Once Upon a Time in the West

20 Jul 2009
Critics rating: 5 stars out of 5
Reviewed by Tom Charity, LOVEFiLM

Nobody could make something out of nothing the way that Sergio Leone could.

Just look at the first ten minutes of Once Upon a Time in the West: a fistful of tough hombres in ankle-length dusters are waiting for a train at a railway depot out in the middle of nowhere.

Their faces are familiar yet strange: Woody Strode and Jack Elam are veteran Hollywood cowboys, with dozens of movies under their belts. But they have never been filmed like this before, gazed at so long or so longingly. Leone pores over their grizzled skin, in widescreen, yet in microscopic detail. A windmill on top of a leaky wooden water tower has a rusty squeak. A fly buzzes around Jack Elam’s gun. The train is late, or they are early. They wait, and the movie keeps on rolling along.

This was Leone’s fourth western, and fifth film. Each had marked a significant advance on the one before (in this case, The Good, the Bad and The Ugly – the culmination of Leone’s wildly successful ‘Dollars Trilogy’). They grew in budget, in scope and scale, in authority, in flamboyance, and in duration.

Once Upon a Time in the West was cut by twenty minutes when it was first released in the US in 1968. In the full version, it clocks in at a hefty 165 minutes – yet the story is relatively simple and the cast of characters is limited to just a handful of speaking parts. The key players are Cheyenne (Jason Robards), an easygoing outlaw who just wants to do his own thing; Harmonica (Charles Bronson), who is on the vengeance trail for the man who killed his brother; Jill McBain (the luscious Claudia Cardinale), a New Orleans whore who has come West to set up a home and arrives to find herself a widow; and Frank (Henry Fonda), a vicious hired gun who works for the railroad barons. These four figures circle each other with a proud but wary distance reminiscent of flamenco dancers, or the bullring… perhaps it’s not coincidental that the so-called ‘spaghetti’ westerns were filmed in Spain.

Once Upon a Time in the West: Claudia Cardinale

With story credits for future directors Bernardo Bertolucci and Dario Argento, both young turks at the time, this is a movie drawn from the imaginative pull of other, older films – Bertolucci said they watched nothing but westerns for a month as they prepared the script, and you may pick up bits and pieces from the likes of John Ford’s The Iron Horse and My Darling Clementine, High Noon, Johnny Guitar, Shane and The Tall T – all the young Italians’ favourites.

On this patchwork fabric, Leone embroiders a quizzical, cynical take on the foundation myth established by Ford and many others. Ford knew that “civilization” came with sacrifice and loss, but he never painted it in such brutal, violent strokes as this. It speaks volumes that Ford’s Wyatt EarpHenry Fonda – is the callous blue-eyed killer here, a man who will shoot a child without a second thought.

An opera with horses, cowboys, and bullets...

And then there’s the Ennio Morricone music. This is one of the most famous scores in film history – much quoted and parodied – and it’s integral to the film’s impact: soaring, sometimes flip, but with an undertow of nostalgia and regret. The music came first and the shooting was choreographed to the playback.

It is too bad that Variety had already coined the term ‘horse opera’ back in the 1930s, because that’s a more apt description of what Leone was up to than the condescending ‘spaghetti western’. An opera with horses, cowboys, and bullets… By the time the fat lady sings – as Leone cranes back in a truly majesterial last shot – you’ll be crying for an encore.

Reviews

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  • Critics' reviews (6) of Once Upon A Time In The West

    View all
  • 5 stars out of 5

    In seeking to paint “a fresco on the birth of a great nation”, Sergio Leone turned to the Hollywood western, rather than American history, for his inspiration. Set at the time when the dollar replaced the bullet as the currency of the frontier, this breathtaking tale of progress, greed and revenge clearly bears the influence of John Ford's seminal silent western, The Iron Horse (1924). The story focuses on Frank (Henry Fonda), a brutish gunfighter who dreams of becoming a tycoon, but who is still prepared to resort to trusted methods to drive widow Claudia Cardinale off the land coveted by a ruthless railroad company. However, Frank must also deal with a mysterious harmonica player (Charles Bronson), as well as sympathetic outlaw Cheyenne (Jason Robards), if he is to achieve his goal. The screenplay was based on an original treatment by Bernardo Bertolucci, Dario Argento and Leone himself; despite such impressive credentials, however, much of the action was improvised around the mood of the score, which Ennio Morricone had composed in advance. No wonder many critics described the film as an operatic masterpiece.

