Skip over navigation

Help

Pieces Of April on DVD (2003)

Pieces Of April cover art
Play Pieces Of April trailer
Average rating: 65%
1417620161557
3.0
from 576 members
 
Starring: Katie Holmes, Patricia Clarkson, Oliver Platt, Derek Luke, Sean Hayes
Director: Peter Hedges
Studio: MGM ENTERTAINMENT
Run time: 79 mins
Certificate: 12
User collections: Films to put in your queue, Eclectic but essential greats, 50 Cinematic Gems, Reccomendations, FIlms to watch before you die, Super-duper films!
Genres: Drama
Languages: English
Released: 11/06/2004

Brief synopsis of Pieces Of April

Katie Holmes is outstanding as the title character in Peter Hedges' PIECES OF APRIL. Holmes stars as April Burns, the black sheep of her family who has left suburbia for a Lower East Side tenement. To reconnect with her mother Joy (Patricia Clarkson), and father Jim (Oliver Platt), she invites them and her wisecracking brother (John Gallagher Jr.) and perfect sister (Alison Pill) for Thanksgiving dinner at her apartment, and against their better judgment, the Burnses pile up in the family station wagon, pick up Grandma (Alice Drummond), and head to the big city from the safe confines of their stereotypical suburban home. But Joy is seriously ill, complicating the road trip; meanwhile, April's oven is broken, sending her off to her bizarre neighbours to try to borrow their kitchen. Her interaction with Wayne (Sean Hayes) is a riot.
Holmes is a revelation as April, showing marvellous range and depth as the outcast daughter who still strives for her mother's affection. Derek Luke is excellent as April's caring boyfriend, who understands how important this Thanksgiving dinner is to her. Platt is solid as the father, with just the right amount of vulnerability, but Clarkson nearly steals the movie; she takes over the screen in every scene she's in. Hedges's directorial debut, following screenplays for WHAT'S EATING GILBERT GRAPE, ABOUT A BOY, and A MAP OF THE WORLD, is well-paced and fun to watch. The soundtrack features music by Stephen Merritt with the 6ths and Magnetic Fields.

Related

Critics Reviews

Rating of 3 stars out of 5 Radio Times

Katie Holmes throws off the sanitised teen angst of TV's Dawson's Creek and explores real, raw emotion here in the low-budget directorial debut of What's Eating Gilbert Grape? screenwriter Peter Hedges. Holmes is grunged-up and scowling as the volatile April Burns, whose shifting moods reach a crescendo when she decides to host a Thanksgiving meal for her estranged family, including her cancer-stricken mother (played by Patricia Clarkson). Everything that could go wrong invariably does, leading to moments of bittersweet comedy that are as touching as they are amusing. Holmes excels as the black sheep of the Burns clan, perfectly capturing the painful contradictions of a girl who guards her independence fiercely, yet desperately wants to belong. However, her heartfelt performance is overshadowed by the Oscar-nominated Clarkson, whose brutal honesty and coldness are poignantly exact. With digital camerawork enhancing the realism, the end result is a perceptive account of family relations that will strike a chord with anyone who's ever endured awkward get-togethers with their folks.

Rating of 1 
	  stars out of 4 Halliwell's Film Guide

Occasionally engaging drama of a dysfunctional family Ð one that allows a dying woman to be abrasive, making a change from the standard Hollywood serenity Ð though it settles for easy sentimentality at the end.

Time Out

Holmes is April, the black sheep of her family, who's about to introduce the folks to her black boyfriend (Luke) in... Read more on www.timeout.com

See all 5 Critics Reviews »

Members Reviews

Reviews Voted Most Helpful

Rated - 5 starsAlready in my top 3 of 2004!

Matthew Sludds from East Anglia , 13/07/2004

It?s Thanksgiving and April Burns has invited her family to her New York apartment for dinner. As the eldest, and most alienated of three children this is a real chance for April to make a much needed good impression on her family.

If only it were this simple. Dinner is proving slightly more difficult than she anticipated, mainly due to the oven not working. Her boyfriend Bobby has been out for most of the day and she needs to recruit the help of her neighbours to get the turkey cooked.

Her efforts might be short-lived however, as her family are travelling from Pennsylvania somewhat reluctantly. Joy, her Mother deals with recurrent bouts of nausea brought on by her cancer chemotherapy and finds occasional relief from her Son?s cannabis supply.

Peter Hedges has developed an excellent script into a simple but effective film that had me laughing out loud one minute before placing a lump in my throat the next. The dialogue is witty and amusing from start to finish and the film never gets too heavy whilst dealing with some tough issues. The perfect answer to a lazy Sunday afternoon.

  26 out of 31 people found this review helpful
Report offending content.

Read all reviews

Rated - 3 starsPicking up the pieces

Kiwiboy from London , 31/08/2004

This better-than-average American indie rises above its potentially clichéd premise - a Thanksgiving dinner reunion between cancer-stricken mother Joy (Patricia Clarkson) and her misfit daughter April (Katie Holmes) - to deliver smart, edgy comedy and a deliciously spiky, Oscar-nominated performance from Clarkson.

