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Fanny And Alexander on DVD (1982)

Fanny And Alexander cover art
Average rating: 76%
111338815720
3.5
from 874 members
 
Starring: Pernilla Allwin, Bertil Guve
Director: Ingmar Bergman
Studio: ARTIFICIAL EYE
Run time: 309 mins
Certificate: 15
User collections: World Cinema, The Sublime on Celluloid, CINEMATECA, Best Films Of All Time, Re-View or watch anew
Genres: Drama, World Cinema
Languages: Swedish
Subtitles: English
Released: 25/02/2002

Brief synopsis of Fanny And Alexander

Director Ingmar Bergman had intended FANNY AND ALEXANDER to be his final theatrical film and a summing-up of sorts of his entire cinematic career. (It was followed by 1984's AFTER THE REHEARSAL, which was also made for Swedish television and subsequently released theatrically abroad.) FANNY AND ALEXANDER is the story of two children belonging to a wealthy, extensive theatrical family in provincial Sweden in the early years of the 20th century--10-year-old Alexander (Bertil Guve) and his younger sister, Fanny (Pernilla Alwin). When their father dies unexpectedly during a performance and their mother decides to remarry, the children are forced to relocate to the austere (and possibly haunted) home of their stern and rather coldhearted stepfather, Bishop Vergerus (Jan Malmsjo). A means of escape is eventually provided by Isak Jacobi (Erland Josephson), a longtime friend of the Ekdahl family's who seems to possess magical powers. In this somewhat autobiographical movie--which was filmed in the director's hometown of Uppsala--the gifted, precocious Alexander is a stand-in for Bergman himself, who had a problematic relationship with his own father, a strict clergyman. At once festive, spooky, and bawdy--and uncharacteristically life-affirming--FANNY AND ALEXANDER is one of Bergman's most universally appealing and accessible works.

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Critics Reviews

Rating of 5 stars out of 5 Radio Times

The warmth, humour and compassion of this wonderful turn-of-the-century family saga make it one of the most accessible movies ever made by Sweden's greatest director, Ingmar Bergman. The story, which covers two years in the life of a well-to-do household as seen through the eyes of a small boy, is rendered all the more fascinating by the autobiographical elements that Bergman has included and by Sven Nykvist's Oscar-winning photography. The film takes us on a magical mystery tour of the child's encounters with his oppressive, puritanical father, his God-fearing mother and his loving family in an atmosphere that is both cosy and scary. The result is an unmissable experience from a master film-maker.

Rating of 4 
	  stars out of 4 Halliwell's Film Guide

An interesting mixture of Dear Octopus and Wild Strawberries turns into something more akin to The Face or The Night Comers. A kind of Bergman compendium, and impossible to describe exactly for those who have not seen it.

Rating of 4 
	  stars out of 5 Melissa Anderson, Time Out

Since Bergmans death in July, New York has mounted several touching tributes to the great Swede, including a revival... Read more on www.timeout.com

See all 6 Critics Reviews »

Members Reviews

Reviews Voted Most Helpful

Rated - 5 starsIf Tolstoy made TV

A customer from Thame , 02/03/2005

Have you read Anna Korenenna or A Suitable Boy and been astonished by the humanity enclosed within these giant books - and having though before you started reading them that they might well be rather stuffy classics. (sorry if you have not read them).

This film is like that it is 5 hours long, so to be watched in parts. It is an extended parable contrasting the lives and outlook of a wealthy Theatrical Family with a highly moralistic Bishop and his household (Bergman heart sits firmly on the side of the theatrical family).

It is filmed from the perspective of 2 young children who endure the death of their father, the remarriage of their mother and the visitation of ghosts and a miriad of of odd characters.

It is a brilliant philisophical exploration of what constitutes morality and who has the right to define it - quite a big topic for what I think was originally a TV series. Bergman is exposing the hypocrasy of his religous upbringing.

It all may sound a bit dry but there is a strong story line and great culminating drama and you feel enriched by watching it.

I would thouroughly recommend getting this out.

  15 out of 16 people found this review helpful
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Rated - 3 starsRavishing

Nimrod from London , 17/06/2004

Probably Bergman's last major work, a family saga with elements of autobiography, revisiting many of Bergman's themes and obsessions from previous films - religion, death, the visionary, ghosts, art and theatre, Shakespeare and Strindberg.