    • Radio Times
  • 3 stars out of 4

    Immensely long and convoluted epic Western marking its director's collaboration with an American studio and his desire to make serious statements about something or other. Beautifully made and very violent.

    • Halliwell's Film Guide
  • "...One beautiful image follows another....Throughout, Leone is a master of the expressive gesture in celebration of an Old West that exists more in our imaginations than it ever did in reality..."

    • Los Angeles Times
  • Most helpful members' reviews (3) of Once Upon A Time In The West

    View all
  • 61 out of 69 people found this review helpful

    Rated - 1 star

    This disc is special features

    As there is no indication on the web site I thought it appropriate to inform all that this disc is a special features disc.

      • DerekH1 from Northumberland
  • 20 out of 21 people found this review helpful

    Rated - 5 stars

    One of the great films of all time - not just in terms of narrative, but the music, direction and acting is superb. This defines great Westerns and if you're a fan of the genre, you've either seen it and love it or it's next on your list. If you hate Westerns, this is the one to watch - just for Jason Robards, Chalres Bronson and Henry Fonda if nothing else, this is one to rent and cherish.

      • cape#1 from LONDON
  • 19 out of 19 people found this review helpful

    Rated - 5 stars

    Leone’s Opera

    ‘Once Upon A Time In The West’ is in every aspect beautiful. Leone has set his epic on location in Monument Valley, in reference to Ford’s work, which does give the picture a strange nostalgia.

    It seems that every last detail is a reference to a classic western; ‘Shane’, ‘The Searchers’, ‘Johnny Guitar’ and ‘High Noon’ are all quoted. Leone executes the film frame by frame with outstanding confidence, from the mind-numbing long shots, right down to the eerie close-ups.

    Unlike a great deal of westerns, the characterization goes far, far deeper than the surface; both the brilliant screenplay, and the mesmerizing performances, notably that of Fonda, combine to present a much more complex array of characters than you might find in your average John Wayne film.

    The other most outstanding element to the film is Ennio Morricone’s cinematic miracle of an original film score. ‘The Godfather’ soundtrack is the only other original film score that is capable of matching this one. It is both phenomenal and stunningly beautiful to listen to, and fits the film perfectly.

    The irony behind ‘Once Upon A Time In The West’ is that in paying tribute to all of his favourite westerns, Leone actually surpasses them all. This does not discredit his effort, it only emphasises Leone’s genius. It is a masterpiece from beginning to end; graceful and elegant, gritty and savage, Sergio Leone’s opera is the finest film of the western genre.

      • Travis from Surrey
  • Most recent members' reviews (2) of Once Upon A Time In The West

    View all
  • 16 out of 21 people found this review helpful

    Rated - 2 stars

    Move along please, nothing to see here.

    If you've seen one Leone film you've seen this one and why this is touted as one of the best westerns ever made is, simply, beyond me. Yes the movie looks fantastic with delicious shots of Monument Valley which outdo anything in The Searchers, and the delightful little musical tics of a Morricone score highlighting characters and significant plot points, but oh the slowness of it! The tedium! The repetiveness! Let's have a shot of Claudia gazing wistfully into a mirror. Ok, now let's hold it for 2 minutes! That's a wrap...

    And it's all over this film. HUGE brooding silences and unspoken glances supposedly pregnant with meaning. HUGE close-ups of eyes (Bronson, Fonda, etc) as faces scowl and ludicrously OTT macho men do their stuff with creased brows rather than anything as sensible as talk and explain, perhaps, their motivation or - even better - what the hell is going on!

