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Chicago on DVD (2002)

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Play Chicago trailer
Average rating: 69%
12155181420413
3.0
from 3,396 members
 
Starring: Catherine Zeta Jones, Dominic West, Renee Zellweger, Richard Gere, Queen Latifah, Christine Baranski, John C. Reilly, Lucy Liu, Taye Diggs, Colm Feore
Director: Rob Marshall
Studio: WALT DISNEY STUDIOS HOME ENTERTAINMENT
Run time: 109 mins
Certificate: 12
User collections: Musicals that aren't lame, Is it me? Films I've taken a serious dislike to., Films that make you say "wow...", 1001 Movies YMSBYD Part 10, Most over-rated films of all time, My cup of tea, Must See Musicals, All of my favourites!, Academy Award Winners: Best Picture, OVERRATED / UNDERRATED
Genres: Audio Descriptive, Music/Musical
Languages: English, English Audio Description
Hearing-impaired: English
Released: 04/08/2003
Also Available on:  Also Available on: BLU-RAY

Brief synopsis of Chicago

This Hollywood adaptation of the classic Broadway musical sparkles with glamour and reverberates with the energy of good, old-fashioned song and dance. As the film leaps into its first riveting act, Velma Kelly (Catherine Zeta-Jones), one half of the famous number she performs with her sister, arrives at the night club late, dishevelled, and with blood on her hands. Nonetheless, she goes onstage unhindered and wows the crowd with her shimmying rendition of "All That Jazz." Roxie Hart (Renee Zellweger) a young blond who dreams of someday being famous like Velma, watches from the audience with eyes full of envy. Later, as the cops pick up Velma for the murder of her sister, sending her fame to all-time heights as she becomes a tabloid sensation, Roxie also commits a crime of passion--shooting a lover who falsely promised to secure her cabaret debut. The girls wind up together in jail, where Mama Morton (Queen Latifah), a compassionate guard, is their only hope of redemption; and Billy Flynn (Richard Gere) is the lawyer who can get them out. There, through wonderfully familiar songs like "Razzle Dazzle," "Cell-Block Tango," and "Cellophane Man" Roxie and Velma tell their story of competing for bad-girl celebrity.
Director Rob Marshall presents a loveable CHICAGO that shares all the grit and grime of the Bob Fosse Broadway original with phenomenal performances by this grouping of Hollywood stars. The dizzying camerawork and dazzling sets make an easy transition from stage to film.

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Critics Reviews

Rating of 4 stars out of 5 Radio Times

It took more than a quarter of a century to bring the 1975 musical Chicago to the screen, but it was worth the wait to get it right. In this spirited film adaptation, Renée Zellweger stars as Roxie Hart, the ambitious newcomer who dreams of singing and dancing in one of the city's jazz clubs, and Catherine Zeta-Jones plays Velma, the established performer. After the shootings of a lover and a faithless husband, they end up in prison, where the pair find that the publicity surrounding a capital murder case can be a boon to a career in showbusiness. Director Rob Marshall licks the problem of how to film a musical that was presented as vaudeville on stage — it's closer to that style of short scenes and “turns” than to conventional musical comedy — by re-creating the musical numbers as fantasies in Roxie's head. He loses none of the energy of the stage version nor its dark subtext on the corrupting nature of stardom. Oscar-nominated Zellweger is perfect casting despite — or perhaps even because of — her inexperience in the genre, while the Oscar-winning Zeta-Jones sings and high-kicks as if born on Broadway.

Rating of 2 
	  stars out of 4 Halliwell's Film Guide

A clever screenplay that treats the songs as moments of fantasy and wish fulfillment, and slick direction make for a diverting, cynical account of short-lived celebrity and the collusions between the media and its stars; it is let down by the singing and

USA Today

"...CHICAGO shows how much the element of surprise is missing from today's movies....It's part of the basic Zeta-Jones bio that she can really sing, and, wow, can she..."

