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Max
on DVD (2002)
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Brief synopsis of Max
MAX, directed by Oscar-nominated screenwriter Menno Meyjes, stars John Cusack as the title character, Max Rothman, a German-Jewish man who lost his right arm while fighting for his country during World War One. Although Rothman is no longer able to pursue his dream of becoming an artist, he channels his love of art into a successful gallery that shows the work of many European modernist painters, including George Grosz (portrayed by Kevin McKidd). At one of his gallery openings, Rothman meets an artist and fellow WWI soldier, an intense young man named Adolf Hitler (Noah Taylor). Largely out of a veteran's bond, Rothman agrees to buy some of Hitler's work and encourages the frustrated painter to channel his emotions onto the canvas. However, angered and disillusioned by Germany's impoverished state, Hitler also begins flirting with politics and public speaking. As Rothman comes closer to selling his work, Hitler's interests take a turn--a turn that will change the course of world history.
Stirring up controversy even before its release, MAX largely avoids the pitfalls often associated with taking on major historical figures. Although the film is about Hitler, as the title implies, it focuses more on the intriguing and complex character of Max Rothman, who is excellently portrayed by Cusack. In spite of his lost arm and his country's decline, Rothman tries to remain optimistic and finds solace in his appreciation of art. Meanwhile, Hitler's artistic output is largely unimaginative, and Taylor's performance as the future dictator and mass murderer is far from flattering or sympathetic. A smart and unusual film that handles its delicate subject matter well, MAX is a engaging look at the lives of two men just before they are irrevocably altered.
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Critics Reviews
Radio Times
Of all the 20th-century dictators, none has been more demonised than Adolf Hitler. Which is why, for all its flaws, writer/director Menno Meyjes's feature debut is a brave and — at least thematically — fascinating work. Controversially focusing on Hitler the man as opposed to the monster, Meyjes offers a fictional account of the early events that set a demobbed soldier and frustrated artist on the road to genocide. It's almost like a dark fable, as fellow First World War veteran and Jewish art dealer Max Rothman (John Cusack), befriends the obnoxious young Adolf (Noah Taylor) and tries to persuade him to put as much passion into his painting as he does into his embryonic hate politics. While the drama is well shot and Taylor gives a striking performance, the film is ultimately too contrived and simplistic to take seriously. Suggesting that Hitler's future reign of terror was merely revenge for his artistic failure is hard to swallow, while the stereotyping of philanderer Cusack and his bourgeois Jewish family is questionable given how events in Germany eventually unfolded.
Time Out
Munich, 1918: a destitute, bigoted soldier and a wealthy Jewish art dealer strike up an uneasy acquaintance rooted in...
Read more on www.timeout.com
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