Recently our screens have endured a glut of gruesome franchises and silly paranormal CCTV footage films.
But director Nick Murphy and co-writer Stephen Volk (the man behind the BBC’s controversial Ghostwatch) have taken a step back to a simpler age when horror wasn’t about how much blood could be shed onscreen; The Awakening is much cleverer than that.
It's set just after WW1 and a deadly outbreak of flu, at a time when a grieving generation was desperate for news of the dear departed. Florence Cathcart (Rebecca Hall) is a debunker of all things supernatural, exposing sham séances and dismissing apparitions as figments of over active imaginations. So when a teacher (Dominic West) from a remote Cumbrian boarding school asks her to look into the recent tragic death of a pupil, which occurred amidst tales of ghostly sightings, she packs her equipment and heads north. However her investigation may not be as straight forward as it first seems.
Director Nick Murphy is obviously a fan of chiller classics such like The Innocents and The Shining, as The Awakening is more about what you don’t see than what you do and is much better for it.
Rebecca Hall
For the first 80 minutes or so, Murphy is all about fleeting glimpses or brief reflections that hint at spooky goings on. A suitably submissive score adds to the tension as Florence starts to uncover the remote school’s secrets, as wooden floors creak and bow underfoot. Meanwhile a series of strategically placed doll’s houses create a disturbing and creepy vibe. And an interesting twist means there’s no simple answers or standard Hollywood cop-out ending; this is a film that could well be worth a second viewing as, once things become clear, earlier events begin to carry more significance.
Hall is great as the stoic but anguished Cathcart who is struggling to reconnect with the living after losing her fiancé in the war while West offers solid support as Mallory, a man haunted just as much by his past in the trenches as he is by events at the school. Imelda Staunton and Isaac Hempstead Wright round out what is largely a four-handed cast for the majority of the film as the house’s long-serving Matron and a schoolboy left behind for half-term.
Tense, unsettling and sometimes jump-out-of-your-seat scary, The Awakening is the sort of movie that will give you chills without really trying. And when it does try, boy is it effective; this is the stuff true nightmares are made of.
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