For a young man growing up in the shanty towns of Dominican Republic, two career opportunities seem the likeliest prospects when it comes to finding work...
… selling mobile phones is one. Playing baseball is the other.
No prizes for guessing which career path 19-year-old Miguel Santos (Algenis Perez Soto) opts for when the US scouts come calling. Miguel – nicknamed “Sugar” – has a peach of a right arm. Along with two dozen of his peers – this year’s crop – he is issued a temporary work visa and sent to the US minor leagues for the summer. That’s where his future will be decided.
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Sugar lands up in Iowa, playing for the (fictional) Kansas City Knights. He is given a room on a Midwestern farm where the elderly couple (Richard Bull and Ann Whitney) are baseball fanatics and down home Christians. They show him every kindness, take him to church, and work with him on his minimal English. They also have a granddaughter (Ellary Porterfield), who could be a prospect of another kind.
A couple of years ago writer-director team Ryan Fleck and Anna Boden came up with a startling, fresh variation on the classroom movie, Half Nelson.
Their follow-up has no more in common with most sports movies than Half Nelson had with Grange Hill. For a start, we scarcely see the outcome of any of the games. In an environment where winning is everything that’s a radical gesture.
Fleck and Boden?s approach is naturalistic and self-effacing. They shy away from melodrama, preferring to observe how relationships develop and perceptions shift in subtle, incremental scenes.
Sugar: Algenis Perez Soto
If Ryan Gosling gave an electrifying performance in Half Nelson, newcomer Soto is equally central to Sugar, and just as compelling, but in an entirely different register. Gosling?s character was a talker, articulate and self-dramatizing. Soto’s scarcely speaks English. He is alone and bewildered in a world unlike any he has known before. Yet his face is an eloquent index of the conflicted emotions he experiences as his pitching form fluctuates and his confidence sags.
Refreshingly, Fleck and Boden resist the temptation to caricature the Midwesterners. These are plain, decent folk who mean well, but whose own life experience is too narrow to truly understand what their guest is going through.
So don’t be put off if you’re not into baseball. The film is really about immigration and economic exploitation; that, and a young man finding his feet in the world. Truth be told, it’s an anti-sports movie, at least in the cutthroat competitive sense that we usually see. In A League of Their Own Tom Hanks insists that “there is no crying in baseball”. Well, you might find a lump in your throat before this fine film is done.
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