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L'Argent
on DVD (1983)
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Brief synopsis of L'Argent
Robert Bresson won a Best Director Award at the 1983 Cannes Film Festival, as well as the Grand Prize for Creation, for this contemporary revision of Leo Tolstoy's short story. The tragedy tells of how an innocent prank goes wrong and becomes the definitive moment in a man's life. When a young man passes a forged 500-franc note at a photography shop, the photographer passes it along to an unsuspecting victim. It eventually lands in the hands of Yvon Targe (Christian Patey), an innocent man who is detained when he tries to use it to pay for a meal. Hiring an attorney to hopefully bring the truth to light, Yvon is shocked to discover that the photographer will not budge from his story. To make matters even worse, he has goaded his assistant into lying along with him. This causes Yvon to lose his job and self-respect, triggering a downward spiral that results in a murder. Bresson's final film is a haunting commentary that condemns materialism and its sinful offspring, exploring universal themes that only continue to grow in importance in modern society. Proving that not all filmmakers weaken as they age, L'ARGENT remains as profound a work of art as the director's early masterpiece, A MAN ESCAPED.
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Critics Reviews
Radio Times
Adhering rigidly to the spirt of a Tolstoy short story, Robert Bresson's final feature is as uncompromising as (but much less admired than) his earlier study of the preordained consequences of crime, Pickpocket(1959). Starting with the mischievous exchange of a forged 500 franc note, an inexorable sequence of events culminates in a man murdering his family with an axe. It's a brutal climax to Christian Patey's descent from decency to degradation. Yet, it's hard to accuse Bresson of manipulation, as he views each chillingly logical stage with a dispassion that distressingly echoes that of an even less compassionate society.
Time Out
A single 500 franc forged note changes hands as a schoolboy prank; and with remorseless logic, an innocent is led down...
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The Times
The twelth successive masterwork in an incomparable career
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