Billie Frechette (Marion Cotillard) isn't used to swanky restaurants. A hat-check girl, she's self-conscious about her cheap dress. "Everyone's looking at me," she says.
“That’s because they’re all about where you come from; not where we’re going,” returns her date, a gallant John Dillinger (Johnny Depp).
It’s no secret that where Dillinger is going is an early grave, as he and Billie dimly appreciate. First though, he promises a taste of the fast life: cars, money, clothes, maybe Cuba… Does she want to take that ride with him? Oh yes, she wants to take that ride.
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And so do we. That’s the sex appeal of the gangster. A Volvo is safer but who doesn’t want to take a Ferrari for a spin?
Michael Mann’s crisp, brittle, slightly skimpy movie offers a modern reprise on classic gangster themes and revisits many familiar obsessions from Mann’s film and TV work. The cat-and-mouse, hunter-and-prey relationship between J Edgar Hoover’s Chicago bureau chief Melvin Purvis (Christian Bale) and public enemy number one Dillinger recalls Al Pacino and Robert De Niro in Heat, as well as similarly double-pronged star vehicles The Insider, Collateral and Miami Vice.
There’s nothing new about this schema – as Mann goes out of his way to illustrate, the same good guy/bad guy motif crops up in the 1934 Clark Gable-William Powell gangster movie Manhattan Melodrama, the last film John Dillinger ever saw, just minutes before Purvis got his man.
What interests Mann about it, I think, is the way that each character offers a measure by which to judge the other. As in Heat, Purvis and Dillinger meet only once, to talk, and then again, at the climax, to kill and be killed.
If the confrontation of Bale and Depp doesn’t pack the same iconic punch as Pacino and De Niro, it’s not hard to intuit that Mann has more time for Jack Sparrow than the Dark Knight, and their exchange in a Midwestern jail cell remains central to the film. It’s also entirely fictitious – worth noting because a good deal of Ronan Bennett’s screenplay – including verbatim conversations – comes directly from Bryan Burrough’s scrupulously sourced non-fiction book of the same name.
Public Enemies: Christian Bale and Billy Crudup
When Dillinger reprimands Purvis for shooting down Pretty Boy Floyd, the poetic license is extended still further – as a point of historical fact Floyd died several months after Dillinger, and though Purvis was at the scene he almost certainly didn’t pull the trigger. (He wasn’t the crack shot Bale is in the movie, nor the ace law-officer celebrated by the newspaper-men of the time.)
Of course, he really did coordinate the public execution of John Dillinger, an assassination as much as it was an attempted arrest and maybe the most perfidious crime in the picture (with the brutal “gloves off” interrogation of Billie Frechette a close second).
It’s also true that the real Dillinger was a loyal and fair-minded friend, and a solicitous, even charming bank robber who appears to have valued human life. He might kidnap a clerk to use as a human shield during an escape, and then offer him his coat if he saw him shivering. So when the incarcerated Depp advises the smug Bale that he should find a different line of work for his own peace of mind, his words carry a certain weight… Not moral authority, perhaps, in the wider scheme of things, but psychological acuity – even sincerity.
Cavalier and charismatic, Depp plays the outlaw as hero, not least in contrast to Bale’s narrow and grim government agent. All the romance in the picture comes from Depp: the graceful ease with which he vaults a bank railing; his dedicated courtship of Billie; his astonishingly bold prison breaks (also true to the historical record) and jocular finesse with reporters (ditto).
Still, the movie’s invitation to take Dillinger at face value feels a bit perfunctory, even old hat. There’s little in Public Enemies that Arthur Penn didn’t anticipate forty years ago in Bonnie And Clyde, except maybe the intriguing and plausible idea that organized crime may have pulled the plug on the old style go-it-alone bank robber in a doomed attempt to forestall the Roosevelt administration’s plans for a federal law enforcement agency.
Shot largely on high definition video, Public Enemies doesn’t look like the old gangster movies – to my eye, it looks like TV. The images gain in immediacy what is lost in luster, but opinions will vary about the merits of that equation. I found the visuals cold and alienating, others may appreciate the more contemporary feel.
Public Enemies: Johnny Depp
Strongly cast but (and I don’t often say this) too short at two hours 20 minutes, Mann’s movie is rarely unimpressive, scene for scene, yet it left me looking for more texture, more depth and more Heat. I’ll be watching it again, for sure, but I do wonder if Mann’s embrace of digital photography also heralds his apprehension that the days of cinema itself are numbered. The loving way he shoots Dillinger watching Gable has an elegiac undertow. That’s one more reason I’m holding out for a longer running time on the Blu-ray…
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Two of the finest actors of their time. The hunter and the hunted. A Michael Mann crime classic. But enough about... read more on Time Out
This film never grabbed me from the first. I was waiting for something to happen, but everything was merely superficial. There was no real decent plot to follow, no change or interest in the characters, and the direction was useless and pointless.
I found the 30s theme interesting, and think they went to great length to bring the audience a 'realistic' feel of the 1930s, and of the depression; also, the style of direction initially caught my eye - however these, let's say, stylistic monouvres became the only thing of interest, and I continued to wonder - where is this film going?
However, it didn't go anywhere, and is another terrible indictment on the recent films coming out of hollywood. Do not rent this film if you are looking for a decent story, If you liked the untouchables, you might find this film interesting.
Terrible, what a waste.
