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Chinatown on DVD (1974)

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Average rating: 76%
1112291120612
3.5
from 5,278 members
 
Starring: Jack Nicholson, Faye Dunaway, John Huston, Diane Ladd, Bruce Glover, John Hillerman, James Hong, Roy Jenson, Perry Lopez, Noble Willingham, Burt Young, Joe Mantell, Roy Roberts, Rance Howard, Richard Bakalyan, Jerry Fujikawa, Beulah Quo
Director: Roman Polanski
Studio: PARAMOUNT HOME ENTERTAINMENT
Run time: 125 mins
Certificate: 15
Collections: 100 must-see movies, 100 Top Thrillers
User collections: My DVD's, An eclectic list of goodies in alphabetical order, 10 Great Detective Films, Movies That Make You Realise There's More To Life Than The ****ing Bourne Supremacy, Films You Should Watch..., 20 of the most important films you will ever see., David Baldacci's Favourite Movies, Stuff I like that you might like too.., 20 Films to See before...You're too Old, Movies to watch alone!
Genres: Thriller
Languages: English
Dubbed: French, German, Hungarian, Italian, Spanish
Hearing-impaired: English
Subtitles: Danish, Dutch, English, Finnish, French, German, Italian, Norwegian, Portuguese, Spanish, Swedish, Turkish
Released: 02/10/2000
Also Available on:  Also Available on: DIGITAL

Brief synopsis of Chinatown

Director Roman Polanski's neo-noir detective story is set during a heat wave in 1930s Los Angeles, whose residents are suffering from a water shortage as a result of an ongoing drought. Private investigator Jake Gittes (Jack Nicholson) runs a detective agency specializing in matrimonial strife and infidelity. When a client posing as the wife of the L.A. water commissioner hires him to spy on her husband, who is rumored to be having an affair with a younger woman, Jake uncovers a plot against the commissioner--but this is only the tip of the iceberg. Yet to emerge are a sex scandal implicating the actual Mrs. Evelyn Mulwray (Faye Dunaway), with whom Jake is destined to become more closely acquainted, and a real estate swindle of tremendous proportions devised by her father, powerful tycoon Noah Cross (John Huston), who has a vast network of corrupt city officials and landowners backing him up.
With stellar contributions from Robert Towne, whose script recalls the hard-boiled cynicism of the writings of Raymond Chandler and Dashiell Hammett; director of photography John Alonzo; production designer Richard Sylbert; and composer Jerry Goldsmith, CHINATOWN evolved into a complex and superbly crafted period drama that represents Polanski's most critically acclaimed film.

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Critics Reviews

Rating of 5 stars out of 5 Radio Times

Jack Nicholson here gives his best-ever performance, playing a private eye called Jake Gittes, who pokes his nose rather too deeply into the lives of Faye Dunaway and her father, John Huston, a corrupt Los Angeles tycoon. Writer Robert Towne planned a trilogy about LA, and this first part, set in the 1930s, deals with the city's water supply and how that source of life leads to death and profit. The script — the best original work since Citizen Kane — is brilliantly organised, though the ending was changed when Roman Polanski arrived as director: Towne's story never got to Chinatown; Polanski insisted the climax was set there. The result was acrimony behind the scenes and genius on the screen in a masterpiece that repays any number of viewings.

Rating of 4 
	  stars out of 4 Halliwell's Film Guide

Teasing, complex mystery that uses the conventions of detective stories to explore civic and personal corruption, in the style of Raymond Chandler, but adding a more modern perspective. It is eminently watchable, with effective individual scenes and perfo

Time Out

The hard-boiled private eye coolly strolls a few steps ahead of the audience. The slapstick detective gets everything... Read more on www.timeout.com

See all 5 Critics Reviews »

Members Reviews

Reviews Voted Most Helpful

Rated - 4 starsClassic Jack

A customer from Stevenage, England , 21/09/2003

Jack Nicholson is in danger of being remembered as a snarling, gurning, eyebrow-wriggling loon, chewing up scenery and gloriously overacting his way through some otherwise forgettable films. Which would be a shame, as he is an incredibly talented actor, and in more types of roles than some might imagine. One of these roles is that of Jake Gittes in Chinatown, a dour and bleak detective story and probably Polanski's finest film. What seems to be a routine adultery investigation spirals into a wide-reaching conspiracy somehow connected to water supplies, which Gittes uncovers to his cost as his investigation continues. Evocative, brilliantly observed, and made with meticulous attention to detail, the film is a real slow-burner, with Nicholson as it's centre, doggedly searching for the truth as the intrigue deepens. The ending is also justifiably famous - whether you agree with Polanski or not, his downbeat and pessimistic ending certainly has resonance.

