Catholics can relax. The sequel to The Da Vinci Code does not replay the previous film's all-out assault on the Church and its central tenets.
On the contrary, in this yarn, Harvard symbologist Robert Langdon is recast as the unlikely saviour of the Holy See.
More polished but daffy as a duck, the new film begins a year or so after Langdon’s last adventure when a Vatican emissary enlists his urgent aid. The pope is dead, and four Cardinals – the “preferitti”, or favourites to replace him – have been kidnapped by a sect calling themselves the “Illuminati”.
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One candidate will be killed at eight o’clock that evening, the next at nine, ten and eleven, culminating in the destruction of the Church at the stroke of midnight. The Illuminati is armed with a canister of highly unstable anti-matter, courtesy of the groundbreaking secret research of physicist Vittoria Vetra (Ayelet Zurer), which is hidden somewhere in Rome.
What has this got to do with Langdon? He doesn’t even believe in God. The professor has studied the Illuminati – a secret society of scientists and artists persecuted by the Church. While the local cops seem clueless, he is immediately on the trail – the Path of Illumination – criss-crossing Rome reading the runes carved into centuries-old sculptures, masonry and artwork.
It would be crazy to take this hokum seriously, although Ron Howard, Tom Hanks et al are surely right to play it straight.
The ritualistic murders of the cardinals – each inspired by the elements – are reminiscent of the grisly killings in Seven. On the other hand the wild goose chase that doubles as a Roman travelogue – with Tom Hanks as our tour guide – is not so far from the historical fancies of the National Treasure movies.
And if they had got it very wrong, some of the wildly far-fetched and melodramatic scenes at the end might have turned out uncomfortably close to Steve Martin’s run-in with the Holy Father in The Pink Panther 2.
Angels & Demons: Tom Hanks
It’s not that bad. But be warned, if you go back and reconstruct the plot after the grand denouement the conspiracy is so wildly preposterous it could seriously scramble your brains. I’m still trying to get my head around the idea that Harvard’s top symbologist and professor of religious iconography struggles with Italian and Latin.
That it works at all is due to Howard’s diligent and crisp direction, efficient performances from Hanks, Armin Mueller Stahl, Stellan Skarsgaard, and Ewan McGregor in a potentially tricky role as the deceased pope’s most trusted ally, the Camerlengo, and especially the exemplary production design.
It’s hardly surprising that the Vatican refused access to certain interiors for the filming, but watching the movie you wouldn’t know which locations are real and which have been recreated digitally or in the studio. The encroaching darkness as the story goes on is carefully developed in Salvatore Totino’s atmospheric cinematography, and the son et lumiere show at the climax is impressive to behold.
Scripted by David Koepp and Akiva Goldsman, the movie ramps up the race-against-time element in the book and tones down the relationship with Vittoria, who has little to do and except look chic and intelligent (Zurer doesn’t have a problem in either department).
The pacing is better than The Da Vinci Code, but even so, the writers are stuck with reams of expository dialogue, potted lectures on antimatter, papal protocols, science and dogma that the actors do their best to barrel through without checking their watches.
Although it’s superior in some ways it’s hard to believe this will repeat the incredible box office of the last film – but the studio has more faith. Brown’s next book in the series, due out this autumn, has already been optioned.
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I have just been to see the film and felt that they changed too much or cut alot of it out. I firstly felt that one of the characters in the book Maximillian Kholer SHOULD have been in the film. I felt that the Da Vinci Code was more accurate to the book itself but Angels and Demons was changed too much. I feel slightly let down.
I'm not quite sure what it is, but I felt that there was something missing from this film. As another review mentioned it isn't like the book but admittedly so many films don't run true to the books they are based on but to me this film just felt watchable, it didn't excite me. Acting was good and even though the film is over 2 hrs it didn't seem to drag. For me (even though I have seen it) it would be a 'wait til dvd' one.
Sorry but this pretty mediocre. In fact no where near as enjoyable as The DaVinci Code, and that was nothing special.
In this one we have a weak time constrained plot in which the search for clues to prevent the next ritualistic murder involves Tom Hanks looking serious in a library.!!
The arch villain is obvious by the clues always turning away from him/her (I won't give anything away).
Anyway, this is disappointing stuff.
Like the Da Vinci Code, this instalment of Dan Brown's next saga following the adventures of Robert Langdon, was just as good as the original although the end left me disappointed. I haven't read Dan Brown's books so I am not interested in comparing how truthful the movie was to the book. I have learnt that movies do not always have to be like the book.In reality a movie has it's limitations and in writing a book the limitations are removed. As a movie, it certainly kept the viewer interested from beginning to end. I had hoped that the end would leave the viewer with more questions marks regarding the Illuminati instead, all the loose ends were carefully sorted and answered just in time for the credit roll,which was quite frankly a let down.Brown's ideal to marry the church and science in a peaceful pact in the end was what I call a sloppy, lazy ending. Being an ex-catholic and knowing full well that the Catholic Church have tried for so many years to surpress any opposing thoughts to the Church's doctrine I was hoping this aspect would be explored more fully instead of being conveniently labelled as 'flawed men doing God's work'. Nevertheless still a good watch, I just wish more challenging movies on the subject matter were made.
