The intolerable pressure of life at an unpleasantly seedy boys' boarding school leads to a full-scale revolution... Read more
| Starring | Jean Daste, Robert le Flon, Du Verron |
|---|---|
| Director | Jean Vigo |
| Genres | Drama, World Cinema |
loading...
Comical, lyrical, surreal and packed with references to animator Emile Cohl, Abel Gance and Charlie Chaplin, this savage satire on public school life was considered so inflammatory by the French authorities that it was banned until 1945. Reflecting the militancy of his anarchist father and a loathing of the institutions that blighted his sickly childhood, Jean Vigo abandoned traditional narrative and formal principles and experimented with angles, perspectives and space to convey the psychological state of the rebellious students. However, the film's elliptical poetry was something of an accident, as Vigo was forced to abbreviate the action to fit the agreed running time.
********Already available on this site!!!!*************
Note to all who want to reserve this title:
It is available with the 3 other films Jean Vigo blessed the world with during his short life under the title 'The Jean Vigo Collection'. Hurrah! Zero De Conduite clearly serves as the inspiration for Lindsay Anderson's 'If...' with Malcolm MacDowell. The fact that it predates the latter by 35 years and is every bit as fresh, lyrical, inventive and subversive as the best contemporary, indie releases makes this simply unmissable.
********Already available on this site!!!!*************
Note to all who want to reserve this title:
It is available with the 3 other films Jean Vigo blessed the world with during his short life under the title 'The Jean Vigo Collection'. Hurrah! Zero De Conduite clearly serves as the inspiration for Lindsay Anderson's 'If...' with Malcolm MacDowell. The fact that it predates the latter by 35 years and is every bit as fresh, lyrical, inventive and subversive as the best contemporary, indie releases makes this simply unmissable.
Comical, lyrical, surreal and packed with references to animator Emile Cohl, Abel Gance and Charlie Chaplin, this savage satire on public school life was considered so inflammatory by the French authorities that it was banned until 1945. Reflecting the militancy of his anarchist father and a loathing of the institutions that blighted his sickly childhood, Jean Vigo abandoned traditional narrative and formal principles and experimented with angles, perspectives and space to convey the psychological state of the rebellious students. However, the film's elliptical poetry was something of an accident, as Vigo was forced to abbreviate the action to fit the agreed running time.