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The Sweet Smell Of Success
on DVD (1957)
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Brief synopsis of The Sweet Smell Of Success
Director Alexander Mackendrick breaks away from black comedy (THE LADYKILLERS) and goes for full-fledged noir in this spectacular hard-boiled tale of greed, corruption, and brutality. In the flashing neon nighttime of NYC, grasping press agent Sidney Falco (Tony Curtis) trawls the city's toniest nightspots--21,the Elysian--searching for the king of celebrity columnists, J.J. Hunsecker (Burt Lancaster). Falco is on the outs with Hunsecker because he hasn't successfully broken up the romance between Hunsecker's sister, Susie (Susan Harrison), and straitlaced jazz guitarist Steve Dallas (Martin Milner). The all-powerful Hunsecker is punishing Falco's failure by not printing any of the publicist's items. Desperate to make a living, Falco reveals a dirty plan to separate weak-willed Susie from her beau. While disgusted by Falco's slimy trade, the threatening, malicious columnist is determined to keep Susie for himself, so he agrees. In this jazzily scored, seamy nocturnal world, everyone is expendable as Hunsecker pushes for his twisted desires and Falco grasps for success. With their machine-gun dialogue and despicable behavior, Hunsecker and Falco are as dangerous as gangsters. The person who comes out on top when the sun rises, however, is a true surprise.
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Critics Reviews
Radio Times
Not a box-office success in its day, this mordant satire has rightly picked up admirers over the years, and is at long last recognised for the classic that it is. It contains key career highs for Burt Lancaster, as vicious Broadway columnist JJ Hunsecker, and Tony Curtis, as Sidney Falco, the hustling press agent totally under Hunsecker's all-powerful thumb. Lancaster's relationship with his sister Susan Harrison is particularly perverse and provides the plot thrust for the Faustian pact, which is still relevant in an era of dubious media ethics. Diamond-hard photography from the great James Wong Howe and a sizzling Clifford Odets screenplay contribute immeasurably to this film's brutal quality, and it remains a milestone tribute to its canny British director Alexander Mackendrick. It also contains one of the classic lines of cinema dialogue: Match me, Sidney.
Halliwell's Film Guide
Moody, brilliant, Wellesian melodrama put together with great artificial style; the plot matters less than the photographic detail and the skilful manipulation of decadent characters, bigger than life-size.
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