See all 6 Critics Reviews »

Members Reviews

Reviews Voted Most Helpful

Rated - 5 starsBIG SCREEN BETTERS STAGE

A customer from Gypsy Hill , 07/11/2003

Chicago is a near perfect example of crossover when it works. Chicago on stage is thin on story and settings, almost cabaret. But in the hands of Bill Condon, screenwriter, the problems of crossover are met head on and dealt with neatly. Rythm is all as both picture and story are cut to the beat. By this simple device we are propelled through The Windy City's 1920's heyday and the headline grabbing sories of death row murderesses, Zellweiger, Zeta Jones. Any plot shorcommnigs vanish in the sheer razzle dazzle of it all. Richard Gere as Billy the showman Lawyer, no stranger to charm, hoofs and sings and aquits himself well along with his clients on death row. This is a film where pace was clearly at the top of the creative teams list and it is this cracking pace, along with the blistering original score by Cander & Ebb which keeps our toes tapping throughout and sends us out whistling the tunes. By no means a film only for Musical lovers but deffo for MUSIC lovers...

  10 out of 13 people found this review helpful
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Rated - 4 starsReally worth watching

Wallace from Hertfordshire , 29/02/2004

Rather than just transport a stage musical to screen, this film uses techniques which would not be possible on stage and as such is really worth watching. Only watch this if you love musicals as you have to suspend your disbelief for the entire film. Both Catherine Zeta-Jones and Renee Zellweger are superb. Richard Gere looks the part but can't really sing that well. DVD extras are good as you see the cast rehearsing and realise that C Z-J can really do those high kicks, it isn't a stand in.

  7 out of 8 people found this review helpful
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Rated - 5 starsMy kind of Town!!

scruffy from London , 19/11/2003

"And it has, all that jazz...."

Frank certainly got it right when he sang about Chicago.

It's vivid, it's vibrant, it's vulgar and a truly great musical. The film is shot with a perfect amount of humour and darkness. It kinda makes me want to be there!!

CJZ is great but then again, she was born to play the bitch!! Renee Zellwegger puts in a surprising performance and portrays a character that you can warm to and hate in the same breath. For me, performance-wise, it goes to Richard Gere - what a voice! What a tap-dance!!

On the whole, the film is so full and rich to look at. The sets are simple yet effective and the mood is perfectly dark and smoky. In my mind as good as any of the old musicals, definitely on a par with "Cabaret" and definitely worth a second look.

  5 out of 6 people found this review helpful
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Rated - 1 starsOscar Worthy?

Waitsboy from North Tyneside , 15/10/2003

Chicago, whilst being a happy little movie musical, and featuring outstanding Fosse-type dance numbers, falls flat at times because of its leading ladies. Zeta Jones hardly deserved an Oscar (but then if Judi Dench can get one for twelve minutes of screen time, so can Jones, I suppose) and Zellweger is distractingly thin. Gere, on the other hand, is quite brilliant with his soft-shoe shuffle.

Overall, don't believe the hype. At the end of the day, it's a mediocre movie with some classic scenes. And, in keeping with recent Oscar winners, far too long.

  4 out of 5 people found this review helpful
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Most Recent Reviews

Rated - 4 stars

Jennifer#57 from LONDON , 06/06/2004

For a musical, I would say that the singing and dancing in this film are not that great, but there is something about it...

The sets are very good, costumes excellent; storyline is simple, but pacy enough to keep you interested, but what really kept me interested was Richard Gere. I must make it clear that until this film, I was not what you'd call a fan of Gere, but this was such a departure from any role I'd ever seen him play.

Singing, dancing or just speaking dialogue, he lit up the screen in every scene he was in. Chicago, OK; Richard Gere, brilliant.

  1 out of 1 person found this review helpful
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Rated - 5 starsBIG SCREEN BETTERS STAGE

A customer from Gypsy Hill , 07/11/2003

Chicago is a near perfect example of crossover when it works. Chicago on stage is thin on story and settings, almost cabaret. But in the hands of Bill Condon, screenwriter, the problems of crossover are met head on and dealt with neatly. Rythm is all as both picture and story are cut to the beat. By this simple device we are propelled through The Windy City's 1920's heyday and the headline grabbing sories of death row murderesses, Zellweiger, Zeta Jones. Any plot shorcommnigs vanish in the sheer razzle dazzle of it all. Richard Gere as Billy the showman Lawyer, no stranger to charm, hoofs and sings and aquits himself well along with his clients on death row. This is a film where pace was clearly at the top of the creative teams list and it is this cracking pace, along with the blistering original score by Cander & Ebb which keeps our toes tapping throughout and sends us out whistling the tunes. By no means a film only for Musical lovers but deffo for MUSIC lovers...

  10 out of 13 people found this review helpful
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Read all highest rated reviews