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Night On Earth
(1991)
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| Starring: |
Winona Ryder, Gena Rowlands, Rosie Perez, Roberto Benigni, Beatrice Dalle, Armin Mueller-Stahl, Matti Pellonpaa, Giancarlo Esposito |
| Director: |
Jim Jarmusch |
| Studio: |
SECOND SIGHT FILMS LTD. |
| Run time: |
123 mins |
| Certificate: |
 |
| User collections: |
World Cinema, For the uneducated who no longer care about the rest of the world |
| Genres: |
Comedy |
| Languages: |
English, Finnish, French, Italian |
| Subtitles: |
English |
| Released: |
unknown
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Brief synopsis of Night On Earth
Director Jim Jarmusch's episodic slice-of-life drama follows the adventures of five different cabdrivers in five different cities all over the world. In Los Angeles, a young female driver (Winona Ryder) charms her snooty passenger--an agent (Gena Rowlands) who believes she's found her latest star in the tomboyish cabbie. In New York, a man (Giancarlo Esposito) gets into a taxi only to find that his immigrant driver (Armin Mueller-Stahl) has no idea how to drive. The Paris segment features an angry sightless woman (Beatrice Dalle) who provokes her African driver (Isaach de Bankole). In Rome, Roberto Benigni stars as a hyperactive taxi driver who confesses his odd sexual practices to a clergyman (Paolo Bonacelli) and is shocked when the priest has a heart attack. The film's climactic scene in Helsinki follows a cabdriver who listens to a tragic and poignant tale from one of his three inebriated passengers only to top him with his own, sadder story. Colorfully photographed by Frederick Elmes, NIGHT ON EARTH features an original score by the masterful Tom Waits. Jarmusch handles his various stories--as well as actors--with his traditional lighthearted sincerity, resulting in another original tale from one of independent film's most distinct directors.
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Related
Critics Reviews
Radio Times
Five taxi rides take place on the same night in Los Angeles, New York, Paris, Rome and Helsinki. In each cab, a moving, scatty or weird story about life's little ironies unfolds. While the two American-based tales in Jim Jarmusch's highly accessible compendium fall flat, the European segments — Roberto Benigni confessing all to his priest-passenger, blind Béatrice Dalle teaching her cabbie a thing or two — hit the right note of quirkiness that has become the art house director's trademark. Well worth watching.
Film Comment
"...Jarmusch may be the first great American director to specialize in downtime....Jarmusch is a classical filmmaker..."
Time Out
LA, 7.07 pm: chain-smoking Ryder gets movie agent Rowlands in the back of her cab, and inadvertently persuades her...
Read more on www.timeout.com
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