Paul Newman shines as cocky poolroom hustler "Fast" Eddie Felson in Robert Rossen's atmospheric adaptation of the Walter Tevis novel. Newman's Felson is a swaggering pool shark punk who takes on the king of the poolroom, Minnesota Fats (a cool, assured Jackie Gleason in his most understated performance). After losing big and crashing into a void of self-pity, Eddie meets down-and-out Sarah (Piper Laurie in a delicate performance), an alcoholic blue blood who's dropped into Eddie's world of dingy bars and seedy poolrooms. Eddie regains his confidence and attracts the attention of a shifty, calculating promoter, Bert Gordon (George C. Scott at his most heartless), who offers to bring Eddie into the big money--but at what cost?
Rossen brings his film to life with the easy pace of a pool game, giving his actors room to explore their characters and develop into a razor-sharp ensemble. Eugen Schüfftan earned an Academy Award for his shadowing black-and-white cinematography, as did art directors Harry Horner and Gene Callahan for their deceivingly simple set designs. Even in the daylight this film seems to be smothered by night, lit by the dim glow of a bar lamp or the overhead glare of a pool-table light, an appropriate environment for this tale of one man's struggle with his soul and his self-esteem. Newman returned as an older, wiser, cagier Felson 25 years later in Martin Scorsese's Color of Money. --Sean Axmaker
This classic drama is showing its age nowadays: the mock-poetic, soul-searching dialogue and the alcoholic heroine are firmly rooted in 1950s social realism. It does for pool players what dozens of other downbeat movies did for boxers: it psychoanalyses them, determined to make them into complex dramatic characters. However, as a showcase for one of Paul Newman's best screen performances, it's still a masterpiece, with Newman, Jackie Gleason (as Minnesota Fats) and George C Scott striking sparks in the perfectly captured seedy pool-hall atmosphere. The picture is streets ahead of Martin Scorsese's flashy sequel, The Color of Money, for which Newman finally won his deserved Oscar.
Halliwell's Film Guide
Downbeat melodrama with brilliantly handled and atmospheric pool table scenes; the love interest is redundant.
Radio Times
Halliwell's Film Guide