    It's a mess of convoluted and badly sewn together plot (how does Bronson know so much?), unconvincing acting (like Cardinali would last 5 minutes in the real wild west looking like that) and iconic moments on film which are either stolen from Leone's previous works or so predictable that you can't believe its happening (3 silent men wait at a deserted station for an unexplained someone to appear; when the train pulls out with no-one having disembarked, we find a stranger who got out of the OTHER side of the train (shock!) and who then (again, silently) shoots the 3 men dead. Oh, and let this single opening scene take 15 minutes of screen time. Oh, and lets not bother trying to work out who this arrival is ('cos no-one in the movie does) or how on earth they know he'll be on this train).

    Come On!

    Throw in the awful dubbing into English of the usual family of Italian bitpart actors playing stationmasters, hired hands, etc and what you've got is a pale shadow of The Good, The Bad and The Ugly but a shadow that still clocks in at 2 1/2 hours.

    It sure could (and should) be shorter and if, like me, you feel the need to watch it because it's one of those films EVERYONE should watch, then go ahead. Don't say I didn't warn you though. If you're a western lover who's never seen a Leone film before (do such people exist?) you might be impressed, otherwise it's a case of 'move along please, nothing to see here.'

    I've given one star for the way it looks, and one star for the score.

      • mistersafety from Scotland
  • 19 out of 19 people found this review helpful

    Rated - 5 stars

    Leone’s Opera

    ‘Once Upon A Time In The West’ is in every aspect beautiful. Leone has set his epic on location in Monument Valley, in reference to Ford’s work, which does give the picture a strange nostalgia.

    It seems that every last detail is a reference to a classic western; ‘Shane’, ‘The Searchers’, ‘Johnny Guitar’ and ‘High Noon’ are all quoted. Leone executes the film frame by frame with outstanding confidence, from the mind-numbing long shots, right down to the eerie close-ups.

    Unlike a great deal of westerns, the characterization goes far, far deeper than the surface; both the brilliant screenplay, and the mesmerizing performances, notably that of Fonda, combine to present a much more complex array of characters than you might find in your average John Wayne film.

    The other most outstanding element to the film is Ennio Morricone’s cinematic miracle of an original film score. ‘The Godfather’ soundtrack is the only other original film score that is capable of matching this one. It is both phenomenal and stunningly beautiful to listen to, and fits the film perfectly.

    The irony behind ‘Once Upon A Time In The West’ is that in paying tribute to all of his favourite westerns, Leone actually surpasses them all. This does not discredit his effort, it only emphasises Leone’s genius. It is a masterpiece from beginning to end; graceful and elegant, gritty and savage, Sergio Leone’s opera is the finest film of the western genre.

      • Travis from Surrey
  • 61 out of 69 people found this review helpful

    Rated - 1 star

    This disc is special features

    As there is no indication on the web site I thought it appropriate to inform all that this disc is a special features disc.

      • DerekH1 from Northumberland
  • 20 out of 21 people found this review helpful

    Rated - 5 stars

    One of the great films of all time - not just in terms of narrative, but the music, direction and acting is superb. This defines great Westerns and if you're a fan of the genre, you've either seen it and love it or it's next on your list. If you hate Westerns, this is the one to watch - just for Jason Robards, Chalres Bronson and Henry Fonda if nothing else, this is one to rent and cherish.

      • cape#1 from LONDON
  • 19 out of 19 people found this review helpful

    Rated - 5 stars

    Leone’s Opera

    ‘Once Upon A Time In The West’ is in every aspect beautiful. Leone has set his epic on location in Monument Valley, in reference to Ford’s work, which does give the picture a strange nostalgia.

    It seems that every last detail is a reference to a classic western; ‘Shane’, ‘The Searchers’, ‘Johnny Guitar’ and ‘High Noon’ are all quoted. Leone executes the film frame by frame with outstanding confidence, from the mind-numbing long shots, right down to the eerie close-ups.

    Unlike a great deal of westerns, the characterization goes far, far deeper than the surface; both the brilliant screenplay, and the mesmerizing performances, notably that of Fonda, combine to present a much more complex array of characters than you might find in your average John Wayne film.

    The other most outstanding element to the film is Ennio Morricone’s cinematic miracle of an original film score. ‘The Godfather’ soundtrack is the only other original film score that is capable of matching this one. It is both phenomenal and stunningly beautiful to listen to, and fits the film perfectly.

