Loosely based on the experiences and personalities of David Bowie and Iggy Pop, VELVET GOLDMINE is a wild, glitter-laced trip through the 1970s era of glam rock. Fictional characters Brian Slade (Jonathan Rhys-Meyers) and Curt Wild (Ewan McGregor) are personifications of glam rock's ideals, with the mysterious and androgynous .. Read more
| Starring | Ewan McGregor, Toni Collette, Eddie Izzard, Jonathan Rhys Meyers |
|---|---|
| Director | Todd Haynes |
| Genres | Drama, Gay/Lesbian |
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Loosely based on the experiences and personalities of David Bowie and Iggy Pop, VELVET GOLDMINE is a wild, glitter-laced trip through the 1970s era of glam rock. Fictional characters Brian Slade (Jonathan Rhys-Meyers) and Curt Wild (Ewan McGregor) are personifications of glam rock's ideals, with the mysterious and androgynous Slade balanced by the intense, raucous Wild. When Slade disappears, the era itself seems to melt away, swallowed up by the slick 1980s. But Slade's story, and the story of glam rock, is retold when journalist Arthur Stuart (Christian Bale) is assigned to discover what really happened to Slade. Through his own memories of this time, Arthur faces his childhood fears and fantasies. With a nod to Oscar Wilde, a CITIZEN KANE-like structure, and an overall sumptuous atmosphere, VELVET GOLDMINE is director Todd Haynes's unique look at homosexuality, indulgence, and, most importantly, rock 'n' roll.
| Starring | Ewan McGregor, Toni Collette, Eddie Izzard, Jonathan Rhys Meyers, Christian Bale |
|---|---|
| Director | Todd Haynes |
| Studio | CHANNEL 4 DVD |
| Run time | DVD: 1 hr 58 mins |
| Certificate | |
| Genres | Drama, Gay/Lesbian |
| Language | English |
| Subtitles | None |
| Released | DVD: 01 Jan 2007 Production year: 1998 |
| Format | DVD |
Todd Haynes (Safe) is an imaginative and original director, and he employs both those qualities here, but, sadly, they fail to make this mishmash of a movie work. Ewan McGregor and Jonathan Rhys Meyers star as a couple of singers over-indulging on sex, drugs and rock 'n' roll, and failing to make their lives function in this thinly disguised tribute to Iggy Pop and David Bowie's Ziggy Stardust. Seen as a montage through the eyes of investigative journalist Christian Bale, the duo's rise and fall is charted in all its mooning, cocaine-snorting vainglory. The film looks great and has tons of atmosphere, but it's a soulless, unstructured piece of movie-making and, in the end, you don't really care about the characters or their downfall.
"...Dazzlingly surreal....Blazing with exquisite yet abstract passions, and with quite a lot to look at on the side....Ewan McGregor makes a fabulously charismatic rock star..."
Surreal, orgasmic, swirling mass of colour and delight. I love this film and J.Rhys-Meyers is beautiful throughout. Ewan McGregor's accent is a bit dodgy.....which is a shame.Toni Collette and Christian Bale are reliably great and Eddie Izzard's screen time, though minimal, is thoroughly enjoyable. Certainly one of my favourite films ever. At first viewing I found it highly confusing and the chronology a little hard to follow (you have to watch the hairstyles), i think trying to analyse and make sense of the plot only defeats the object of the piece though. In the end, this is supposed to be a surreal film - it is a mixture of different peoples memories and I think that the story was intended to be warped. Don't try and work it out just enjoy the music, the colours and the abundance of glitter.
If you like a film to jump around more than a kangaroo on speed and have random gay sex scenes interspersed throughout then this is for you - if like me you don't - do not watch this!
Bob Dylan casts an elusive shadow. This year we've seen Hayden Christensen playing Not Bob (at the insistence of Mr Dylan's lawyers) in Factory Girl. Adam Sandler looking awfully like him in Reign On Me. And we've heard the real McCoy growl out a new blues on the soundtrack for Lucky You. Now we get no less than six Bobs (though none goes by that name) in Todd Haynes' bio-mash-up, I'm Not There. The title comes from one of the more obscure Basement Tapes recordings, and you can see why it... Read more