A duel: that's how Richard Nixon (Frank Langella) anticipates his interview with David Frost (Michael Sheen).
It’s a duel fought with words, not sabers, but there will be cut and thrust, lunge and parry, and at the end of the day only one of them will be vindicated.
This was to be no ordinary interview. It was the first time the former President had spoken to a journalist since his resignation three years before. Pardoned by President Ford, he had escaped the final humiliation of a trial. But for a little more than half a million dollars he agreed to talk to the British journalist for 28 hours, to be recorded over 12 days in the spring of 1977. It was a sweet, sweet deal – no legitimate US news outfit could afford to indulge in that kind of checkbook journalism with the disgraced Head of State. But Nixon needed something more than the money. He wanted back in… Rehabilitation. Even exoneration.
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In Ron Howard’s film of Peter Morgan’s play (adapted by Morgan himself) Frost’s motives also have a mercenary aspect, although the production nearly bankrupts him when the networks send him packing. He wants in too. A British TV talk show host and light entertainer, he’s tasted fame and failure in America, and he knows this one coup could put him back on top.
The rules of engagement allowed that no questions were off-limits, but the time would be allocated to reflect the full measure of Nixon’s presidency. Watergate would be one topic among many, and reserved for their last encounter. (Though Frost does fire off one unexpected early shot across the bows.) The suspense is built-in – and no doubt, built up by this crafty British screenwriter.
Front/Nixon: Frank Langella, Michael Sheen, Rebecca Hall, Toby Jones
Morgan has a thing about mismatched power couples: the relationships between Tony Blair and Elizabeth II in The Queen; a young Scottish medic and Ugandan President Idi Amin in The Last King Of Scotland; and between Anne Boleyn and Henry the VIII in The Other Boleyn Girl, to name just his most recent credits. He seems both awed and appalled by these power-mongers, locked in the solitary confinement that political leadership entails – though his instinct is always to bring them down to earth, to find some common ground, however fleeting it may be. In Frost/Nixon, that moment of connection comes late in the day, when the drunken ex-President impetuously telephones his interlocutor for an off-the-record heart-to-heart… A scene that is entirely a figment of Morgan’s fertile imagination, by all accounts.
Ron Howard can be a stodgy director, but here, as in Apollo 13, he seems focused and energized by the historical material. And of course he understands the showbiz of politics/the politics of showbiz. The movie is snappy and sharp, with well drawn supporting characters: Sam Rockwell, Matthew Macfadyen, Rebecca Hall and Oliver Platt in Frost’s camp; Toby Jones and Kevin Bacon attending to the President. Jones in particular steals his every scene as the bald germophobe and legendary agent Swifty Lazar, a neat counterpoint to his turn as Karl Rove in “W.”
Neither of the leads goes for a full-on impersonation. Michael Sheen – Tony Blair in The Queen – actually dials down Frost’s distinctive nasal drone, but suggests how this congenial suck-up coasted on his blow-dried charm, rakish sideburns and unrealistic self-confidence. Frost may be out of his depth, but he’s not about to let it cramp his style; he’s delighted when the ex-President admires his slip-on Italian shoes.
As Nixon, Frank Langella (like Sheen a holdover from the award-winning Broadway production) is suitably hunched and guttural but more patrician and less jowly than the real McCoy. Even so, it’s a heavyweight performance – one that has already earned him a BAFTA nomination (and an Oscar nod will surely have followed by the time you read this). This Nixon is full of pride and fury, cerebral and rigorous but fatally hungry for exoneration, or, failing that (though he never quite admits it), forgiveness.
Frost/Nixon doesn’t have much to say about the disgraced President that Oliver Stone (for one) hasn’t already explored in more depth, but by the last taping, in its glib and reductionist way, it works like a charm.
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The bringing together by producers Working Title of mainstream-as-they-come American director Ron Howard and probing,... read more on Time Out
I wasn't expecting too much from this movie, which depicts events that occurred just outside my political radar as I was too hormonal at the time and so the 'momentousness' of the occasion passed me by. Add to that I have always found 'Frostie' to be smarmy and overrated and the idea of a movie all about an interview seemed to hold out the possibility I was going to fall asleep pretty quickly.
