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Fanny And Alexander
on DVD (1982)
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Brief synopsis of Fanny And Alexander
Director Ingmar Bergman had intended FANNY AND ALEXANDER to be his final theatrical film and a summing-up of sorts of his entire cinematic career. (It was followed by 1984's AFTER THE REHEARSAL, which was also made for Swedish television and subsequently released theatrically abroad.) FANNY AND ALEXANDER is the story of two children belonging to a wealthy, extensive theatrical family in provincial Sweden in the early years of the 20th century--10-year-old Alexander (Bertil Guve) and his younger sister, Fanny (Pernilla Alwin). When their father dies unexpectedly during a performance and their mother decides to remarry, the children are forced to relocate to the austere (and possibly haunted) home of their stern and rather coldhearted stepfather, Bishop Vergerus (Jan Malmsjo). A means of escape is eventually provided by Isak Jacobi (Erland Josephson), a longtime friend of the Ekdahl family's who seems to possess magical powers. In this somewhat autobiographical movie--which was filmed in the director's hometown of Uppsala--the gifted, precocious Alexander is a stand-in for Bergman himself, who had a problematic relationship with his own father, a strict clergyman. At once festive, spooky, and bawdy--and uncharacteristically life-affirming--FANNY AND ALEXANDER is one of Bergman's most universally appealing and accessible works.
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Critics Reviews
Radio Times
The warmth, humour and compassion of this wonderful turn-of-the-century family saga make it one of the most accessible movies ever made by Sweden's greatest director, Ingmar Bergman. The story, which covers two years in the life of a well-to-do household as seen through the eyes of a small boy, is rendered all the more fascinating by the autobiographical elements that Bergman has included and by Sven Nykvist's Oscar-winning photography. The film takes us on a magical mystery tour of the child's encounters with his oppressive, puritanical father, his God-fearing mother and his loving family in an atmosphere that is both cosy and scary. The result is an unmissable experience from a master film-maker.
Halliwell's Film Guide
An interesting mixture of Dear Octopus and Wild Strawberries turns into something more akin to The Face or The Night Comers. A kind of Bergman compendium, and impossible to describe exactly for those who have not seen it.
Melissa Anderson, Time Out
Since Bergmans death in July, New York has mounted several touching tributes to the great Swede, including a revival...
Read more on www.timeout.com
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