April, a tattooed grunge girl with kohl-smudged eyes and Gothic jewellery, has invited her estranged family to Thanksgiving dinner in her tiny East Village apartment. They grudgingly agree, as it’s clear it may be Joy’s last Thanksgiving. When her oven breaks down, April seeks help from a variety of quirky neighbours in her building. Meanwhile, the family make the long drive into the city, stopping off for Joy’s frequent vomiting binges and stocking up on emergency junk food.

Perched in the front seat with a severely cut chemo wig, Joy seethes with barely contained rage at April’s history as a drug addicted wild child. “She bit my nipples when I tried to breastfeed her! No wonder there’s cancer”, she snarls, as her exhausted husband (Oliver Platt) tries to defend April and rally the family together.

Intelligently scripted by writer-director Peter Hodges (screenwriter for the equally dark and acerbic "What’s Eating Gilbert Grape?"), the film builds a believable and unsentimental picture of family discord, even if the resolution feels a tad contrived.

  7 out of 7 people found this review helpful
Report offending content.

Read all reviews

Rated - 5 starsJust Leaves you wanting more pieces of April

Nate Wilson from Norwich, England , 17/08/2004

so the plot has been explained. Pieces of April is the schmaltzy family holiday film which Hollywood cannot make. Peter Hedges has carved a script with a mixture of genres. Comedy especially, irony, black comedy, situation comedy all here, with moments of drama and serious issues. Hands down Patricia Clarkson is amazing in her role as April's mother, she is not afraid of playing a nasty character, while still being warm and likeable to the audience. The Rest of the cast offer great support. But this really is a showcase for Katie Holmes, who is really blossoming into a strong actress, not afraid of playing Joey Potter, but then not afraid of trying other roles. In Pieces of April, i've never seen someone carry such a complicated mixed script with such ease and natural talent. The range of emotions is fantastic and if you stay with it, i assure you that you will feel good at the end of it.

  6 out of 7 people found this review helpful
Report offending content.

Read all reviews

Rated - 4 starsWarm, moving and funny

Melon from East Sussex , 01/11/2004

This ultra-cheap lookng film starts off poorly with DV camerawork so cheap and filled with so much motion blur it's actually nauseating (indeed the making of featurette is so much better shot than the actual movie itself that it seems like they've overdone the impoverished indie film-makers routine - they probably could have made it look better if they'd at least tried).

But it swiftly improves due to the outstanding acting and genuine emotion expressed throughout. There are 3 major moments that take the film to a whole different level. Hopefully it won't spoil anything by sharing them with you.

1) April tells tbe black woman that she's got a problem and needs help. The woman looks at her and her laughter is genuinely infectious. It's just a very funny moment with a great punchline a few moments later.

2) April runs downstairs full of excitement when she hears her family has arrived only to find an empty street. It's really sad and moving and feels totally real and painful.

3) Best of all the great Oliver Platt as the father looks across at his terminally ill wife Patricia Clarkson and realises she may have died in her sleep. The look on his face is filled with so much pathos that it brings a tear to the eye. Truly proof that the greatest comedy is grounded in real heartache.

Worth seeing for that moment alone.

  3 out of 3 people found this review helpful
Report offending content.

Read all reviews

Most Recent Reviews

Rated - 4 starsDomestic Joy

THEBLUES from HANTS , 20/07/2005

This is a wonderful film. I don't know what the Sundance pitch was, maybe something like ' A young girl, left home and estranged from her family attempts to cook Chrismas lunch for them. And the cooker breaks down. What does she do?' Wow.

Not exactly mind blowing, but that in a nutshell is all it is. I saw this in New York Xmas 2003. I've seen it twice since, on each occasion it gets better.

It was obviously a labour of love from the writer/director Peter Hedges whose Mother died of cancer during the time of the film's development. The closeness of real life and the film are evident. Peter Hedges' directorial commentary tells us exactly how close.

  2 out of 2 people found this review helpful
Report offending content.

Read all highest rated reviews

Rated - 4 starsWarm, moving and funny

Melon from East Sussex , 01/11/2004

This ultra-cheap lookng film starts off poorly with DV camerawork so cheap and filled with so much motion blur it's actually nauseating (indeed the making of featurette is so much better shot than the actual movie itself that it seems like they've overdone the impoverished indie film-makers routine - they probably could have made it look better if they'd at least tried).

But it swiftly improves due to the outstanding acting and genuine emotion expressed throughout. There are 3 major moments that take the film to a whole different level. Hopefully it won't spoil anything by sharing them with you.

1) April tells tbe black woman that she's got a problem and needs help. The woman looks at her and her laughter is genuinely infectious. It's just a very funny moment with a great punchline a few moments later.

2) April runs downstairs full of excitement when she hears her family has arrived only to find an empty street. It's really sad and moving and feels totally real and painful.

3) Best of all the great Oliver Platt as the father looks across at his terminally ill wife Patricia Clarkson and realises she may have died in her sleep. The look on his face is filled with so much pathos that it brings a tear to the eye. Truly proof that the greatest comedy is grounded in real heartache.

Worth seeing for that moment alone.

  3 out of 3 people found this review helpful
Report offending content.

Read all highest rated reviews