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Days Of Heaven on DVD (1979)

Days Of Heaven cover art
Average rating: 72%
12144141320713
3.5
from 601 members
 
Starring: Richard Gere, Sam Shepard, Brooke Adams, Linda Manz, Stuart Margolin, Timothy Scott, Jackie Shultis, Bob Wilke
Director: Terrence Malick
Studio: PARAMOUNT HOME ENTERTAINMENT
Run time: 89 mins
Certificate: PG
User collections: excellent choices, Films you may never have heard of but you'll never forget
Genres: Drama
Languages: English
Dubbed: German
Hearing-impaired: English
Subtitles: Arabic, Bulgarian, Czech, Danish, Dutch, English, Finnish, German, Hungarian, Icelandic, Norwegian, Polish, Romanian, Swedish, Turkish
Released: 02/07/2001

Brief synopsis of Days Of Heaven

Terrence Malick's follow-up to BADLANDS is an exquisitely photographed story of a group of early-20th-century itinerant workers who find themselves entangled in a deadly love triangle. Bill (Richard Gere) and Abby (Brooke Adams) are lovers who are forced to flee Chicago after Bill accidentally murders his foreman. Together, with Bill's little sister, Linda (Linda Manz), they settle on the land of a wealthy farmer (Sam Shepard) and spend their days working in the wheat fields. Bill discovers that the farmer is terminally ill and convinces Abby to marry him so they can inherit his fortune. As the days progress, it becomes apparent that the farmer isn't getting any sicker, and when he discovers that Abby and Bill had initially set out to con him, their carefree existence comes to a deadly end.
Notorious for its on-set difficulties and extended postproduction, DAYS OF HEAVEN remains a beautifully composed work of art. Malick uses dialogue minimally, sometimes choosing not to fade in the sound of a scene until the actors have finished speaking. To combat this, he applies Linda's innocent voice-over--as he did with Sissy Spacek's in BADLANDS--to add a poetic dimension. Combined with Nestor Almendros's Oscar-winning cinematography and Ennio Morricone's mellifluent score, DAYS OF HEAVEN is a timeless motion picture that confirms Malick's directorial prowess.

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Critics Reviews

Rating of 4 stars out of 5 Radio Times

This truly extraordinary visual treat from director Terrence Malick and Oscar-winning cinematographer Nestor Almendros was not a great commercial success, but has inspired film and particularly commercial directors for over a decade. Malick, who has only made two other films (Badlands and The Thin Red Line), takes a couple of disenfranchised labourers, Richard Gere and Brooke Adams, and Gere's little sister Linda Manz, and sets them down in the golden vastness of the Texas wheatfields. A tragedy-strewn love triangle develops between Gere, Adams and their employer, Sam Shepard, though Malick steps back from the narrative to give us a curiously disembodied elegy on poverty and freedom. One to luxuriate in as an accomplished cinematic exercise, rather than engage with as an involving tale.

Rating of 4 
	  stars out of 4 Halliwell's Film Guide

Visually a superb slice of period life, it has an emotional force that emerges slowly from the conjunction of the vast landscape and its reticent intruders, who have fled from the dark of the city to find no peace in the country.

Variety

"...DAYS OF HEAVEN is a dramatically moving and technically breathtaking American art film, one of the great cinematic achievements of the last decade..."

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Members Reviews

Reviews Voted Most Helpful

Rated - 5 starsA masterpiece

harryangel from Norfolk , 30/05/2005

Here we have a movie as enigmatic as it’s creator. Terrence Malick with only 3 films to his name constructed a film of such staggering beauty it is hard to sum up in mere words. The plot which will sound vaguely familiar concerns a love triangle between Bill(Gere), his girlfriend masquerading as his sister Abby(Adams) and a dying farmer(Sheppard). Emotions are restrained and muted and you will find yourself not caring much for these 3 characters.

The point here is to fully appreciate the film you have to realise the events being told by the girl(Manz) are from her point of view and memories. She is far too young to completely fathom the situations going on around her and many times instead of concentrating on the seemingly “important” affair between Bill and Abby she tells us of a circus troop that landed on the farm or her sightings of poor people in the streets “ their tongues hangin’ out of their mouths".

This is what makes this film a highly original and extremely moving experience. We are being shown the heart of a young girl who never really understood what was happening to her.

Incredible natural light photography from Nestor Almendros and one of Morricone’s very best scores make this an overwhelming experience for the eyes and ears. Certainly one of the greatest American films of the 1970’s and perhaps all time.

  8 out of 10 people found this review helpful
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Rated - 3 starssuperb photography, stilted story

Saty from Reading , 13/08/2004

Its the 1930's and Richard Gere and Brooke Adams are travelling around the country pretending to be siblings and end up harvesting for Sam Shepard. Shepard has less than a year to live and when he declares his love to Adams, she reluctantly decides to marry him as a way to having a better future with Gere. The film is beautiful to watch but the detached directing style of Malick means there is no real feeling and as with Badlands and The Thin Red Line it is more of a meeditation on people than an involvement.

  7 out of 7 people found this review helpful
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Rated - 4 starsThink of it as a moving painting and watch it for the photography

Laurence Scotford from Brighton, England , 26/09/2005

Look, Malick is his own man OK. He doesn't do Hollywood schmaltz. So if you're watching this thinking that Richard Gere's presence means this is another Pretty Woman or An Officer and a Gentleman, then forget it. The real star of this movie is the endless landscape of the mid-west. But if you just forget about watching a movie the way Hollywood has trained us all to and sit back and give it some space - this is some of the most incredible cinematography you are ever going to see.

  6 out of 6 people found this review helpful
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Rated - 5 starsAs Good as cinema can be

BrunoVincent from London [Highly rated reviewer] , 26/05/2006

This is one of the most powerful and haunting films I have ever seen.

The impact afterwards is equal to finishing the very best kind of novel. I've watched around two hundred films in the last year, but only two or three have spoken to me like this.

  6 out of 6 people found this review helpful
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Most Recent Reviews

Rated - 3 starsThe weakest of Malick's three films

Hoss Hoss from Surrey , 09/10/2005

This movie has all of Malick's trademarks - beautiful cinematography and wonderful period atmosphere - but somehow it just doesn't involve the viewer very much.

The film is more a series of vignettes with very little dialogue throughout the whole movie and I found the narration to be a bit annoying but as the soundtrack on the DVD was so poor dialogue was nigh on impossible to hear anyway. This is the one of three Malick films I wouldn't wish to see again in a hurry.

  1 out of 1 person found this review helpful
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Rated - 5 starsAs Good as cinema can be

BrunoVincent from London [Highly rated reviewer] , 26/05/2006

This is one of the most powerful and haunting films I have ever seen.

The impact afterwards is equal to finishing the very best kind of novel. I've watched around two hundred films in the last year, but only two or three have spoken to me like this.

  6 out of 6 people found this review helpful
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