  21 out of 22 people found this review helpful
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Rated - 5 starsChinatown's A State Of Mind

Daylight from London , 06/02/2004

I have been waiting to see this film ever since I saw Robert Evans’ autobiographical (though not exactly factually accurate) documentary "The Kid Stays in the Picture" and despite my high expectations I was not disappointed.

The film is held together by Jack Nicholson’s perfectly judged and possibly best ever performance. He holds back for most of the film relying on facial expressions and body language to express his emotions. Despite being film noir most of the action happens during the daytime and at times Polanski slows down the pace so the viewer can think along with Nicholson’s character and take in the environment he is in. The script by Robert Townes is close to perfection, reminiscent in its maturity and black humor of the novels of James M. Cain and Raymond Chandler. The dialogue itself is fantastic, fueled by grit and cynicism and wholly engaging. Dunaway is perfectly cast as the female lead and John Huston creates a truly terrifying character in the role of Noah Cross that belies his actual screen time. Ultimately Chinatown is Jake Gittes own personal hell. A place, not only where wrongs can never be righted, but also where he is the unwitting catalyst of the horrors he is trying to prevent. The ending has been much debated (especially as this was Polanski’s first film following the murder of Sharon Tate) but personally I found it the perfect conclusion to Gittes story. Forget it Jake, it’s Chinatown.

  19 out of 21 people found this review helpful
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Rated - 5 starsCHINA!

A customer from Leicester, England , 25/07/2004

As a intricate, detailed detective story the film is an above-average work, with Towne's script containing the maturity, and wicked sense of humor, of a James M. Cain or Raymond Chandler novel. When the thrills come they come as being striking. And when humanity and compassion get thrown into the mix, the film reaches a whole other plane of intelligence. The last third of the film could turn off some of the audience (depending on one's own level of belief), but it holds strong thanks to the performances. Nicholson doesn't over-step his bounds in any scene, finding the right notes in suggestive conversations. Dunaway is better than expected (though I'm not sure if it's an great performance). And Huston's Noah Cross is one of the more disturbing villains of that period in movies. Add to it some good cameos (Burt Young as a driver, Polanski playing the little guy in the infamous 'knife' scene), and a smooth soundtrack by Jerry Goldsmith, Chinatown comes out as strong piece of moviemaking, and arguably one of the greatest in the crime/mystery genre. A+

  8 out of 9 people found this review helpful
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Rated - 5 stars30 years old...

WillDavies1 from Torfaen , 29/05/2004

...you wouldn't believe it.

Despite weaving a path since trodden by endless Columbo-esque hacks and private eyes, this film remains startilingly original and fresh, mainly due to good'ol Jack, who is quite simply mesmerising from start to finish.

Full of classic moments and images, and a quite unexpected ending, this had me captivated throughout - it's a timeless work of art. Really, there's nothing to complain about here...unless you're aware that there's a sequel of course. But we don't talk about that.

  8 out of 9 people found this review helpful
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Most Recent Reviews

Rated - 4 starsslow burner

Mark MacMillan from Scotland , 30/12/2005

OK the perfect example of peoples inability to find anything made pre 1980 anything but 'boring' .. unless 200 people are being decapitated by arnie they just dont get it. This may have been a 74 release but it has its noir roots further back and therefore 'looks' a little older than you'd expect. The quality however cannot be denied by anyone NOT wearing 'I love violence' rose tinted 3D specs. If you love Hitchcock, Welles and the like - this will be right up your street, and although it runs at a fairly slow pace, it pays to pay attention or you may lose the plot and therefore interest

  4 out of 5 people found this review helpful
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Rated - 4 starsClassic Jack

A customer from Stevenage, England , 21/09/2003

Jack Nicholson is in danger of being remembered as a snarling, gurning, eyebrow-wriggling loon, chewing up scenery and gloriously overacting his way through some otherwise forgettable films. Which would be a shame, as he is an incredibly talented actor, and in more types of roles than some might imagine. One of these roles is that of Jake Gittes in Chinatown, a dour and bleak detective story and probably Polanski's finest film. What seems to be a routine adultery investigation spirals into a wide-reaching conspiracy somehow connected to water supplies, which Gittes uncovers to his cost as his investigation continues. Evocative, brilliantly observed, and made with meticulous attention to detail, the film is a real slow-burner, with Nicholson as it's centre, doggedly searching for the truth as the intrigue deepens. The ending is also justifiably famous - whether you agree with Polanski or not, his downbeat and pessimistic ending certainly has resonance.

  21 out of 22 people found this review helpful
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