Often low expectations are the best way to see a movie, and I was instantly absorbed by the authentic 70s atmosphere that was created and of the hints at all the political intrigue taking place, with more than a few parallels with the Bush administration. Performances were slightly understated, which turned out to be just the right approach and by the end of the movie I was fully ready to be convinced I was actually watching Frost and Nixon. I have also revised my opinion of Frostie following this, incidentally; flawed he may be but I have a new respect for this achievement at least.
Now I have to watch the original and read everything I can find to fill in the inevitable gaps left by a 2 hr movie, and of course then to watch it again on DVD when it comes out so I can pause it now and then. After I watch it again maybe 5 stars?
Every year a bunch of serious dramas get released in the run up to the Academy awards. And every a year at least one film gets over rated in all the hype. Frost/Nixon is this years film.
Don't get me wrong, Frank Langella's performance makes it well worth watching. But (Sam Rockwell aside) the supporting actors are either blindly cast (Toby Jones is slapped into just about everything these days and played a similar role in 'W') or as in the case of Micheal Sheen, they are out right cringeworthy.
Sheen's impersonation is impresive in one way, but that's what it is - an impersonation, not an actor's dramatisation. It's a blend of David Frost sure, with the winks to camera feel of Austin Powers and Alan Partridge so inappropriate against Langella's triumph.
Ron Howard too, true to form, wastes the rich material. Both he and the film have stolen - Watergate style, 'The Wrestler's rightful place at the Oscar's. In my humble opinion, You're better off watching Oliver Stone's brilliant 'Nixon'
Fascinating new film from mainstream filmmaker Ron Howard about the media event of the 20th century watched by over 400 million people worldwide. The film follows entertainer, performer and playboy David Frost in his quest to become a serious journalist by interviewing the recently disgraced Richard Nixon. Nixon, the only American president ever to resign from office, wants to find a way back east to Washington from his self imposed exile in California, accepts the offer of an interview believing Frost to be a soft touch. The resulting 2 hours feature Frost and his meetings with his researchers and producers, advertisers and of course, with Nixon himself. The film as a whole works on may levels with a perfect balance of political intrigue, humour and tension. Howards direction is unfussy and concentrates on the close ups of Frost and especially Nixon in an essentially televisual manner. My only criticisms are aimed at the background of the Watergate scandal, which is never probably explained; although I do appreciate the film is solely about Frost and Nixon and on that basis I can cope with the fact that Frosts love interest, played by Rebecca Hall is underwritten.
This was slow with no real pace and with a character who did not look or sound like David Frost at all - long winded
great acting, good paced movie.
I wasn't expecting too much from this movie, which depicts events that occurred just outside my political radar as I was too hormonal at the time and so the 'momentousness' of the occasion passed me by. Add to that I have always found 'Frostie' to be smarmy and overrated and the idea of a movie all about an interview seemed to hold out the possibility I was going to fall asleep pretty quickly.
Often low expectations are the best way to see a movie, and I was instantly absorbed by the authentic 70s atmosphere that was created and of the hints at all the political intrigue taking place, with more than a few parallels with the Bush administration. Performances were slightly understated, which turned out to be just the right approach and by the end of the movie I was fully ready to be convinced I was actually watching Frost and Nixon. I have also revised my opinion of Frostie following this, incidentally; flawed he may be but I have a new respect for this achievement at least.
Now I have to watch the original and read everything I can find to fill in the inevitable gaps left by a 2 hr movie, and of course then to watch it again on DVD when it comes out so I can pause it now and then. After I watch it again maybe 5 stars?
Every year a bunch of serious dramas get released in the run up to the Academy awards. And every a year at least one film gets over rated in all the hype. Frost/Nixon is this years film.
Don't get me wrong, Frank Langella's performance makes it well worth watching. But (Sam Rockwell aside) the supporting actors are either blindly cast (Toby Jones is slapped into just about everything these days and played a similar role in 'W') or as in the case of Micheal Sheen, they are out right cringeworthy.
Sheen's impersonation is impresive in one way, but that's what it is - an impersonation, not an actor's dramatisation. It's a blend of David Frost sure, with the winks to camera feel of Austin Powers and Alan Partridge so inappropriate against Langella's triumph.