"Fanny and Alexander" tells the story of the Ekdahls, a Swedish theatre family in the early 20th century. While it focuses in particular on the remarriage of the children's mother to an inflexible clergyman, the film covers several years in the life of the whole extended family.

This appears to be the 5-hour version made for Swedish TV rather than the edited version shown in cinemas and its spread over two DVDs.

The photography is absolutely ravishing; the pace leisurely, the tone varies from amusing to magical to occasional horror.

Perhaps best viewed after seeing several earlier Bergman films, this is a multilayered, multifaceted piece of work that will repay many viewings.

  13 out of 13 people found this review helpful
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Rated - 5 starsStage Hands

A customer from Cirencester , 29/05/2005

Fanny and Alexander is a very full length film running for over three hours. Is it worth three hours? Resoundingly yes.

The boy Alexander and his sister Fanny belong to an extended acting family who also run a theatre. The two children are on the screen for much of the time, but the film is the story of what happened to them rather than what they did. Alexander nudges the film is particular directions by what he says and does; Fanny usually follows on and loyally supports him. In the acting-family life is good, but the family falls apart. Mother marries the bishop and life becomes hard, hostile and hypocritical. In fact life is so unpleasant for the children that I did need to read the summary to see if it was worth persevering with the gloom. It is.

The settings are superb ? riots of colour in the ?Edwardian? family house; bleak grandeur in the bishop?s castle. The people are as varied as usual in a Bergman film ranging from the warm and encouraging to the mysterious and creepy. Every so often the story takes a fantastic turn which might, on very careful study, turn out to be deeply symbolic of something or other, but why not let the subconscious work on it, and let the film run on without interruption?

If you have doubts about Bergman as a posh director, or one purposefully difficult to understand, I think this film could persuade you that he just wants to tell us a good story in a brilliantly visual way.

  5 out of 5 people found this review helpful
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Rated - 5 starsWarning!

A customer from Bournemouth, England , 13/06/2006

I rented this film and only received 1 disc, totalling about 3 hours runtime.

The full film is spread over 2 discs and runs to over 5 hours.

Buy the dvd by all means but i'd advise against renting unless you only want a 3 hour taster. (unless of course this situation has already been rectified)

  3 out of 3 people found this review helpful
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Most Recent Reviews

Rated - 5 starsSO Good I watched it twice!

SCH from Lincoln [Highly rated reviewer] , 23/10/2007

This was the first Ingmar Bergman film I saw and I was blown away.

I would recommend this to anyone who is a fan of world cinema, forget pre-conceived ideas about Bergman I found this a very pleasant, warm and mildly uplifting film

Is 5hrs too long?

No the 3hr 'Theatrical version' is too short!

This was originally made for TV so is split into parts with the first being the longest at 1.5hrs so it is easy to watch in stages ...

When I first watched the film I was a bit daunted by 5hrs of Bergman but I sat down and started. After a while, about 10mins or so of my reckoning I thought it was beginning to drag and I'd never sit through it,

but then I checked the clock and I had been watching for more than 1hr, not 10mins ....and I was glued. Next thing I know the films nearly over and I don't want it to end ..... so I watched it twice.

  2 out of 2 people found this review helpful
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Rated - 5 starsIf Tolstoy made TV

A customer from Thame , 02/03/2005

Have you read Anna Korenenna or A Suitable Boy and been astonished by the humanity enclosed within these giant books - and having though before you started reading them that they might well be rather stuffy classics. (sorry if you have not read them).

This film is like that it is 5 hours long, so to be watched in parts. It is an extended parable contrasting the lives and outlook of a wealthy Theatrical Family with a highly moralistic Bishop and his household (Bergman heart sits firmly on the side of the theatrical family).

It is filmed from the perspective of 2 young children who endure the death of their father, the remarriage of their mother and the visitation of ghosts and a miriad of of odd characters.

It is a brilliant philisophical exploration of what constitutes morality and who has the right to define it - quite a big topic for what I think was originally a TV series. Bergman is exposing the hypocrasy of his religous upbringing.

It all may sound a bit dry but there is a strong story line and great culminating drama and you feel enriched by watching it.

I would thouroughly recommend getting this out.

  15 out of 16 people found this review helpful
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Read all highest rated reviews