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Gigi on DVD (1958)

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Average rating: 63%
35256201014212
3.0
from 787 members
 
Starring: Leslie Caron, Maurice Chevalier, Louis Jourdan, Hermione Gingold, Eva Gabor, John Abbott, Isabel Jeans, Monique Van Vooren, Jacques Bergerac
Director: Vincente Minnelli
Studio: WARNER HOME VIDEO
Run time: 110 mins
Certificate: PG
User collections: Academy Award Winners: Best Picture
Genres: Music/Musical
Languages: English
Released: 02/06/2003

Brief synopsis of Gigi

Set in Paris at the turn of the century, this delightful Lerner and Loewe musical, based on a story by Collette, follows a precocious French girl as she is groomed into a would-be courtesan, blossoming into a stunning woman. The story provides plenty of opportunity for Minnelli and MGM to pull out all the stops in its first musical production shot on location.

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Critics Reviews

Rating of 5 stars out of 5 Radio Times

Rightful winner of nine Academy Awards (including best picture), this is the last great musical from genius producer Arthur Freed (Singin' in the Rain, Show Boat, An American in Paris). Freed coerced composers Lerner and Loewe into creating this screen original from Colette's tale following their sensational stage success with My Fair Lady. Superbly cast (Leslie Caron in the title role, Maurice Chevalier winning a special Oscar, Louis Jourdan), immaculately designed (for CinemaScope in Art Nouveau by Cecil Beaton) and impeccably directed by Vincente Minnelli, this is a sophisticated and entertaining musical treat. The story about the training of a young girl to become a courtesan is hardly the usual basis for a screen song-fest, but it's brilliantly and intelligently handled. The best sequences (the duet I Remember It Well and Gaston's soliloquy) were actually directed by the uncredited Charles Walters, who had previously guided Caron in Lili. There's a fine bittersweet air to this tale that leaves you longing to see it again — thank heaven for little girls like Gigi!

Rating of 3 
	  stars out of 4 Halliwell's Film Guide

Laundered and musicalized version of Collete's novel; delightfully set, costumed and performed, but oddly lacking dance numbers.

Time Out

Not a Broadway-based musical but a screen original, derived from Colette's short novel set in turn-of-the-century... Read more on www.timeout.com

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Members Reviews

Reviews Voted Most Helpful

Rated - 3 starsNot as bad as I'd thought

beantrees from Bristol [Highly rated reviewer] , 21/07/2005

I wasn't sure what to expect with this one: I love musicals, but Minnelli's overblown direction isn't always to my taste. Arthur Freed's guiding hand seems to moderate him here, though, and the acting's not bad: Caron has come on in leaps and bounds since 'An American In Paris', and is very engaging here. There are a few songs to hum to, but 'Lerner' & 'Loewe' are no 'Cole Porter', and there's an astonishing absence of dance, so it's not really my kind of musical.

Worth a couple of hours of your time if you like this sort of thing - the costumes were great, and the plot quite sweet and entertaining - but don't expect the full-blown musical treatment. And skip the bits with 'Maurice Chevalier' in!

  10 out of 13 people found this review helpful
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Rated - 4 starsLooks great but the songs and story aren't quite up to the same

McClennan from St Helens , 26/10/2005

Wonderfully put together MGM musical, with a most vibrant look to the film. Taking inspiration from impressionists (not the Bobby Davro type) and using it as a basis for the film aesthetics works exceedingly well when the film doesn't. A fairly average story with mixed songs (most of them distracting rather than adding to the film) is countered with some good acting performances. The story and songs, not good enough, but the look of the film is enough to make this a pleasure to watch.

  4 out of 4 people found this review helpful
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Rated - 4 starsGIGI PURE PLEASURE

A customer from CHESTER ENGLAND , 28/01/2005

This is a timeless classic film. So nice to see it restored but shame it did not have 5.1 sound. Oh well cant have eveything I guess.I recall seeing it as a child and being entralled.No they certainly dont make them like this now! Rent it.

  1 out of 1 person found this review helpful
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Rated - 5 starsThank heaven for...Gigi

A customer from London, UK , 15/09/2004

This is one of my personal favouites. It's a good old fashioned musical with some cracking tunes.

Gigi tells the tale of a young girl being brought up to be a professional mistress but who ends up falling in love (you can guess the ending). There are some very touching moments and also some big laugh out loud moments.

The costumes are beautiful and the scenery, whilst obviouly painted on, is just as pretty.

Gigi is artistic and entertaining. Come at it with an open mind and little expectation and you will enjoy the ride.

Now, how do I get to Maxims....

  1 out of 2 people found this review helpful
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Most Recent Reviews

Rated - 3 starsNot as bad as I'd thought

beantrees from Bristol [Highly rated reviewer] , 21/07/2005

I wasn't sure what to expect with this one: I love musicals, but Minnelli's overblown direction isn't always to my taste. Arthur Freed's guiding hand seems to moderate him here, though, and the acting's not bad: Caron has come on in leaps and bounds since 'An American In Paris', and is very engaging here. There are a few songs to hum to, but 'Lerner' & 'Loewe' are no 'Cole Porter', and there's an astonishing absence of dance, so it's not really my kind of musical.

Worth a couple of hours of your time if you like this sort of thing - the costumes were great, and the plot quite sweet and entertaining - but don't expect the full-blown musical treatment. And skip the bits with 'Maurice Chevalier' in!

  10 out of 13 people found this review helpful
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Rated - 4 starsTres charmant

RJNeb2 [Highly rated reviewer] , 27/03/2008

There's charm aplenty in this big Oscar winner from 1958 although the plotline is as thin as its waif-like heroine, here being groomed to enter turn-of-the-century Parisian high society. But the chief attractions are Cecil Beaton's hugely glamorous costumes and some wonderful tunes, including 'Thank Heaven for Little Girls' and 'I Remember It Well'. However, how it managed to beat 'Cat on a Hot Tin Roof' or 'The Defiant Ones' to the Best Picture Oscar is a bit of a mystery.

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