Ron Howard too, true to form, wastes the rich material. Both he and the film have stolen - Watergate style, 'The Wrestler's rightful place at the Oscar's. In my humble opinion, You're better off watching Oliver Stone's brilliant 'Nixon'
Fascinating new film from mainstream filmmaker Ron Howard about the media event of the 20th century watched by over 400 million people worldwide. The film follows entertainer, performer and playboy David Frost in his quest to become a serious journalist by interviewing the recently disgraced Richard Nixon. Nixon, the only American president ever to resign from office, wants to find a way back east to Washington from his self imposed exile in California, accepts the offer of an interview believing Frost to be a soft touch. The resulting 2 hours feature Frost and his meetings with his researchers and producers, advertisers and of course, with Nixon himself. The film as a whole works on may levels with a perfect balance of political intrigue, humour and tension. Howards direction is unfussy and concentrates on the close ups of Frost and especially Nixon in an essentially televisual manner. My only criticisms are aimed at the background of the Watergate scandal, which is never probably explained; although I do appreciate the film is solely about Frost and Nixon and on that basis I can cope with the fact that Frosts love interest, played by Rebecca Hall is underwritten.
Previous to watching this I had never seen the interviews before. But that did not matter as the film gathers momentum from the start leading to the confrontation of these two men, both in it to win it, the looser would fall to their peril.
And wow did the film deliver, the interview itself felt more like a boxing match, each of them brutualy going for each other. The film even shows different sides of the two men showing a deeper side to them both. I thoroughly enjoyed this and recommend to all, political or not you will enjoy this very well made film.
You really have to be into polictics for this one I gave it 20 minutes and it was just toooooooooo boring nothing more I can say.
Its ok, but it wasnt really my type of movie...
This was slow with no real pace and with a character who did not look or sound like David Frost at all - long winded
Frank Langella gives a brilliant performance as disgraced former president Richard Nixon in this factual pic by uber-director Ron Howard. It is an excellent role and one that he pulls of with a great amount of panache, but if you had asked me before the nominations came out for the Oscars as to who should have been getting the Best Actor nod then I would have said in a heartbeat that it should have been Michael Sheen.
Sheen has come from left field in recent years. I remember first clapping eyes on him when he portrayed Tony Blair in TV drama The Deal and thinking that it was a stunning impersonation of the then British Prime Minister (a role he subsequently reprised in The Queen). Then I briefly caught his turn as the enigmatic Kenneth Williams in Fantabuloosa and thought he had done a stunning job but the moment he opens his mouth in Frost/Nixon made me a fan.
For quite simply he IS David Frost. It was like Sheen had studied every single piece of footage that ever featured Frost, sucked all the life force out of it and then just hit the play button. The transition is remarkable and coupled with Langellas Nixon gives the film an air of authenticity and power. Then again youd be worried if these two hadnt nailed considering they have been doing the theatre version for god knows how long.
Personally I didnt know much about the Watergate scandal or the subsequent fallout. I doubt I am the only one, but thankfully Ron Howard has thought of everything on that score. Not only has he carefully constructed a nice film which flows brilliantly but has also done it in the style of a mock documentary, with the characters being interviewed about their involvement in the now infamous television trial.
Intersperse these inside anecdotes in to a telling reconstruction of the events that unfolded and what you get is a real inside glance into not only the press and its position as the public voice but also a telling biography in to these two men. The interview is presented like a 4 round boxing match and its no accident either. The experienced older dog who can slip his way out before hitting you with a sucker punch verses the spunky up and comer who may have bitten off more then he could chew. And when one fighter makes a blow, the aides come out of their corners to water them down and pep talk them through the next step.
The tension steadily builds to their final conflict and while it is done only with words it is no less brutal or bruising then a real fist encounter would have been. But then theres the whole graciousness afterwards which really tells a story, an almost touching realisation that these two believed they had faced a formidable opponent. By being able to convey all of these in to its running time, Frost/Nixon is a true spectacle to witness. I found myself having a new found respect for David Frost (a man I only knew previously from Through The Keyhole) but also for Nixon, who is given a sympathetic arm here and portrayed not as a monster but simply as a man who believed in what he was doing.
A truly excellent movie, Frost/Nixon is a more pumped up Good Night and Good Luck, and should catapult Micheal Sheen in to the A-List so long as he stops making those godawful Underworld movies
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I was disappointed in this,it was abit heavy & hard to follow & didn't explain enough about what the watergate thing was,so i found it a little dull.
gripping! Well acted.
The bringing together by producers Working Title of mainstream-as-they-come American director Ron Howard and probing,... read more on Time Out