The science-fiction thriller MINORITY REPORT, directed by Steven Spielberg and starring Tom Cruise, is based on a short story by renowned writer Philip K. Dick. In the year 2054, in Washington, D.C., murder has been eliminated thanks to Precrime, a program that uses the visions of three psychics, called Precogs (an abbreviation for precognitive thinkers), to arrest and imprison would-be murderers before they have a chance to kill. Tom Cruise plays John Anderton, a Precrime enforcer who believes in the system for his own personal reasons--years back his young son was abducted, and he has dealt with the loss by becoming a high-strung Precrime officer. The director of Precrime (Max von Sydow) is eager to take the program national, and feels threatened by an ambitious federal agent (Colin Farrell) who is bent on finding a flaw in the system. When Anderton finds himself accused of the future murder of a man he's never met, his faith in Precrime is instantly shaken. He goes on the run, and is trailed by the relentless Precrime police. In the tradition of BLADE RUNNER (also based on a Dick story), MINORITY REPORT is a dark, brooding vision of the future. Spielberg expertly mixes thrilling chase and suspense sequences (the best of which involves Anderton being pursued by eye-scanning mechanical spiders) and stunning special effects with a challenging look at society's willingness to sacrifice privacy and the notion of free will for convenience and security. MINORITY REPORT is a thought-provoking and exciting film that ranks with Spielberg's best.
This masterfully sleek vision of the future from director Steven Spielberg is an awesome mix of sensationally skewed science fiction, twisty Hitchcock-style thrills, stunning blue-grey tinged photography and outstanding design, featuring a fantastic array of cool equipment, gadgets and RoboCop-type applications. Set in 2054, when police can use precognitive mutants to detect homicides before they're even committed, the plot sees top Pre-cop Tom Cruise identified as a future killer and forced to go on the run to discover why he's been set up and by whom. Well-judged commercial action requirements dovetail flawlessly with ingenious sophistication as Spielberg hurtles with artful swiftness through one spectacularly mounted suspense sequence after another — none better than the snooping robot spiders scuttling through a tenement slum to identify Cruise via his coded eyeballs. Adroitly realised by Spielberg to amaze and rivet in turn, this is what sci-fi cinema should always be about but rarely is — mind-boggling images and a literate, witty script skilfully working together in perfect harmony to create a world of unnerving wonder. It's absolutely terrific stuff — Blade Runner finally has a serious rival as the best Philip K Dick screen adaptation.
Halliwell's Film Guide
Tense paranoid thriller that gives every indication of being brilliant until the halfway mark, when it becomes just another glossy action pic with the corniest of endings.