    The irony behind ‘Once Upon A Time In The West’ is that in paying tribute to all of his favourite westerns, Leone actually surpasses them all. This does not discredit his effort, it only emphasises Leone’s genius. It is a masterpiece from beginning to end; graceful and elegant, gritty and savage, Sergio Leone’s opera is the finest film of the western genre.

      • Travis from Surrey
  • 16 out of 21 people found this review helpful

    Rated - 2 stars

    Move along please, nothing to see here.

    If you've seen one Leone film you've seen this one and why this is touted as one of the best westerns ever made is, simply, beyond me. Yes the movie looks fantastic with delicious shots of Monument Valley which outdo anything in The Searchers, and the delightful little musical tics of a Morricone score highlighting characters and significant plot points, but oh the slowness of it! The tedium! The repetiveness! Let's have a shot of Claudia gazing wistfully into a mirror. Ok, now let's hold it for 2 minutes! That's a wrap...

    And it's all over this film. HUGE brooding silences and unspoken glances supposedly pregnant with meaning. HUGE close-ups of eyes (Bronson, Fonda, etc) as faces scowl and ludicrously OTT macho men do their stuff with creased brows rather than anything as sensible as talk and explain, perhaps, their motivation or - even better - what the hell is going on!

    It's a mess of convoluted and badly sewn together plot (how does Bronson know so much?), unconvincing acting (like Cardinali would last 5 minutes in the real wild west looking like that) and iconic moments on film which are either stolen from Leone's previous works or so predictable that you can't believe its happening (3 silent men wait at a deserted station for an unexplained someone to appear; when the train pulls out with no-one having disembarked, we find a stranger who got out of the OTHER side of the train (shock!) and who then (again, silently) shoots the 3 men dead. Oh, and let this single opening scene take 15 minutes of screen time. Oh, and lets not bother trying to work out who this arrival is ('cos no-one in the movie does) or how on earth they know he'll be on this train).

    Come On!

    Throw in the awful dubbing into English of the usual family of Italian bitpart actors playing stationmasters, hired hands, etc and what you've got is a pale shadow of The Good, The Bad and The Ugly but a shadow that still clocks in at 2 1/2 hours.

    It sure could (and should) be shorter and if, like me, you feel the need to watch it because it's one of those films EVERYONE should watch, then go ahead. Don't say I didn't warn you though. If you're a western lover who's never seen a Leone film before (do such people exist?) you might be impressed, otherwise it's a case of 'move along please, nothing to see here.'

    I've given one star for the way it looks, and one star for the score.

      • mistersafety from Scotland
  • 13 out of 20 people found this review helpful

    Rated - 1 star

    A Film of its Time

    On Release this film may have been a classic but I doubt any child of the matrix generation will make it half way through (Me Included) from its snails pace start to the constant background noises (Which if you have a half decent surround sound setup are going to drive you mental) Trust me look elsewhere if its entertainment your looking for I love westerns but they shouldn't be this hardwork.

      • Suprnova from UK
  • 10 out of 12 people found this review helpful

    Rated - 5 stars

    Best western ever!

    Yes it's a bit of a spaghetti. Yes the characters are drawn out slowly. But Bronson is the ultimate western hero - even better than the man with no name, balancing impressive understated dialog with huge screen presence.

    The music is superb and really pulls you in to each character, Robards is charming as the loveable rogue, Claudia Cardinale simply beautiful, and Henry Fonda cast against type in a role that shocked audiences at the time of its initial release. Fonda plays the ultimate villain with ease, his piercing eyes belying the extreme capacity for evil.

    Leone's masterpiece is beautifully shot and has been transferred wonderfully. The ending is one of the best in cinema history. Easily the best western ever, and probably my favourite film of all time.

    Heartily recommended - 5/5

      • Zigster from Lanarkshire
  • 10 out of 16 people found this review helpful

    Rated - 1 star

    Outraged of Ringwood

    Having thoroughly enjoyed disc 1, we were waiting with anticipation to watch the sequel, only to find this was not a film at all, but just a documentary about the film. Big disappointment!

