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Once Upon A Time In America on DVD (1984)

Once Upon A Time In America cover art
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Average rating: (75%)
1112291120613
3.5
 
Starring: Robert De Niro | James Woods | Elizabeth McGovern | Joe Pesci | Burt Young | Tuesday Weld | Treat Williams
Director: Sergio Leone
Studio: WARNER HOME VIDEO
Run time: 220 mins
Certificate: 18
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Genres: Drama
Languages: English
Dubbed: Italian
Hearing-impaired: English, Italian
Subtitles: English, Italian
Released: 23/06/2003

Brief synopsis of Once Upon A Time In America

Two boyhood friends grow up to become the kingpins of a prohibition-era criminal empire until their own greed and ambition cause their downfall. Based on Larry Grey's novel, "The Hoods."

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Critics Reviews

Rating of 5 stars out of 5 Radio Times

Sergio Leone was the man who reinvented the western with the Dollars films starring Clint Eastwood and also the masterly Once upon a Time in the West. This, his final film, is an extraordinary crime drama that runs for nearly four hours in its full-length version and chronicles the lives of two New York gangsters, Noodles and Max, played by Robert De Niro and James Woods. Clearly influenced by the Godfather — wags called Noodles and Max the “kosher nostra” — it is made on a massive scale. Four decades roll past in flashback, underpinned by a great Ennio Morricone score. The plotting is often arbitrary, but, unlike The Godfather, Leone and his fine actors never try to win our sympathy: these are nasty people and there are two rape scenes, involving Tuesday Weld and Elizabeth McGovern, that may be among the most shocking ever filmed. But just gasp at the scale, at the immaculate period reconstruction and at that incredible opening with its endlessly ringing phone. This is essentially a re-examination of Leone's western preoccupations. Just as he reclaimed the west for “violent, uncomplicated men”, here he treats crime and corruption as a quintessential part of modern American life. According to Leone, we shouldn't be shocked that a bootlegger can end up mixing with the rich and powerful. That's just how the system works. It's a scathing indictment of America's recent past and perhaps that's why, like Michael Cimino's Heaven's Gate, it was a resounding flop on its US release and was heavily cut by its panicked distributors. It fared better in Europe, where it was hailed as a masterpiece of 1980s cinema.

Rating of 4 
	  stars out of 4 Halliwell's Film Guide

Vast, sprawling, violent crime saga that is both the epitome and summation of gangster movies, a powerful, almost operatic drama of waste and despair.

Los Angeles Times

"...Richly cinematic....[An] exceptional film, both artificial and naturalistic, excessive as well as tightly controlled..."

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Members Reviews

Reviews Voted Most Helpful

Rated - 5 starsThe best film of all time?

Steve Pering from Kingston upon Thames , 21/10/2003

This film is a masterpiece. The first time I saw it at nearly four hours long I rewound it and watched it all over again. There aren't many long films (even good ones) that make you want to do that. A back to back sitting of Schindler's List anyone? The soundtrack is monumental, the plot is epic and the acting incredible and I defy any red blooded male not to fall in love with Elizabeth McGovern as much as Noodles (Robert de Niro). Watch it, then watch it again then buy it!

  19 out of 24 people found this review helpful
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Rated - 5 starsPerfection

Darth Egregious from London , 07/07/2005

Such a superb film. Covers the whole range of human emotion while remaining beautifully paced and shot. The unusual editing combined with stand out performances all round ensures that it never seems as long as its huge running time. Truly one of the greatest films ever committed to celluloid.

  12 out of 14 people found this review helpful
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Rated - 5 starsExtraordinary crime drama

Elford from West Sussex , 04/07/2004

Sergio Leon’s final film is an extraordinary crime drama running for nearly four hours in it’s full length version and chronicles the lives of two New York gangsters played by Robert De Niro and James Woods. The plotting is often arbitrary but unlike the godfather Leon and his fine actors never try to win our sympathy: These are nasty people and there are two rape scenes involving Tuesday Weld and Elizabeth McGovern, that may be the most shocking ever filmed.

But just gasp at the scale, at the immaculate period reconstructing and at the incredible opening with it’s endlessly ringing phone. A resounding flop on its U.S release, it was heavily cut by its panicky distributors. It fared better in Europe, where it was hailed as a masterpiece.

  11 out of 13 people found this review helpful
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Rated - 4 starsHeavy Symbolism or The Godfather with Jews?

David Petch from Guildford, UK , 03/08/2004

Apparently, many have seen this film and pondered on its meaning. Is everything that happens just an opium-fuelled dream, an elegiac lament for a misspent life, or a strand of complex time-shifts supposed to portray the unreliability of memory?

Personally, I had no idea about all the psychoanalysis that had gone before when I sat down to watch it. So to me it played like The Godfather, except that all the major characters are Jewish Americans rather than Italian Americans.

It is slow, long and languid, just like Sergio Leone's Spaghetti Westerns (is this a Falafel Western?), but it somehow manages to keep you enthralled with its mix of character & story development, beautiful cinematography & excellent set design, and its bursts of post-watershed violence. But beware - there is a particularly nasty rape scene that is rendered all the more unpleasant by complete silence on the soundtrack that somehow manages to make it too real and all the more unpleasant.

  9 out of 12 people found this review helpful
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