Traffic on DVD (2000)
RelatedCritics ReviewsThis brilliantly realised high-tone crime drama (based on the 1989 Channel 4 ratings winner Traffik) is a textbook example of how to adapt a TV production successfully for the big screen. Filmed by Steven Soderbergh in a scintillating docudrama style, and using a broad but involving multi-strand story canvas, this powerful overview of the contemporary narcotics trade exposes the complex chain supplying North America's drug culture. Looking at the drug barons based in Tijuana, Mexico, and the addicts blighting Ohio, Soderbergh paints a sobering and compelling picture of the resources needed to keep on top of the game from both sides of the law. On the one hand, there's newly appointed drugs tsar Michael Douglas who, while trying to get a handle on the vast problem, is unaware that his teenage daughter has a serious drug habit. On the other is wealthy drug kingpin Steven Bauer whom DEA agents Don Cheadle and Luis Guzman are desperately trying to nail. Wonderfully acted by an amazing cast packed with big names in cameo roles (Dennis Quaid, James Brolin, Albert Finney, Amy Irving, Peter Riegert, Salma Hayek), the standout performances come from a magnetic Benicio Del Toro, playing a Mexican cop torn between morality and temptation (he received the best supporting actor Oscar for his sensitive turn), and Catherine Zeta-Jones as Bauer's shell-shocked pregnant wife who gradually realises she will have to take full control of her husband's cartel if she is to protect her own comfortable lifestyle. (Although they don't share any scenes, this is the first movie on which Douglas worked with future wife Zeta-Jones.) Striking exactly the right balance between provocative insight and slam-bang action, Traffic is an ambitiously mounted and wholly satisfying social-issue drama. New York Times "Steven Soderbergh's great, despairing squall of a film [infuses] epic cinematic form with jittery new rhythms and a fresh, acid-washed palette....The performances, by an ensemble from which not a false note issues, have the clarity and force of pithy instrumental solos insistently piercing through a dense cacaphony..."
Inside this fat, complex colour-coded saga, all pale yellows and moody blues, is a lean thriller struggling to get out, but it becomes bogged down by lengthy exposition and awkward moralising; it is centrally flawed by Douglas's implausible official, who, Members ReviewsReviews Voted Most HelpfulMost Recent Reviews |
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