      • TonyTone from ringwood
  • 6 out of 6 people found this review helpful

    Rated - 4 stars

    A slice of directorial genius!

    A genuine buffet for your eyes and ears, Once Upon A Time In The West is an epic tale of greed, revenge and honour. Perhaps the distinction between good and evil is too easy, though I believe it is more complicated than it first appears in this film, perhaps the characters do have sexist attitudes but it is important to remember that this is a film from and about a different era.

    However, from the opening scene the sheer visual splendour of Leone's vision is astounding. It is one where every shot seems painstakingly constructed. However, Leone does not neglect the aural for the visual. From the insistent creaking that pervades the otherwise silent opening, to the haunting melody of the harmonica, Leone’s use of sound tells us much more than we can always get from the brooding characters that inhabit the volatile surroundings he depicts.

    Though, I’m not a particular fan of Westerns generally, I would thoroughly recommend this for the multifaceted beauty of the movie.

    They say a picture tells a thousand words, but in this picture Leone tells much more.

      • JonnoMac from Kent
  • 5 out of 5 people found this review helpful

    Rated - 5 stars

    Classic spagetti cooked by the master chef !

    Well if you are into your westerns or movies in general it doesn't come much bigger than this, Sergio Leone's masterpiece Once Upon A Time In The West pretty much encapsulates everything that was good about his previous spagetti westerns but with performances from actors who were at the height of their game. Although it lacks Clint Eastwoods cool as ice, man with no name character or Lee Van Cleef's steely glaze, the film doesn't suffer as Charles Bronson turns in a career best character as the silent but deadly 'Harmonica', combined with Henry Fonda's transformation into one of cinema's nastiest bad guys. Sweeping photography and set design that would have made John Ford happy along with an orchestral, highly moving soundtrack from Ennio Morricone that blends the movie together perfectly... essential cinema for any movie fan.

      • A customer from Nottingham, England
  • 5 out of 7 people found this review helpful

    Rated - 1 star

    Well-shote but boring

    This may be regarded by some a classic but it cannot make up for the fact that this is a mind-numbingly boring movie. I suggest you avoid it unless you need help going to sleep.

      • Dev Desai from London, England
  • Critics' reviews (6)

  • 5 stars out of 5

    In seeking to paint “a fresco on the birth of a great nation”, Sergio Leone turned to the Hollywood western, rather than American history, for his inspiration. Set at the time when the dollar replaced the bullet as the currency of the frontier, this breathtaking tale of progress, greed and revenge clearly bears the influence of John Ford's seminal silent western, The Iron Horse (1924). The story focuses on Frank (Henry Fonda), a brutish gunfighter who dreams of becoming a tycoon, but who is still prepared to resort to trusted methods to drive widow Claudia Cardinale off the land coveted by a ruthless railroad company. However, Frank must also deal with a mysterious harmonica player (Charles Bronson), as well as sympathetic outlaw Cheyenne (Jason Robards), if he is to achieve his goal. The screenplay was based on an original treatment by Bernardo Bertolucci, Dario Argento and Leone himself; despite such impressive credentials, however, much of the action was improvised around the mood of the score, which Ennio Morricone had composed in advance. No wonder many critics described the film as an operatic masterpiece.

    • Radio Times
  • 3 stars out of 4

    Immensely long and convoluted epic Western marking its director's collaboration with an American studio and his desire to make serious statements about something or other. Beautifully made and very violent.

    • Halliwell's Film Guide
  • "...One beautiful image follows another....Throughout, Leone is a master of the expressive gesture in celebration of an Old West that exists more in our imaginations than it ever did in reality..."

    • Los Angeles Times
  • The Western is dead - or so they tell us. Long live Leone's timeless monument to the death of the West itself, rivalled... read more on Time Out

    • Time Out
  • "...Brilliant....Brutal, bloody and poetic, this is, without hyperbole, one of the greatest Westerns ever made..."

    • Total Film
  • "...Director Sergio Leone's 'spaghetti' masterpiece'..."

    • USA Today

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