bear with it for this first bit and you will be richly rewarded. At times reminiscent of a Shakespearian drama, at others, perhaps Robert Altman's 'Short Cuts', 'Va Savoir' is a witty, dense, intelligent and convoluted film that should beguile. I loved the little asides and expressions of the characters and what is great is that the director gives the cast time to really explore their characters in depth. There is a naturalistic tone here and I also felt that Paris was as much a character in this film as the six leads. The plot is richly detailed, once you understand what is going on, and the writer should be applauded for constructing such a fascinating web. It could be argued that 'Va Savoir' is overlong but I believe there is also a three hour cut of the film available on DVD, significantly longer than this version. I believe that 'Va Savoir' is a perfect piece of French artistry, demonstrates that the French cinema is in rude good health, and surely deserves better praise than it's got. It is also one that you could easily return to again and again, and get something different from each time. I gave 4 stars merely for the fact that the editing could have been a little tighter, bringing down the length of the film and improving it somewhat. Either way, 'Va Savoir' is worthy of a 5.
This is not a bad film. This is a boring film.
Two and a half hours of watching contrived people do contrived things. Being force to watch scenes from that play over and over. I firmly believe that art must be entertaining whatever that might mean. I am entertained watching Commando when Arnie feeds a deer with his daughter. I am entertained in Amores Perros when the old man comes back to find all his dogs have been killed.
If a film has nothing to engage with it is not entertaining. This film is silly, indulgent and certainly not entertaining.
A laboured attempt at a portraying the ennui and affected mild eccentricity so beloved of the French intelligensia. Poorly acted, without conviction or indeed much interest, the pace of this film was such that I considered turning it off within the first half hour and wished that the end would come throughout. It is not engaging, it is not thought provoking, it is not cool. This film failed on so many levels.
I knew next to nothing about 'Va Savoir' aside from the fact that critics were very divided about it - very few are of them are impartial and they either love it or hate. So it was - armed with this knowledge - that I approached 'Va Savoir' with a little trepidation. Admittedly, the film does take an awfully long time to get going and it wasn't until at least 30-45 minutes in that it hit its stride. Bear with it for this first bit and you will be richly rewarded. At times reminiscent of a Shakespearian drama, at others, perhaps Robert Altman's 'Short Cuts', 'Va Savoir' is a witty, dense, intelligent and convoluted film that should beguile. I loved the little asides and expressions of the characters and what is great is that the director gives the cast time to really explore their characters in depth. There is a naturalistic tone here and I also felt that Paris was as much a character in this film as the six leads. The plot is richly detailed, once you understand what is going on, and the writer should be applauded for constructing such a fascinating web. It could be argued that 'Va Savoir' is overlong but I believe there is also a three hour cut of the film available on DVD, significantly longer than this version. I believe that 'Va Savoir' is a perfect piece of French artistry, demonstrates that the French cinema is in rude good health, and surely deserves better praise than it's got. It is also one that you could easily return to again and again, and get something different from each time. I gave 4 stars merely for the fact that the editing could have been a little tighter, bringing down the length of the film and improving it somewhat. Either way, 'Va Savoir' is worthy of a 5.
Fascinating. A film that explores opposites: intellectual study versus acting in the theatre, attraction and repulsion, moral and immoral action, reality and theatrical role, success and failure, action within and without the law. Most characters have a past where they thought and acted differently, and for two of them, that past comes back to bother them.
This is the sort of intellectual French film, with a lightness of touch that I really like. You feel that nothing can go really wrong. There is a beautiful, thoughtful woman who slowly reveals herself to us over the course of the film; even bits she didn't know existed.
I would like to say that I enjoyed this film. The truth is that while I admired the way it had been put together with a very superior artistry I found it very difficult to relax into watching it. A difficult and challenging film maker, Jacques Rivette did not take me with him on this one, I'm afraid. So my 4 stars are more a reflection of my recognition of the quality of the film rather than a measure of my enjoyment on viewing it.
Terrible dull film, I soon hit the fast forward.
very slow, found it boring. perhaps a second attempt when in a different frame of mind --- who knows!
Not all films are meant to be pure entertainment, and Jacques Rivette does sometimes demand a lot of his audience.
Having said that, this is fairly accessible, although I understand that some people will find it boring.
If you like French cinema, then Rivette is essential viewing.
Jacques Rivette here returns to one of the recurrent themes of his awesome directorial career: the place where theatre and life overlap. So we have a French actress in an Italian play which is all about identity (Pirandello's 'As you desire me'), returning to Paris for the first time in three years, and very nervous about the work is going to be received. She and her lover flirt with the idea of swapping partners, while her lover also continues his life-long quest for a lost Goldoni play. It's all terrifically elegant, perfectly planned and rewardingly witty. Perhaps, in fact, it's a little too perfect, because there's also something a wee bit airless about what happens, a bit too programmatic. It's also too long - at two and a half hours; with Rivette, length is usually a bonus (his longest film, 'Out 1' takes an entire day to watch), but here, he doesn't quite have enough to fill the time.
Having watched a fine performance by Sergio Castellitto in 'Mostly Martha', I thought I'd give one of his other films a try. Whatta mistaka to maka. I found 'Va Savoir' (Who Knows) to be utterly tedious. At over 2 hours long, it's definitely a two-nighter.
Jacques Rivette's French 'New Wave' comedy is far too subtle for my tastes. I can guarantee it certainly won't have you rolling about in the aisles!
My DVD froze 2/3-3/4 of the way but it didn't bother me much as I was bored to death already and was not paying much attention to it anyway.
Jacques Rivette — pioneer of the French New Wave — again demonstrates his skills as a director of nuance and pace in this gratifyingly literate charade. Set in present-day Paris, the old French master here explores the complicated love affairs that emerge between three men and three women during a theatrical troupe's production of Pirandello's As You Desire Me. No one puts a foot wrong in an exemplary ensemble cast that is headed by Jeanne Balibar and Sergio Castellitto. She plays an actress returning to Paris for the first time since leaving her longtime lover three years previously; he's the enamoured co-star and director who becomes less interested in the play as he tries to locate an obscure 18th-century manuscript that could make his fortune and reputation. As with his most renowned film, Céline and Julie Go Boating, Rivette's exploration of the relationship between art and life is so precisely staged and performed, it seems almost effortless.
Rivette revisits familiar ground with this leisurely tale of romantic intrigue and possibly dark deeds among members of... read more on Time Out
"...VA SAVOIR abounds in pleasures....Balibar is a magician of moods and, as such, the ideal actress for Rivette..."
"...It's all very French, very intricate, and -- this is Rivette's magic -- seemingly as light as air..."
"...Rivette manages the complex choreography of his characters with virtuoso comic timing..."