I have just been to see the film and felt that they changed too much or cut alot of it out. I firstly felt that one of the characters in the book Maximillian Kholer SHOULD have been in the film. I felt that the Da Vinci Code was more accurate to the book itself but Angels and Demons was changed too much. I feel slightly let down.
I'm not quite sure what it is, but I felt that there was something missing from this film. As another review mentioned it isn't like the book but admittedly so many films don't run true to the books they are based on but to me this film just felt watchable, it didn't excite me. Acting was good and even though the film is over 2 hrs it didn't seem to drag. For me (even though I have seen it) it would be a 'wait til dvd' one.
Like the Da Vinci Code, this instalment of Dan Brown's next saga following the adventures of Robert Langdon, was just as good as the original although the end left me disappointed. I haven't read Dan Brown's books so I am not interested in comparing how truthful the movie was to the book. I have learnt that movies do not always have to be like the book.In reality a movie has it's limitations and in writing a book the limitations are removed. As a movie, it certainly kept the viewer interested from beginning to end. I had hoped that the end would leave the viewer with more questions marks regarding the Illuminati instead, all the loose ends were carefully sorted and answered just in time for the credit roll,which was quite frankly a let down.Brown's ideal to marry the church and science in a peaceful pact in the end was what I call a sloppy, lazy ending. Being an ex-catholic and knowing full well that the Catholic Church have tried for so many years to surpress any opposing thoughts to the Church's doctrine I was hoping this aspect would be explored more fully instead of being conveniently labelled as 'flawed men doing God's work'. Nevertheless still a good watch, I just wish more challenging movies on the subject matter were made.
Any improvements on Da Vinci Code's dull and leaden film version probably lie in Dan Brown's book, which is even more film-friendly with an emphasis on Hollywood-friendly thrills rather than theorising or controversy. Hanks is again completely bland as symbologist Robert Langdon, and the supporting cast aren't much better. The fast pace distracts a lot of attention away from the lacklustre and frankly, ridiculous story and lack of tension or suspense - strangely it is relatively compelling on a minute by minute basis (as much as the book is an easy page turner) and there are a couple of decent set-pieces but on average it is pretty much badly plotted, humourless drivel and as disposable as its airport paperback origins once it is all over.
Sorry but this pretty mediocre. In fact no where near as enjoyable as The DaVinci Code, and that was nothing special.
In this one we have a weak time constrained plot in which the search for clues to prevent the next ritualistic murder involves Tom Hanks looking serious in a library.!!
The arch villain is obvious by the clues always turning away from him/her (I won't give anything away).
Anyway, this is disappointing stuff.
I've just come back from the cinema where I watched the 'Digitally Enhanced' version of Angels And Demons. Wow, is my first reaction - quite literally! I was glued from the word go, probably because my interest of current affairs, and action and adventure entwined. I found it fascinating that the story was centred around not only the Catholic Church, but also the Big Bang experiment which as you may recall (in real life), scientists started the experiment with the Hadron Collider at the end of last year, until things started to go wrong and they had to postpone it. This film again brings to the forefront the age old question of Religion V Science.
Without giving too much away, this is the synopis of the film as shown on the IDBM website. 'When Langdon discovers evidence of the resurgence of an ancient secret brotherhood known as the Illuminati - the most powerful underground organization in history - he also faces a deadly threat to the existence of the secret organization's most despised enemy: the Catholic Church. When Langdon learns that the clock is ticking on an unstoppable Illuminati time bomb, he jets to Rome, where he joins forces with Vittoria Vetra, a beautiful and enigmatic Italian scientist. Embarking on a nonstop, action-packed hunt through sealed crypts, dangerous catacombs, deserted cathedrals, and even to the heart of the most secretive vault on earth, Langdon and Vetra will follow a 400-year-old trail of ancient symbols that mark the Vatican's only hope for survival'.
The acting was superb. I was especially impressed by Ewan McGregor as Camerlengo Patrick McKenna.
I enjoyed this film even more than the Da Vinci Code. I thought there was a lot more to it, and it was a lot more realistic. There was also more action and adventure, and a lot more suspense! The twist towards the end was brilliant. I think this film definitely did what it set out to do - get people talking!
I honestly thought that this was a good film. I decided to read the book first though and i wish i read it afterwards.
Right from the beginning i knew it was going to be inaccurate. More people knew about the antimatter than there had been in the book. There was also three characters missing from the film. One of them is who the illuminati was supposed to be blamed on. But that was changed.
The ending was different, with someone who dies in the book actualy surviving.
For a big american blockbuster with explosions etc it was good. But i was disappointed by the missing of scenes and characters and the whole thing felt rushed. As if they were on a strict time limit and couldn't be bothered to do it all properly.