A priceless classic, MY FAIR LADY has become one of the most popular musicals of all time. Based on George Bernard Shaw's 1913 play PYGMALION, the film swept the Academy Awards. Cecil Beaton's lavish sets and costumes and Lerner and Loewe's winning score became the background for George Cukor's striking mix of styles that ranged from the fantastic to the abstract in his telling of the tale of a waif who's educated into being a lady. Egotistical linguist Professor Henry Higgins (Oscar-winning Rex Harrison) bets his friend, Colonel Hugh Pickering (Wilfrid Hyde-White), that he can transform Cockney flower girl Eliza Doolittle (Audrey Hepburn) in time for an important society ball. His gamble could pay off--but the spirited Eliza is more of a handful than the Professor could have predicted. As she slowly becomes more refined, and less reliant upon him, Higgins realizes, to his confusion, that he can't live without her. The film was nominated for 12 Oscars and won eight, including Best Picture and Director.
This sumptuous adaptation of Alan Jay Lerner and Frederick Loewe's smash Broadway version of George Bernard Shaw's play Pygmalion won eight well-deserved Oscars. It boasts superb performances from Rex Harrison — repeating his stage success as Henry Higgins — and Stanley Holloway as Alfred P Doolittle (Warner wanted James Cagney). At the time, there was criticism that Julie Andrews didn't re-create her original Broadway role, but Audrey Hepburn is still quite wonderful as Eliza. If not coarse enough for the Covent Garden flower girl, nobody, but nobody, could ever blossom as beautifully as Hepburn does in the Cecil Beaton costumes later on, and, despite being dubbed in the singing duties by Marni Nixon, her portrayal is funny and heart-warming in equal doses. A more visually inspired director — Vincente Minnelli or William Wyler — might have brought a little more élan to the work, but, with elegance and taste, George Cukor rightly preserves the theatricality of the enterprise and provides a joyful experience to savour again and again.
New York Times
"...Glorious....Features [Beaton's] astounding costumes, [Cukor's] stately direction, the best-loved, most hummable of all Broadway scores and a sublime cast headed by [Harrison and Hepburn]..."
Halliwell's Film Guide
Careful, cold transcription of a stage success; cinematically quite uninventive when compared with Pygmalion itself, but a pretty good entertainment.