Set in England during the late 1300s, Paul McGuigan's THE RECKONING follows Nicholas (Paul Bettany), a young priest literally running from his past. After encountering a band of wandering actors, Nicholas is grudgingly allowed into the fold by the good-natured Martin (Willem Dafoe). When the troupe reaches an impoverished village, they get word of a strange murder and look into the story as the basis for a new play. However, Nicholas and Martin uncover more than they'd expected, and soon a deeper mystery emerges. Meanwhile, as Nicholas attempts to find justice, he also struggles to come to terms with his own troubled history. A medieval murder mystery in the vein of THE NAME OF THE ROSE, THE RECKONING is based on the Barry Unsworth novel MORALITY PLAY. Under the artfully somber direction of previous collaborator McGuigan, Bettany turns in an excellent performance as a guilt-ridden priest struggling to atone for his sins. In addition to Dafoe, the film also features fine supporting actors such as Brian Cox and Gina McKee. Utilising its historical backdrop to the fullest extent, THE RECKONING immerses the audience in its medieval setting, revealing the period's many hardships and enhancing the drama of this intriguing, unfolding mystery.
Based on Barry Unsworth's novel Morality Play, this medieval murder-mystery play follows a troupe of travelling players that drop their religious repertoire to expose the corruption hiding under the Church's righteous protection. Paul Bettany plays a young priest on the run from an adulterous past who joins a group of itinerant actors, led by Martin (Willem Dafoe). The group wanders into a town where a woman (Elvira Minguez) has been sentenced to death for the murder a young boy. Martin's company then determines to tell the story of the killing in the form of a production for the local townsfolk. Director Paul McGuigan maintains a mood as dark as the overcast sky and the plague-ridden times, but lapses into theatricality for the finale. But, although it could never match the doomsday atmosphere of Ingmar Bergman's The Seventh Seal, it does successfully reflect the primitive, spiritual passion of a time when God was an avenger, not a redeemer.
Radio Times
