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Salvador on DVD (1985)

Salvador cover art
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Average rating: 71%
1212211152027
3.5
from 553 members
 
Starring: James Woods, James Belushi, John Savage, Michael Murphy, Elpidia Carrillo, Tony Plana, Valerie Wildman
Director: Oliver Stone
Studio: MGM ENTERTAINMENT
Run time: 117 mins
Certificate: 18
User collections: Hard hitting but little known movies, On the Road Again, great political films, The Revolution Will Be Televised - Or Watched on DVD
Genres: Action/Adventure, Thriller
Languages: English
Dubbed: Italian
Hearing-impaired: English
Subtitles: Danish, Finnish, Norwegian, Swedish
Released: 10/09/2001

Brief synopsis of Salvador

Oliver Stone's first overtly political film, SALVADOR is a passionate protest against the savagery unleashed by fascist thugs in El Salvador during the early 1980s with the complicity of the U.S. government. It stars James Woods as combat photojournalist Richard Boyle, an erratic, cynical character with a taste for all things chemical. Hearing rumors of war, he and Dr. Rock (Jim Belushi), another free spirit, head for El Salvador by car. After viewing a right-wing officer's collection of severed ears and photographing a corpse-strewn garbage dump with ace photographer John Cassady (John Savage), Boyle realizes that the situation is much worse than advertised in the American press. He recognizes familiar faces among the ubiquitous U.S. military brass and CIA personnel from his stint in Vietnam, but they're predictably reluctant to discuss the reasons for their presence, especially with the outrageous Boyle. As the journalist becomes involved with a Salvadoran native named Maria (Elpedia Carrillo) and observes the selfless dedication of his humanitarian worker friend Cathy (Cindy Gibb), compassion and outrage slowly begin to replace his cynicism. When Boyle swears to the dying Cassady that he'll get his crucial photos out of the country, he realizes that he must also try to get Maria out before she too becomes a statistic. Woods gives a brilliantly incendiary seriocomic performance in this wild, lacerating, and bitterly observant film.

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Critics Reviews

Rating of 5 stars out of 5 Radio Times

Oliver Stone's first major film also made a star out of James Woods, who gives a stunning, Oscar-nominated performance here as a zapped-out journalist who heads down to Central America in search of sex, drugs and rock 'n' roll. What he finds is a nation in chaos with death squads, CIA spooks and the media circus in full cry. He also finds redemption. Stone's message is “No more Vietnams”, delivered in a ferocious, pseudo-documentary style that plunges us pell-mell into the middle of street fighting where tracheotomys are performed with ballpoint pens and where photographers get high on carnage. “I made it as if it was the last movie I'd ever make,” said Stone, explaining the film's now-or-never urgency.

Variety

"...Stone has gotten a great deal of visual and political material up on the screen, and it's all worth grappling with..."

Time Out

In 1980, Richard Boyle, an American journalist on the skids, drove down to Salvador, believing the place would provide... Read more on www.timeout.com

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Members Reviews

Reviews Voted Most Helpful

Rated - 5 starsA superb study of the horror and confusion of civil war

Darth Egregious from London , 01/11/2005

Ignore the reviews here that talk rubbish about the film having too much personality and not enough politics. Stone's perspective is nearly always that of the confused outsider forced to cope with a chaotic situation - the political message is delivered around them. That is exactly what happens here, and while the anti-Vietnam message is hammered home a little forcefully this is a stunning debut. Boyle is a complex character brilliantly portrayed by Woods - sleazy, manipulative, self centred and charming (after watching this its annoying to think that Woods lost out on the Best Actor Oscar to Paul Newman in the horribly populist 'The Color of Money'). Belushi as his buddy has an important role, representing the political naivity of the American public at the time. The camera work really captures the confusion and destructiveness of civil war. You may not enjoy this film or appreciate the way its message is delivered, but you can't just dismiss it.

  5 out of 5 people found this review helpful
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Rated - 4 starsOne of Oliver Stone's best

filmfoxx from London , 16/03/2004

Based on a true story from the early 1980's Oliver Stone's Salvador, this is the story of photojournalist Richard Boyle (James Woods) who decides to go back to the troubled country to look for work with Doctor Rock (Jim Belushi), an erstwhile friend who he has promised money to.

However on arrival a student is shot in front of them and Boyle realises the countries troubles have deepened. Caught between the need to make a buck and his reputation as an alcoholic and self-named 'weasle', Boyle finds it a struggle to find work and to get to the bottom of the corrupt political situation.

Added to which he has fallen in love with an old squeeze who is without her legal papers and manages to get on the wrong side of almost everyone dangerous.

At times the historical and political context can be complex and hard to follow and some scenes are heavy going and gruesome. However James Wood's stunning performance as an irredeemable character trying to reform is stunning alongside the fantastically seedy Belushi makes this film one of Oliver Stone's best.

  4 out of 4 people found this review helpful
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Rated - 4 starsShocking Truths.

Roger Donoghue from London. England , 28/07/2004

I'd been waiting to see this for a while. This is the film Oliver Stone made before Platoon. It's a very disturbing story, showing what living in a dictatorship can involve. Very upsetting in parts, particularly towards the end. This film starts to make you understand what asylum refugees are running from. James Woods is himself as always. Fantastic. Belushi - same.

Definately add to your list.

  4 out of 5 people found this review helpful
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Rated - 4 starsCutting edge filmaking with genuine honesty

Darren Oliver from London , 01/12/2004

One thing you certainly can't accuse Oliver Stone of is sitting on the fence. He uses Salvador to highlight his views of US government Cold War policy to fund proxy war during the 1980s. At the centre of the film is James Woods, brilliantly protraying Richard Boyle, a maverick and failed war correspondant, who is using the political uprising in El Salvador as a way of getting back his former glory.

As the film develops, Boyle becomes more and more drawn into the suffering of the people and opposes government forces trying to oppress the alleged Communist element.

Stone offers a vivid picture of the suffering of the people and complicity of the darker forces of US foreign policy in this misery. One of Stone's best films and bravest, given that the problem in El Salvador were still very much evident during the release of this film.

  4 out of 5 people found this review helpful
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Most Recent Reviews

Rated - 4 starsShocking Truths.

Roger Donoghue from London. England , 28/07/2004

I'd been waiting to see this for a while. This is the film Oliver Stone made before Platoon. It's a very disturbing story, showing what living in a dictatorship can involve. Very upsetting in parts, particularly towards the end. This film starts to make you understand what asylum refugees are running from. James Woods is himself as always. Fantastic. Belushi - same.

Definately add to your list.

  4 out of 5 people found this review helpful
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Rated - 5 starsBitterly observant film

Elford from West Sussex , 19/05/2004

Salvador is the directional debut from the talented Oliver Stone (Platoon, Scarface) it is a passionate protest against the savagery unleashed by fascist thugs in El Salvador during the early 1980s with the complicity of the U.S. government.

It stars James Woods as combat photojournalist Richard Boyle, an erratic, cynical character with a taste for all things chemical. Hearing rumours of war, he and Dr. Rock (Jim Belushi), another free spirit, head for El Salvador. Woods gives a brilliantly incendiary seriocomic performance in this wild, lacerating, and bitterly observant film.

  4 out of 5 people found this review helpful
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