All I can say is I was very disappointment at this movie,
Both the lead's are great actors and a host of very good supporting actors which seemed to be hidden away through out most of the movie,
I found myself wondering how could this movie fail,
You find yourself thinking, don't worry, it will get better, the and then you realise that's two hours of your life, gone, gone forever, be warned.
The acting and the scriped seemed very forced with actors that everyone knows are far better, I like all the actors in this movie and have liked most of the movies, yet i have found myself disapointed,
come on the remake.
This film never grabbed me from the first. I was waiting for something to happen, but everything was merely superficial. There was no real decent plot to follow, no change or interest in the characters, and the direction was useless and pointless.
I found the 30s theme interesting, and think they went to great length to bring the audience a 'realistic' feel of the 1930s, and of the depression; also, the style of direction initially caught my eye - however these, let's say, stylistic monouvres became the only thing of interest, and I continued to wonder - where is this film going?
However, it didn't go anywhere, and is another terrible indictment on the recent films coming out of hollywood. Do not rent this film if you are looking for a decent story, If you liked the untouchables, you might find this film interesting.
Terrible, what a waste.
This film never grabbed me from the first. I was waiting for something to happen, but everything was merely superficial. There was no real decent plot to follow, no change or interest in the characters, and the direction was useless and pointless.
I found the 30s theme interesting, and think they went to great length to bring the audience a 'realistic' feel of the 1930s, and of the depression; also, the style of direction initially caught my eye - however these, let's say, stylistic monouvres became the only thing of interest, and I continued to wonder - where is this film going?
However, it didn't go anywhere, and is another terrible indictment on the recent films coming out of hollywood. Do not rent this film if you are looking for a decent story, If you liked the untouchables, you might find this film interesting.
Terrible, what a waste.
All I can say is I was very disappointment at this movie,
Both the lead's are great actors and a host of very good supporting actors which seemed to be hidden away through out most of the movie,
I found myself wondering how could this movie fail,
You find yourself thinking, don't worry, it will get better, the and then you realise that's two hours of your life, gone, gone forever, be warned.
The acting and the scriped seemed very forced with actors that everyone knows are far better, I like all the actors in this movie and have liked most of the movies, yet i have found myself disapointed,
come on the remake.
I can totally understand the fascination people had and have with the likes of Dillinger, Bonny and Clyde etc...Simply because the course of action these people decided to take (despite being doomed from the start to end in inevitable tragedy) against the law epitomises a part in all (if not most) of us that wishes we could be reckless enough to do the same: just act without worrying of consequences. Right and wrong seems to be of no consequence when watching Dillinger in action, you actually start to like him, because he is so confident and amazingly charismatic. Of course it is understood that if the Government did not put stop to outlaws like Dillinger that more of his type would keep popping up and the situation would get out of control. Plus with the added issue that Dillinger's escapes and actions were starting to make the FBI a laughing stock! Johnny Depp was definitely the right choice for Dillinger, however I wouldn't have chosen Bale to play Purvis, he just didn't fit the character too well. I liked this movie as a reminder for the true story behind the movie. Don't get me wrong:the movie was exciting (except for a few badly shot, amateurish camera action scenes) but the thought that it was based on a true story was alot better. Having seen photos of the real people and read their backgrounds sets a person's mind racing to imagine how so much more intense and gripping their lives must have been living in the 30's as bank robbers.(considering the historical backdrop of what was happening in the US at that time). Movies are always glammed up with pretty looking actors and scenes modified to create a specific effect: but real life is messy, and plays out so much more interesting than what Hollywood could ever deliver as a retelling of a fantastic series of events in the life of J.H. Dillinger: Public Enemy Number One! It's just a shame that a camera didn't follow the real Dillinger around when he was living: now THAT would have been a movie worth seeing!
I expected to be blown away by this movie but I was never gripped and found myself thinking of other things, {never a good sign, especially in the cinema!}.
The performances are good as one would expect with such a cast but despite this I never really engaged with the characters and found the movie pretty slow moving and thusly hard going.
I wish I'd saved my money and waited for a dvd release.
Could do better as my school reports used to say!
I made the mistake of seeing this film expecting an old school action film, this was due to the trailer suggersting it is this.
the film is a lot more a story about dillinger.
if you are going wanting to see an action flick you will be disappointed, but if you appreciate brilliant acting and drama this film is excellent.
Film moves along similar to walk the line (johnny cash biopic) segmenting different parts of dillinger's life,
found it interesting and compelling.
Look, any Michael Mann film is an event and this is no exception. Its a wonderful narrative and an intellectual film for adults. Great action setpieces and very stylishly presented.
I am not convinced that the digital filming technology was right for this period set film, but it will keep you watching.
The only real flaw for me is Mann's obsession with the good guy/bad guy theme, such as they are mirrors of one another, as in Heat, manhunter, Collateral etc. Here it seems hackneyed, and Bale just doesn't impress me. Depp carries the film and Cottilard is woefully underused.
But, this is still a top movie, see it at all costs.
No real plot, just lots of shooting. They could
have done more with the love story.
Michael Mann back at his best, it may not be action packed but then its not suppose to be. If you appreciate great acting with the coolness of Mann's directing makes this a great film to watch.
Beware though if your after cheap thrills and explosions then stay away.
Two of the finest actors of their time. The hunter and the hunted. A Michael Mann crime classic. But enough about... read more on Time Out